A wildly funny, surprising and devastating tale of survival as seen through the lens of a troubling relationship between a young girl and an older man. HOW I LEARNED TO DRIVE is the story of a woman who learns the rules of the road and life from behind the wheel.
The 72nd Annual Tony Awards are this Sunday June 10th at 8/9c hosted by Josh Groban and Sara Bareilles. It's the biggest award show of the Broadway season and it closes out a long awards season for Broadway and Off-Broadway musicals and plays. We can't help but wonder what chances this year's Best Musical and Best Play nominees have of taking home the ultimate prize...
Actors Co-op Theatre Company (Ovation Award-Winner 2017 Best Play, Intimate Theatre for 33 Variations) is proud to present the Tony nominated musical VIOLET, with music by Jeanine Tesori, book and lyrics by Brian Crawley, based on the short story 'The Ugliest Pilgrim' by Doris Betts, directed by Richard Israel, produced by Thomas Chavira. Violet opens Today, May 11 at 8:00 pm, and will run through Sunday, June 17 at the Actors Co-op Crossley Theatre, 1760 N. Gower Street, 90028 (on the campus of the First Presbyterian Church of Hollywood) in Hollywood.
The Artistic Home Ensemble will present the Chicago premiere of Lauren Gunderson's ADA AND THE ENGINE as the final entry in its three-play 2018-19 season, according to company Artistic Director Kathy Scambiatterra, who announced the season today. The 36-year-old Gunderson was the most-produced playwright in America during 2017, according to American Theatre Magazine.
Actors Co-op Theatre Company (Ovation Award-Winner 2017 Best Play, Intimate Theatre for 33 Variations) is proud to present the Tony nominated musical VIOLET, with music by Jeanine Tesori, book and lyrics by Brian Crawley, based on the short story 'The Ugliest Pilgrim' by Doris Betts, directed by Richard Israel, produced by Thomas Chavira. Violet opens Friday, May 11 at 8:00 pm, and will run through Sunday, June 17 at the Actors Co-op Crossley Theatre, 1760 N. Gower Street, 90028 (on the campus of the First Presbyterian Church of Hollywood) in Hollywood.
The Artistic Home's production of HOW I LEARNED TO DRIVE, featuring Elizabeth Birnkrant and John Mossman, has been extended an additional two weeks due to audience demand and will now close on Sunday, May 20 rather than the originally announced closing of May 6. Artistic Director Kathy Scambiatterra made the announcement today. The production opened to raves on March 25. NEW CITY said "this strong production of an important play … has the delicate combination of intimacy, directness and imagination that gives live theater its magic..." The CHICAGO READER called the production "intense and devastating, shocking, and human."
People's Light proudly presents an inventive, intimate version of one of Shakespeare's most timeless plays. In Romeo & Juliet: A Requiem, the parents, Friar, and Nurse recreate the passion and recklessness of their star-crossed children to face their culpability and seek redemption.
Lincoln Center Theater's upcoming production of Lerner & Loewe's My Fair Lady is officially in previews! Get to know the cast below as they begin Broadway performances!
Artistic Directors Douglas Aibel and Sarah Stern announce that Irina Dvorovenko ('The Americans'), a former American Ballet Theatre principal dancer, Tony Award nominees Tony Yazbeck (ON THE TOWN, FINDING NEVERLAND) and Peter Friedman (RAGTIME, The Vineyard's THE SLUG BEARERS OF KAYROL ISLAND...), and Teagle F. Bourgere (THE CRUCIBLE, A RAISIN IN THE SUN) will be featured in the world premiere of THE BEAST IN THE JUNGLE, an original work fusing dance, drama and music by legendary composer and four-time Tony Award winner John Kander (CABARET, CHICAGO), Tony Award nominee playwright David Thompson (STEEL PIER; FLORA, THE RED MENACE), and five-time Tony Award-winning director and choreographer Susan Stroman (THE PRODUCERS, CONTACT). Performances will begin May 4, 2018 with opening night set for May 23. Kander, Thompson, and Stroman previously collaborated at The Vineyard on THE SCOTTSBORO BOYS.
