As You Like It Revival 1941 - Articles Page 5

Ted Sperling, Artistic Director of MasterVoices, announced details of the acclaimed ensemble's 78th season, celebrating the joy of choral singing and the power of the human voice to unite, inspire and connect since 1941. Highlights include three major musical presentations at top venues, including a New York premiere, and the World Premiere of a new work, commissioned by the Company. Throughout the season there will be collaborations with leading singers, artists, ensembles and organizations, some who are familiar with and others who are new to the Company.

The 30th anniversary season of the Bard Music Festival a?" an exploration of a?oeKorngold and His Worlda?? a?" opens this Friday, August 9, with Weekend One: Korngold and Vienna. The first of the weekend's six themed concerts, Program One: a?oeErich Wolfgang Korngold: From Viennese Prodigy to Hollywood Master,a?? offers a broad overview of the composer's multi-faceted career.

Summer at Lincoln Center is a time-honored New York tradition, bringing people from all walks of life together to experience a multitude of music, dance, and drama across the entire campus. Harnessing Mozart's innovative spirit as its inspiration, the Mostly Mozart Festival (July 10a?"August 10) continues this month with groundbreaking, international, and multidisciplinary productions; acclaimed artists of all genres; introductions to emerging creative voices; and the presentation of new works and ideas.

A thinly-disguised parable of the ascendancy of Adolf Hitler, The Resistible Rise of Arturo Ui may have been written in 1941, but it may as well have been addressed directly to Americans of 2019.

I do wish I could get to more community theater. It has been too long since my last review of shows that deserve moer attention. There are a plethera of local such productions in the Baltimore/Washington area which provide affordable and entertaining theater. I recently attend the Charm City Players and their wonderful production of MAMMA MIA!

Victoria Theatre Association announces the 2019 Cool Films line-up including themed marathon weekends and the return of live organ concerts on the Mighty Wurlitzer. New to the Cool Films Series are hosted screenings of Napoleon Dynamite with Jon Heder, Efren Ramirez, and Jon Gries, The Princess Bride with Corey Elwes as well as two movie events with radio and podcast Filmically Perfect hosts J. Todd Anderson and George Willeman. Tickets and Passbooks for the 2019 Cool Films Series go on sale at 10 a.m. on Friday, April 19 at Ticket Center Stage, by calling 937-228-3630, (toll-free) 888-228-3630 or online at www.ticketcenterstage.com.

It was just announced by Pulitzer Prize Administrator Dana Canedy that Jackie Sibblies Drury's Fairview has officially won the 2019 Pulitzer Prize for Drama.

Project Y Theatre Company will present the fourth annual Women in Theatre Festival, a festival of new work written and created by women, June 5-30 at the Jeffrey and Paula Gural Theatre at the A.R.T./New York Theatres (502 West 53rd Street New York, NY 10019). Tickets ($15-$27) are available for advance purchase at https://witfestival.brownpapertickets.com or by calling 1-800-838-3006.

It's a different time and a different war, but the protagonist in this coming of age story faces many of the same challenges as would a young person today. What do I want to do with my life? Where do I fit in the world? How can I make my mark? Meanwhile, set in the City of Lowell in 1941-2, as it is struggling to come to terms with a surfeit of immigrants, that city today remains a diverse community in a nation that is roiled by the debate over how to deal with a flood of immigrants and asylum seekers. Artistic Director Sean Daniels has adapted Lowell native Jack Kerouac's unfinished, long-lost novel THE HAUNTED LIFE into a play of the same name, now having its world premiere at Merrimack Repertory Theatre, with Daniels co-directing with christopher oscar peña.

The New York premiere of the musical Alice By Heart with book by Steven Sater with Jessie Nelson, music by Duncan Sheik, lyrics by Steven Sater and directed by Jessie Nelson, opens tonight at Atlantic Theatre.

This summer's 16th annual Bard SummerScape festival comprises more than seven weeks of music, opera, theater, dance, film, and cabaret, centered around the 30th anniversary season of the Bard Music Festival, 'Korngold and His World.'

This summer's 16th annual Bard SummerScape festival comprises more than seven weeks of music, opera, theater, dance, film, and cabaret, centered around the 30th anniversary season of the Bard Music Festival, 'Korngold and His World.' This intensive examination of the life and times of Erich Wolfgang Korngold

Vilna, a new play by Ira Fuchs directed by Joseph Discher, will begin its limited Off-Broadway World Premiere engagement at the Theatre at St. Clement's (423 West 46th Street, between Ninth & Tenth Avenues) on Monday March 11th. Opening Night is set for Wednesday March 20th (7pm). This limited Off-Broadway engagement continues through Sunday April 14th only.

