Rock tenor Rob Evan is perhaps most famous for his essaying of the dual title roles in Frank Wildhorn's JEKYLL & HYDE ten years ago on Broadway - and playing the leads in the new rock reinterpretation of the score known as JEKYLL & HYDE: RESURRECTION - but since that time he has appeared in entertainment entities as diverse as LES MISERABLES, Disney's TARZAN, Alan Menken & Howard Ashman's LITTLE SHOP OF HORRORS, concert performances of CHESS, THE MUSIC OF ANDREW LLOYD WEBBER, The Dream Engine and, of course, his muse-like work for Paul O'Neill, creator and composer of the international phenomenon known as the Trans Siberian Orchestra, as well as the Lord of Excess himself and a rock god like none other, BAT OUT OF HELL visionary Jim Steinman. There's a lot more to the story of Evan, Steinman and DANCE OF THE VAMPIRES than may seem at first bite. In this exclusive conversation, Evan and I discuss his many stage and concert appearances, as well as his extensive studio work - including BATMAN and many new, unheard compositions - with the resplendent and reclusive rock icon known to friends as just Jimmy. Here's a big bloody bite of my conversation with Rob Evan, who can be seen in a number of upcoming appearances on concert stages across the world, including his upcoming ROCK TENOR series of shows. More information is available at his official site here.
Here is the second part of our three-part discussion, in which Esparza and I analyze his roles and performances in plays, as well as a thorough discussion of the art of acting - and, additionally, a chat about roles he would like to play in the future, both near and far.
This weekend I spoke to multi-Academy Award-winning composer and Broadway tunesmith Alan Menken about everything from his early stage work with lyricist and director Howard Ashman on LITTLE SHOP OF HORRORS to their tenure virtually re-inventing the movie musical with their string of stirring scores for Disney animated films starting with THE LITTLE MERMAID in 1989, through to BEAUTY & THE BEAST, ALADDIN and, following Ashman's death, working with Stephen Schwartz on THE HUNCHBACK OF NOTRE DAME, POCAHANTAS and, most recently, ENCHANTED. Menken has also participated in adapting almost all of those projects to the stage in the intervening years, oftentimes composing several new songs. His newest stage projects to reach Broadway will be this season's SISTER ACT and the recent out of town tryout eyeing Broadway, LEAP OF FAITH. In this exciting conversation, we touch upon nearly all of these projects, plus discuss casting possibilities for his new Broadway shows and the projects on the horizon - among them, stage adaptations of THE HUNCHBACK OF NOTRE DAME, NEWSIES and ALADDIN - and, at some point soon, ENCHANTED 2! Plus, will Angela Lansbury reunite with her BEAUTY & THE BEAST Academy Award-garnering collaborator to do SISTER ACT on Broadway? Over the course of our discussion, the Mouse Maestro - this melodic mastermind known as Menken - proved himself to be as easily enjoyable and affably likeable as his many multi-award-winning melodies for those marvelous film and stage musicals - for many of us born in the eighties, our very first introduction to musical theatre.
I recently had the opportunity to lead the original Tony-winning star of MISS SAIGON - as well as the voice of the animated heroines of Disney classics ALADDIN and MULAN - in a look back at her astounding career, covering everything from MISS SAIGON to her new forthcoming original musical ALLEGIANCE co-starring George Takei: Ms. Lea Salonga. In speaking with the iconic boundary-breaking Broadway leading lady, we also touched upon all things LES MIZ - everything from LES MISERABLES onstage, the 10th Anniversary Dream Cast to, now: the 25th Anniversary 02 Concert Experience! Don't miss Lea alongside stage veterans Norm Lewis, Ramin Karimloo and pop superstar Nick Jonas in the truly spectacular concert presentation of the world's most beloved musical as it is released in movie theaters for one night only on November 17th in anticipation of its worldwide release on DVD and Blu-Ray early next year! Plus, in this exclusive conversation, Lea shares her thoughts on GLEE and her wish to duet with new GLEE cast member Charice, plus memories of the concert event of the past century, HEY! MR. PRODUCER, and much, much more!
TV Guide reports today that it is quite possible everyone's favorite cheerleading coach, Sue Sylvester, may be getting married on an upcoming episode of GLEE. According to the report: 'Looking to steal some of the glory away from the over-the-top wedding Kurt's planning for his dad and Finn's mom (think doves and glitter!), Sue (Jane Lynch) announces to the school that she, too, is getting married. To whom, you ask? All I'll say is that it's the only person Sue views as her equal.'
This week I had the honor and privilege of conducting a comprehensive InDepth InterView with legendary star of stages and screens worldwide, both large and small - and winner of an Oscar and a Tony award along the way - who will be co-starring with Glenn Close in a special benefit reading of Larry Kramer's Pulitzer-prize winning AIDS crisis drama THE NORMAL HEART on Monday night, unquestionably one of the greatest dancers and performers of all time: Mr. Joel Grey! In this extensive interview we discuss his daughter Jennifer Grey and his feelings and advice to the DIRTY DANCING star on her participation in DANCING WITH THE STARS and teaching her some tricks of the trade, in addition to the first word of the upcoming Kathleen Marshall-helmed revival of ANYTHING GOES co-starring Sutton Foster coming to the Roundabout early next year as well as his thoughts on co-stars Liza Minnelli, Kristin Chenoweth, Idina Menzel and Sutton Foster as well as working with directors like Bob Fosse, Hal Prince, Joe Mantello and Kathleen Marshall! We also discuss much, much more! It may be gray outside these Fall days but it's all Grey at BWW!
