National Alliance for Musical Theatre has announced this year’s directors and music directors for the 33rd Annual FESTIVAL OF NEW MUSICALS, which will be held on Thursday, October 21 and Friday, October 22, 2021.
National Alliance for Musical Theatre has announced the line-up of new musicals for their 33rd Annual FESTIVAL OF NEW MUSICALS on Thursday October 20 and Friday, October 21, 2021. This year, NAMT ‘s Festival of New Musicals will be presented as a unique digital and in-person hybrid, allowing wider accessibility for attendees.
Celebration Theatre Company continues its fifth season with Rachel Sheinkin and William Finn's Tony Award-winning The 25th Annual Putnam County Spelling Bee, running from April 30 - May 9, 2021 at the Dr. Phillips Center for Performing Arts' Alexis and Jim Pugh Theatre.
Cheyenne Little Theatre has announced the lineup for its upcoming 92nd season, kicking off this fall with Mamma Mia!
BWW Reviewer Peter Nason chooses the 91 greatest Sondheim songs from stage, screen and beyond. See if your favorites made the cut! What's at #1?
Today (December 17) in live streaming: the cast of Homeschool the Musical on Stars in the House, Norm Lewis in concert, and so much more!
With a line-up that features world-class artists in music, dance, comedy, top-touring Broadway hits and more, the Kravis Center for the Performing Arts continues its tradition of offering a diverse season with something for everyone.
Happy Gay Pride! BWW Reviewer Peter Nason chooses the 101 greatest LGBTQ songs and anthems from 1920-2020. See if your favorite songs or artists made the grade!
BWW Reviewer Peter Nason chooses the 101 greatest protest songs from 1939-2020. See if your favorite songs or artists made the list!
Carpenter Square Theatre has started a pandemic-response series. A live video series of theatrical performance, CST LiveOnline will occur monthly. The first of the series is a live radio adaptation of THE MALTESE FALCON, starring legendary actor Ben Hall as Detective Sam Spade.
BWW Reviewer Peter Nason chooses the best musical theatre characters from 1940-2020; see if your favorites are on our list of the best characters from Broadway musicals.
BWW Reviewer Peter Nason chooses the best TV episodes from the 1950's to 2020; see if your favorites made the list!
BWW Reviewer Peter Nason chooses the best film musicals since the sound era began; see if your favorites made the list!
How do we make a list of the 101 greatest show tunes from the past 100 years? Well, we did the near-impossible task. Check out our full list here!
Youth America Grand Prix (YAGP) and board member Marcella Hymowitz brought friends to a private tour of Ballerina: Fashion's Modern Muse, the new exhibition at The Museum at FIT.
The Ivoryton Playhouse's current production of Kander and Ebb's 'Cabaret' does justice to the musical in its own unique way. It is by no means a slavish replica of Sam Mendes's 1998 revision that stressed the decadence to a significantly risqué degree. Nor does it reflect the more conventionality of the 1968 original that still managed to shock audiences with its more subtle but piquant references to the rise of the Nazi party in 1930's Berlin and a huge on-stage mirror that placed the audience as observers and participants in the fall of the German culture.
16th Street Theater announces Season Thirteen 2020: Redemption featuring two National New Play Network (NNPN) rolling world premieres by playwrights Maya Malan-Gonzalez and Audrey Cefaly, one world premiere by Julie Marie Myatt in collaboration with MC-10 Playwrights' Ensemble, one Chicago premiere by Lisa Langford co-produced with Pegasus Theatre Chicago with director Ilesa Duncan at the helm, and two true tales by Chicago writer/performers Steven Strafford and Debbie Baños.
According to the director and members of the cast of Adobe Theatre's production of Shakespeare in Hollywood, it has been a labor of love bringing the show to the stage; a wonderful experience where the cast had a great time getting to know one another and become friends, as well as a chance for the audience to leave the theatre with a more interest in Shakespeare and the history surrounding the 1935 movie of A Midsummer Night's Dream.
Theatre Arlington's 47th season has something for everyone! Executive Producer, Steven D. Morris, is thrilled to announce the line-up for the 2019-2020 season. There will be great musical comedies, a fun new holiday show, wonderful family-friendly children's programming and classic plays that need to be seen again. This season Theatre Arlington will continue to work hard to improve the patron's experience and the quality of every production. The Theatre is excited to announce that they will be hiring more professional Equity actors in each production as well as skilled designers and talented live musicians. That's not all Morris is happy to announce - this season will be the inaugural year for a new Cabaret Series which will bring the metroplex's best singers and musicians to Theatre Arlington to perform in an intimate environment. If it has been awhile since you've visited downtown Arlington, now is the time to find your way and come home to Theatre Arlington!
You won't find a better production of this masterpiece, now celebrating its 40th anniversary.
Folger Theatre's Love's Labor's Lost, directed by Vivienne Benesch, compliments the uniqueness of this comedy through a delightfully funny cast and production set during the 1930's.
42nd Street, the iconic Broadway masterpiece and winner of the Tony Award for Best Musical in 1980, is tap-dancing its way onto the Charleston Coliseum & Convention Center's Little Theater stage in Charleston, WV from April 26th, 2019 through May 11th, 2019 courtesy of the talented performers and crew of the Charleston Light Opera Guild.
I've never felt quite so transported into the realities of a convent or the freshness of a mountain or the sadness of a man who has lost his wife and is too aggrieved to notice his children. This is quite discombobulating (in the best possible way) considering I've grown up with the movie, appeared in the musical twice and directed it.
The singing is sensational. Under the guise of Musical Director Andrew Christie assisted by Vocal Coach Kerry Ackerman the harmonies are on point and the light and shade most definitely in all the right places. Accolades to the orchestra who supported the performers so ably.
Michael Potts (Captain von Trapp) has a voice that is almost too big for the senses. He worked it to perfection bringing us near the point of 'overwhelm' then subtly pulling back. Potts took the feelings evoked by the music to new heights.
I could literally smell the edelweiss and those top notes - wow. He is a gifted being.
The idea of two companies in one community doing the same show within a few months of each other poses many questions. Sometimes the rights to a popular musical become available and there is something of a feeding frenzy - a dedicated theatergoer could have availed themselves of no less than four productions of Mamma Mia! in this area in the last year. Perhaps they were all stellar productions. I certainly didn't hear any complaints about poor attendance, which indicates either an insatiable appetite for an ABBA jukebox musical or the payoff of careful cultivation of core audience support by each company. In any case, nobody appeared to suffer any ill effects from the repetition.
Asolo Brings A Realistic Look at the Demise of Small Town America in Lynn Nottage's Pulitzer Prize Winning SWEAT
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