In the play, what happens when emotions come in conflict with principles, and how do choices under pressure define who we really are? The lobby of a Manhattan apartment building is much more than a waiting area for four New Yorkers involved in a murder investigation. It’s a testing ground for what happens when personal and professional personas find themselves at odds. A young security guard with big ambitions clashes with his stern boss, an intense rookie cop and her unpredictable partner in a play from the 2017 Oscar-winning writer of Manchester by the Sea.
And as Lonergan's web of dilemmas grows more interesting, Henry's performance blossoms, riding an arc of injustice that seems to bend permanently away from a security guard with big plans and the wrong color of skin. It's powerful to watch him simmer and boil and wither, while Cera plays his downtrodden but still privileged foil. The rest of the show: It's got a lot of potential.
Despite a slow start and an abrupt ending, the play takes on an absorbing quality with the news that William's brother has been accused of participating in a brutal murder, which brings out the complexities in the four uniformed characters. It also contains many funny moments and themes (harassment, crisis management, social mobility) that are relevant to working professionals.
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