Pulitzer Prize-winning playwright Ayad Akhtar (Disgraced, The Who & The What) makes his New York Theatre Workshop debut with The Invisible Hand, directed by two-time Obie Award winner Ken Rus Schmoll (Red Dog Howls). The Invisible Hand follows an American investment banker, kidnapped and held for ransom in Pakistan, as he trades for his life. This suspenseful new play is a chilling and complex look at how far we will go to save ourselves and the devastating ramifications of our individual actions on global power and politics.
Performance Space New York in collaboration with Arika and the Whitney Museum of American Art presents I wanna be with you everywhere, a gathering of, by, and for disabled artists and writers and anyone who wants to join in a series of programs that refuse policies of individuation and inclusion in favor of (and in the flavor of) whatever disability aesthetics has in bodymind. Organized by Arika, Amalle Dublon, Jerron Herman, Carolyn Lazard, Park McArthur, Alice Sheppard, and Constantina Zavitsanos, the festival features performances and readings by Eli Clare, John Lee Clark, Kayla Hamilton, Johanna Hedva, Jerron Herman, Cyr e Jarelle Johnson, Camisha L. Jones, Leah Lakshmi Piepzna-Samarasinha, Jordan Lord, NEVE, Akemi Nishida and Alice Sheppard.
Lori Sokol, Executive Director of Women's eNews, today announced the Host, Honorary Gala Chair, and Honorary Gala Co-Chairs for the 19th annual '21 Leaders for the 21st Century' Awards gala, which will take place on May 6th at Club 101 in New York City.
After his hit production of King Charles III, David Muse returns to Shakespeare Theatre Company to direct Shakespeare's Richard the Third, a mesmerizing chronicle of the megalomaniac's rampage to the throne. The production will play at Sidney Harman Hall (610 F Street NW) from February 5-March 10, 2019.
After his hit production of King Charles III, David Muse returns to Shakespeare Theatre Company to direct Shakespeare's Richard the Third, a mesmerizing chronicle of the megalomaniac's rampage to the throne. The production will play at Sidney Harman Hall (610 F Street NW) from February 5-March 10, 2019.
After his hit production of King Charles III, David Muse returns to Shakespeare Theatre Company to direct Shakespeare's Richard the Third, a mesmerizing chronicle of the megalomaniac's rampage to the throne. The production will play at Sidney Harman Hall (610 F Street NW) from February 5-March 10, 2019.
What does a black Christian man and a white Jewish man have in common? Griffin Matthews, a black Christian man, and Matt Gould, a white Jewish man, are co-directors of a non-profit, co-writers of a docu-musical, and co-parents to a beautiful little boy. Their theatre piece WITNESS UGANDA (based on their non-profit UgandaProject) will begin February 8, 2019 at The Wallis. They took some time out of their combined multi-tasking to answer a few of my inquiries.
Berkeley Repertory Theatre today announced the full cast and creative team for Metamorphoses. This co-production with the Guthrie Theater is led by nationally and internationally renowned writer and director Mary Zimmerman.
Chicago Magic Lounge, Chicago's home for close-up magic, announces offerings for Winter and Spring 2019, including special Signature Shows celebrating Valentine's Day and CML's one-year anniversary in February, as well as upcoming Showcase performers. Beginning April 3, Chicago Magic Lounge will also offer a new Artist-in-Residence series on Wednesday evenings at 7:30pm.
Shakespeare's Globe is delighted to announce the Summer Season 2019. Celebrating and interrogating our 'sceptred isle' through Shakespeare's history plays, a year-long journey begins with Richard II, opening 22 February in the Sam Wanamaker Playhouse, continuing into the Globe Theatre this summer with Henry IV Parts 1 and 2, and Henry V. The season also includes A Midsummer Night's Dream, The Merry Wives of Windsor, Ben Jonson's Bartholomew Fair, and the return of 2018's As You Like It. Robin Hood tales will form the core of the Read Not Dead series this year, and festivals throughout the summer include Women & Power and Poland is Hamlet. This year's Playing Shakespeare with Deutsche Bank production will be Romeo and Juliet, opening on 28 February, with 20,000 free tickets available to state secondary schools. The Shakespeare's Globe Touring Ensemble will once again present a trio of plays for the audience to choose from: The Comedy of Errors, Pericles, and Twelfth Night.
This poetic new play with music follows Ed, a gay Jesuit priest who leaves the Catholic church to reconcile with his estranged brother in an isolated and icy township in Alaska. As Ed confronts his tragic past and tenuous future, he unexpectedly finds love beneath the starry Alaskan sky, and support from an unlikely ally. Introducing an auspicious new voice in American theatre, The Hour of Great Mercy by Miranda Rose Hall, is a tender, insightful and compassionate story about our collective relationship to illness, family, and redemption.