New Adventure's Production of the tale of Cinderella has never been more salacious or delicious. The dancing is superb, as well as the artistry involved in every facet of the production. With the updated scenario created, Cindy's world is smack dab in the middle of World War II. Directed and Choreographed by the incredible Sir Matthew Bourne, and loosely based on his parent's war stories, we are taken to London in the '40s, during the middle of air raids, bombings and destruction. The set design and wardrobe is all very drab in muted black and grey reflecting the tone of the environment. Wickedly creative is the choreography, the sets, the costumes, lighting and sound, not to mention the score by Prokofiev. Cinderella Opus 87 is such a melodious wonderland for a choreographer and his artistic team to work with. There is such power, intensity and magic in this lively piece. In Sir Matthew Bourne's hands, and feet, it is a fabulous, imaginative display of artistry and brilliance.

Love Broadway? In need of a good book? Well you're in luck, because BroadwayWorld has teamed up with the New York Public Library to bring you Broadway Bookshelf- an expert opinion on what theatre fans can and should add to their personal libraries.

Tony Award nominee Sharon McNight stars as legendary vaudeville entertainer Sophie Tucker, 'the last of the red hot mamas' in 'Red Hot Mama: The Sophie Tucker Songbook,' a bravura performance of one of the great performers of the 20th century.

Three heavy-hitting actors (Ned Averill-Snell, Ami Sallee and especially Christopher Marshall) bring Frayn's ideas and rich language to life.

Sure, Broadway is traditionally known for its glitz and glamour, but New York audiences have never shied away from socially relevant theatre, either. And while controversial issues are more frequently discussed Off-Broadway, 2018 saw a great many political and social themes brought up throughout Manhattan's stages. So here are Ten Times New York Theatre Tackled Political and Social Issues in 2018

Growing up in a small Southern town with fewer than 1,000 people, the prevalent thoughts tend to be centered on how to get out of that stifling, archly conservative community, in order to search for the proverbial greener pastures and to find like-minded people who will make you feel more "at home" with yourself and in your own skin. While that may well be the honest-to-God true story of my youth, nonetheless it always startles me when my emotions are stirred up by a stage musical set in the years long before my birth, with a show that fairly reverberates with the heart and soul, memories and nostalgia usually associated with a trip back home.

Looking ahead, you'll find a number of new productions on tap for your entertainment pleasure, including a number of holiday season offerings to put you in the Christmas spirit, thanks to the efforts of theater companies all over Middle Tennessee. Here's our calendar for December 3, 2018, to help you plot your course through the first few weeks of 2019...

American Repertory Theater at Harvard University (A.R.T.) announces December 2018 and January 2019 programming at OBERON, its club-style theater space for cutting-edge performance and a thriving incubator for local and emerging artists. Upcoming events include A.R.T Breakout, Live @ OBERON, and Afterglow @ OBERON series, A.R.T. presentations, and independently produced events.

Looking ahead, you'll find a number of new productions on tap for your entertainment pleasure, including a number of holiday season offerings to put you in the Christmas spirit, thanks to the efforts of theater companies all over Middle Tennessee. Here's our calendar for December 3, 2018, to help you plot your course through the beginning of a new year...

The American Society of Composers, Authors and Publishers (ASCAP), a professional membership organization of songwriters, composers and music publishers, announces the top ASCAP holiday songs of 2018. According to an ASCAP analysis of streaming and terrestrial radio data, the hit classic “All I Want for Christmas Is You,” written by ASCAP songwriter Walter Afanasieff and pop star Mariah Carey, holds the #1 song position for the second year in a row.

Here's hoping you had a splendid Thanksgiving holiday weekend and that you're settling in for another action-packed season of events and shows to make Christmas 2018 sparkle even more! Looking ahead, you'll find a number of new productions on tap for your entertainment pleasure, thanks to the efforts of theater companies all over Middle Tennessee. Here's our calendar for November 26, 2018, to help you plot your course through the end of the year...

As a kid, I remember watching White Christmas (1954) every year with my family. When I got a little older I came across Holiday Inn, the 1941 precursor that also starred Bing Crosby, but paired with Fred Astaire, and introducing the song 'White Christmas'. There was a widely held opinion among some of my friends that it was the superior movie, an attitude that remained as long as we were only watching the edited version on commercial television. Because you see, they always cut the Blackface number. Once you see it, all innocence about this movie is lost. It forever tarnishes a film that contains two of Fred Astaire's most innovative numbers: the firecracker dance, and the drunken New Year's Eve tango that is a masterpiece of comic movement. Even for the time this number, egregiously inserted for the Lincoln's Birthday sequence (yes, it was once a holiday), seems shocking and offensive.