The hilarious and provocative Hand to God centers on shy, inquisitive student Jason, who finds an outlet for his burgeoning creativity at the Christian Puppet Ministry in the devoutly religious, relatively quiet small town of Cypress, Texas. Jason's complicated relationships with the town pastor, the school bully, the girl next door and-most especially-his mother are thrown into further upheaval when Jason's hand puppet Tyrone-once soft-spoken-takes on a shocking and dangerously irreverent personality all its own. As Tyrone's influence over Jason steadily grows, Hand to God explores the startlingly fragile nature of faith, morality, and the ties that bind us.
Hand to God will feature the complete cast of the hit 2014 MCC Theater production: Steven Boyer as Jason/Tyrone; Geneva Carr, in her Broadway debut, as Margery; Tony Award nominee Marc Kudisch as Pastor Greg; Sarah Stiles as Jessica; and Michael Oberholtzer, in his Broadway debut, as Timmy. Boyer reprises the role for which he has been honored with an Obie Award, the Lucille Lortel Award for Outstanding Leading Actor in a Play, the Actors' Equity Association Clarence Derwent Award for Most Promising Newcomer, and a citation from the Drama League for Distinguished Performance, among other awards.
Tyrone is a puppet with sharp teeth that lives at the end of the right arm belonging to timid Jason (Steven Boyer). The fabric creature struts his considerable stuff in Hand to God, Robert Askins's career-making play that has now and for all the best reasons been transferred from off-off-Broadway to off-Broadway to Broadway, at the Booth...Boyer -- who resembles Irving Penn's photographs of the young Truman Capote -- is giving a career-making performance every bit equal to Askins's work. He's utterly captivating, utterly heart-breaking in his transition from a shy boy with a puppeteering inclination to a terrified young man in possibly unbreakable thrall to a virtually autonomous bully who's not reluctant to declare himself the Devil...The truth is, that the Hand to God assault on religion as irrevocable healer both tickles the ribs and gives them a powerful punch.
...it's a rare and wonderful thing to see director Moritz von Stuelpnagel's aggressively punk production, which started at the 99-seat Ensemble Studio Theatre and was then plunked by MCC into Off-Broadway's Lortel, now gracing Shubert Alley...Before you know it, it turns out that Askins' drama, as well as Jason's puppet, has some powerful teeth. Though uproariously funny at times, the serious-minded production will have the more squeamish playgoers averting their eyes at the bloody and desperate climax...In order for Broadway to seriously claim itself to be the heart of American theatre, more plays like this need to be produced there regularly. Hollywood stars and pop music icons may bring in the crowds, but nothing beats good writing, adventurous ideas and major attitude.
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