On the heels of a sold out, twice-extended world premiere produced by Vineyard Theatre in association with Audible, Audible Inc., the world's largest producer and provider of downloadable audiobooks and other spoken-word entertainment, is pleased to announce that Tony Award winner Billy Crudup will return to the title role in Harry Clarke, written by Obie Award winner David Cale (Lillian) and directed by Leigh Silverman (Violet).
Elizabeth Birnkrant, known for her roles in JESUS HOPPED THE A TRAIN for Eclipse Theatre, 1984 at Steppenwolf, VICES AND VIRTUES: THE GREAT WAR at Profiles Theatre and other roles with Sideshow, First Floor and Roadworks theatre companies, has been cast in the leading role of L'il Bit in The Artistic Home's production of Paula Vogel's Pulitzer Prize winning HOW I LEARNED TO DRIVE. The Artistic Home co-founder John Mossman will play Uncle Peck, the family member who has a sexual relationship with his niece Li'l Bit during her pre-teen and teenage years. Mossman, who directed The Artistic Home's BY THE BOG OF CATS last year, as an actor has most recently appeared as Leontes in THE WINTERS TALE and O'Trigger in THE RIVALS at Lakeside Shakespeare Theatre. He has also appeared with The Artistic Home as MACBETH and as Shannon in NIGHT OF THE IGUANA. He played Atticus Finch in Oak Park Festival Theatre's TO KILL A MOCKINGBIRD and performed in the Steppenwolf production of THE MARCH.
The Artistic Home will continue its 2017-18 season with Paula Vogel's Pulitzer Prize winning HOW I LEARNED TO DRIVE, to be directed by The Artistic Home's Associate Artistic Director Kayla Adams. It will open to the press Sunday, March 25 at 7:00 pm, following previews from March 21-24. HOW I LEARNED TO DRIVE, which premiered in 1997, was a Pulitzer Prize winner and a pioneering drama for its examination of pedophilia and sexual abuse of women. It follows a young woman, named L'il Bit, from age 11 to age 18 and her friendship and sexual affair with her uncle. Director Adams says, this courageous and surprising script reminds me again and again of the healing power of storytelling. In reviewing the 2017 production by the Cleveland Playhouse, the Cleveland PLAIN DEALER said, We can rejoice that 'How I Learned to Drive' feels as fresh and fearless as it did two decades ago - and mourn for the same reason.
Theatres have a way of becoming an artist's second home. It doesn't matter if you are a director, designer, actor, or volunteer the countless hours you invest and the close proximity in which you do your work often create friendships that last a lifetime. And each time you step back through those doors you feel like you're coming home. No one knows this to be true more than Joseph Leo Bwarie, whose current home away from home is the Garry Marshall Theatre in Toluca Lake. Bwarie has been connected with the theatre (known formerly as The Falcon) and the Marshall family for many years, and he recently stepped into a co-artistic directorship of the newly-rechristened theatre, along with another longtime Marshall associate, Dimitri Toscas.
WP Theater, by special arrangement with Segal NYC Productions, presents the Off-Broadway premiere of What We're Up Against, written by Pulitzer Prize nominee Theresa Rebeck (Mauritius, Seminar, NBC's 'Smash'), directed by Adrienne Campbell-Holt (Dry Land, Empathitrax).
WP Theater, by special arrangement with Segal NYC Productions, presents the Off-Broadway premiere of What We're Up Against, written by Pulitzer Prize nominee Theresa Rebeck (Mauritius, Seminar, NBC's 'Smash'), directed by Adrienne Campbell-Holt (Dry Land, Empathitrax).
WP Theater, by special arrangement with Segal NYC Productions, announces the complete cast of the Off-Broadway premiere of What We're Up Against, written by Pulitzer Prize nominee Theresa Rebeck (Mauritius, Seminar, NBC's Smash ), directed by Adrienne Campbell-Holt (Dry Land, Empathitrax).
Custom Made Theatre Company opens its 2017-2018 season with Paula Vogel's Pulitzer Prize-Winning How I Learned to Drive, a wildly funny, surprising and devastating tale of survival as seen through the lens of a troubling relationship between a young girl and an older man.