Linda Shelton, Executive Director of The Joyce Theater Foundation, announced today the New York City dance organization's programming for its Spring/Summer '19 season. Featuring a host of New York and world premieres, as well as iconic works from lauded companies, The Joyce Theater fulfills its mission of promoting the richness and variety of the performing arts to embrace the entire spectrum of movement styles and traditions. the upcoming Joyce season is poised to deliver engaging pieces for dance aficionados and newcomers alike.
Berkeley Repertory Theatre today announced the full cast and creative team for Metamorphoses. This co-production with the Guthrie Theater is led by nationally and internationally renowned writer and director Mary Zimmerman.
After his hit production of King Charles III, David Muse returns to Shakespeare Theatre Company to direct Shakespeare's Richard the Third, a mesmerizing chronicle of the megalomaniac's rampage to the throne. The production will play at Sidney Harman Hall (610 F Street NW) from February 5-March 10, 2019.
Arena Stage at the Mead Center for American Theater announces the full company for the world premiere of Kenneth Lin's timely cautionary tale of capitalism run amok, Kleptocracy. Inspired by the power struggle between the richest of the Oligarchs and an ambitious Vladimir Putin after the collapse of the Soviet Union, Lin (House of Cards) explores U.S. - Russia relations then and now. Directed by Jackson Gay, and by special arrangement with Robert Ahrens, Mickey Liddell and Michael Mills, Kleptocracy runs January 18 - February 24, 2019 in the Kreeger Theater.
NETWORK begins previews tonight, November 10 at Broadway's Belasco Theatre. Get to know the cast below as they begin Broadway performances!
Theatre Exile opens its 2018/2019 season with Itamar Moses's Completeness. Elliot builds a computer program to help Molly with her research project, and the variables in their evolving relationship shift as rapidly as the terms of their experiment. This incredibly seductive and ridiculously intelligent comedy by 2018 Tony Award-winner Itamar Moses explores the chemistry between smart, damaged people and what happens when they lose control of the science.
Arena Stage at the Mead Center for American Theater continues to host Arena Civil Dialogues to engage the D.C.-area community. Scholar, professor and public intellectual Amitai Etzioni curates and moderates a series of discussions focusing on topics and questions in today's headlines. The next Arena Civil Dialogue will discuss what makes a great America and will be held in the Molly Smith Study at Arena Stage at the Mead Center for American Theater from 5:30-7 p.m. on November 11, 2018.
In a darkly comic exploration of family dysfunction and the patriarchy, Pi Theatre presents the Canadian premiere of acclaimed American playwright Taylor Mac's Hir from November 22-December 8, 2018, at Vancouver Civic Theatre's Annex. The production explores the dynamics of a suburban family dealing with PTSD, identity crises, and gender politics in absurdly realistic fashion. Featuring an incredible cast of accomplished performers, Mac's play introduces audiences to Isaac, a war veteran who returns to the suburbs to find a household in chaos. Isaac must learn to find balance between a disabled patriarch, a liberated mother, and a newly out transgender teen in this timely and subversive work.
When asked to describe the title track from his new record, Kyle Thomas-aka King Tuff-takes a deep breath. "It's a song about hitting rock bottom," he says. "I didn't even know what I wanted to do anymore, but I still had this urge-this feeling-like there was this possibility of something else I could be doing… and then I just followed that possibility. To me, that's what songwriting, and art in general, is about. You're chasing something, there is something out there calling to you and you're trying to get at it. 'The Other' is basically where songs come from, it's the hidden world, it's the mystery. It's the invisible hand that guides you whenever you make something. It's the thing I had to rediscover-the sort of voice I had to follow-to bring me back to making music again in a way that felt true and good."
J.T. Rogers' Oslo, winner of the 2017 Tony Award for Best Play, and Sarah Ruhl's Dear Elizabeth play in rotating repertory live on stage at the Barrette Center for the Arts in White River Junction, VT. Oslo plays September 19 - October 21 and Dear Elizabeth, October 4 - 28. For tickets and information, call (802) 296-7000 or visit northernstage.org. Tickets start at $19 for students and $34 for adults.
Choreographer Stephen Mills and Ballet Austin are pleased to present the world premiere of Grimm Tales, a full-length work inspired by the visual art of Natalie Frank
The Barbican today launches Life Rewired, an arts and learning season running throughout 2019 exploring what it means to be human in the face of technological and scientific forces that are dizzying in their speed, scale and complexity.
Videos