Broadway's Kate Shindle---currently traveling the country playing Allison Bechdel in the first national tour of the Tony Award-winning musical FUN HOME---is not only an accomplished singer, actor and dancer, she is also a published author and an outspoken activist. In 2015, Shindle was also elected president of Actors' Equity Association. But before FUN HOME makes its OC debut August 1 - 6 at Costa Mesa's Segerstrom Center for the Arts, Shindle chatted with BroadwayWorld's Michael L. Quintos about her role in this groundbreaking musical, being AEA President, and what her life has been like on the road!
First Run Features has announced the theatrical premiere of The Pulitzer at 100, the latest documentary by Oscar and Emmy-winning director Kirk Simon. The film opens at the prestigious Lincoln Plaza Cinema today, July 21, with other cities to follow.
This swashbuckling romp abounds with comedy, danger, and romance. Pennsylvania Shakespeare Festival's production of Ken Ludwig's The Three Musketeers previews July 12 and 13, opens July 14, and continues through August 6 in repertory with Shakespeare's As You Like It at the Labuda Center for the Performing Arts on the campus of DeSales University.
Legendary singer Roberta Flack and leading theatrical producer Daryl Roth will receive the Town Hall 2017 Friend of the Arts Award, it was announced today.
National New Play Network, the country's alliance of nonprofit theaters that champions the development, production, and continued life of new plays, announces its 2017-18 grant recipients, including the 2017 Smith Prize for Political Theatre, seven Producer Residencies, and five Collaboration Fund awards that will support partnerships between multiple Member Theaters, playwrights, and other theater makers in various projects.
This swashbuckling romp abounds with comedy, danger, and romance. Pennsylvania Shakespeare Festival's production of Ken Ludwig's The Three Musketeers previews July 12 and 13, opens July 14, and continues through August 6 in repertory with Shakespeare's As You Like It at the Labuda Center for the Performing Arts on the campus of DeSales University.
The Pulitzer at 100 celebrates the centenary of this revered and seminal national award for literary excellence in journalism and the arts. The totality of the Pulitzers has had an immeasurable impact on the American sensibility and beyond over the past 100 years. The riveting tales of the winning artists give an insider's view of how these pinnacles of achievement are selected in the twenty-one categories and how the award has the power to change lives and communities. The diverse stories explored in the film relate to immigration, race, gender, and above all freedom of speech - all issues that are ever more relevant in America today.
First Run Features has announced the theatrical premiere of The Pulitzer at 100, the latest documentary by Oscar and Emmy-winning director Kirk Simon. The film opens at the prestigious Lincoln Plaza Cinema on July 21, with other cities to follow.
Berkeley Repertory Theatre today announced the West Coast premiere of An Octoroon written by Branden Jacobs-Jenkins and directed by Eric Ting will close out its season.
1997 | Off-Broadway |
Off-Broadway |
2012 | Off-Broadway |
Second Stage Theatre Production Off-Broadway |
2022 | Broadway |
Manhattan Theatre Club Broadway Premiere Broadway |
Year | Ceremony | Category | Nominee |
---|---|---|---|
1998 | The Pulitzer Prize | The Pulitzer Prize for Drama | Paula Vogel |
1997 | Drama Desk Awards | Outstanding Actor - Play | David Morse |
1997 | Drama Desk Awards | Outstanding Director - Play | Mark Brokaw |
1997 | Drama Desk Awards | Outstanding New Play | Paula Vogel |
1997 | New York Drama Critics Circle Awards | Best Play | Paula Vogel |
1997 | Obie Awards | Direction | Mark Brokaw |
1997 | Obie Awards | Performance | Mary-Louise Parker |
1997 | Obie Awards | Performance | David Morse |
1997 | Obie Awards | Playwriting | Paula Vogel |
1997 | Outer Critics Circle Awards | Best Actor - Play | David Morse |
1997 | Outer Critics Circle Awards | Best Actress - Play | Mary-Louise Parker |
1997 | Outer Critics Circle Awards | Best Off Broadway Play | 0 |
1997 | The Lortels | Outstanding Lead Actor | David Morse |
1997 | The Lortels | Outstanding Lead Actress | Mary-Louise Parker |
1997 | The Lortels | Outstanding Play | Roy Gabay |
1997 | The Lortels | Outstanding Play | Daryl Roth |
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