I recently had the honor of conducting an extensive interview with legendary stage and screen star - of films such as AMADEUS, TOOTSIE and more - best known in the twenty-first century for her work on the Broadway stage having created not one, but two Tony-winning lead roles in the 00s, in both 42nd STREET and GREY GARDENS - the riveting Christine Ebersole. In this exhaustive discussion we talk everything from starring alongside Angela Lansbury in Michael Blakemore's production of Noel Coward's timeless comedy BLITHE SPIRIT and how instrumental that experience was in her selection of material - as well as mindset, mood and more - for this sparkling new studio album, CHRISTINE EBERSOLE SINGS NOEL COWARD. We also discuss her extensive film and television work and what exciting events lie ahead - including concert appearances with Michael Feinstein and a special event at Carnegie Hall!
Today we begin a new comprehensive academic music discussion series on BroadwayWorld in which I speak to the most cutting-edge artists in the recording industry, on Broadway and in Hollywood about their influences and experiences in the industry with an emphatic emphasis on the songwriting process itself and what drives and inspires it. While these discussions may be on occasion only tangentially theatre-related, the insights provided by the various participants is a demonstrative way in which to illuminate perhaps the most mysterious of all the arts: music. Peering into the psyche of the composer and lyricist, we may begin to understand what the craft of composition and lyric-writing is all about and why musical theatre tends to attract the most talented and innovative songwriters, both in the twentieth-century and today (as this column proves).
Concluding BroadwayWorld's exclusive three-part series on Edward Albee's newest masterpiece ME, MYSELF & I, comes this exciting and energized interview with the youngest star of the show, playing one of the titular twosome both named Otto, the enthusiastic and expressive Preston Sadleir! In this in-depth conversation we discuss working with Elizabeth Ashley and Brian Murray on ME, MYSELF & I as well as the director, Emily Mann, and the master writer himself, Edward Albee. Additionally, we discuss the rehearsal process at Playwrights' Horizons, the themes of the play, the acting process onstage acting every night with two of the greats, as well as what the play means to not only himself as an actor, but also to the twenty-first century audience coming to see the show (which has just been extended and now runs to October 31st). We also talk about the exciting workshop productions and readings of two burgeoning musicals that are eyeing Broadway soon, including the much anticipated Broadway revival of CARRIE and a new original cougar-themed musical starring Jane Krakowski called MRS. SHARP! Few performers are so at ease in plays and musicals as Preston is - and at barely twenty-five years old - so here is a chance to see why he is one of the hottest new theatrical stars on the rise! Enjoy!
Recently I had the delectable delight of talking to one of the sweetest and sexiest (and shockingly super-talented) stars of stage and screen who can currently be seen on the hit of all TV hits, GLEE, in her recurring role as April Rhodes, as well as in the new Disney comedy YOU AGAIN co-starring Sigourney Weaver, Kristen Bell, Victor Garber, Cloris Leachman and Betty White: the Tony Award and Emmy-winning actress and operatic chanteuse herself, Ms. Kristin Chenoweth! In this BWW exclusive InDepth InterView we talk about filming the first of several new episodes of GLEE for season two, working on Broadway with GLEE lead (and show love interest) Matt Morrison, what singing Sondheim means to her as a person and as a performer, what GLEE means to Broadway, as well as a thorough discussion of her new Disney film YOU AGAIN directed by Andy Fickman. We also touch on her early Broadway work in A NEW BRAIN and the words and music of William Finn. She has it all - and the success in each form of media to prove it - so it is a special treat to present InDepth InterView: Kristin Chenoweth.
Earlier this month I had the chance to conduct an InDepth InterView with Drama Desk-winning stage actor and director Brian Murray who currently co-stars with Elizabeth Ashley in Edward Albee's new off-Broadway absurdest farce ME, MYSELF & I and our conversation now constitutes the second part in BroadwayWorld's exclusive 3-part series on the new Albee masterpiece. In this illuminating conversation, in addition to a thorough discussion of ME, MYSELF & I, Murray also dishes on his new 2011 'horrific chiller' co-starring Daniel Craig, Rachel Weisz and Naomi Watts directed by esteemed director Jim Sheridan (MY LEFT FOOT, THE BOXER, GET RICH OR DIE TRYIN', BROTHERS), as well as playing Alec Baldwin and Nathan Lane's alcoholic father on 30 ROCK (married to Elaine Stritch!) and his warm words to his TWELFTH NIGHT co-star Kyra Sedgwick on her recent Emmy win as Best Actress for THE CLOSER! Plus, working with Kevin Kline, Helen Hunt, Marian Seldes, Nathan Lane, Alec Baldwin, Tina Fey and much, much more! Enjoy the intelligent wit and impassioned dedication Murray feels for his craft in this introspective InDepth InterView!
Today we have Part I of the BWW Exclusive two-part InDepth InterView with legendary stage and screen actress - and, bar none, the greatest Tennessee Williams actress alive - Tony-winning star, and a legend in her own time: Elizabeth Ashley! In this first part, we talk her early stage career from TAKE HER, SHE'S MINE directed by George Abbott and produced by Hal Prince in the 60s up to AGNES OF GOD opposite Amanda Plummer and Geraldine Page in the early 80s continuing to Tracy Letts' Pulitzer-prize winning opus AUGUST: OSAGE COUNTY in 2007 - to say nothing of the central focus of our extended conversation: her most recent role playing the mother of twin sons named Otto (and/or 'otto') in Edward Albee's newest absurdist masterpiece, ME, MYSELF & I, which can currently be seen at Playrights' Horizons! From the grande dame of Williams, to life with Orson Welles, to living on the road (by choice), and a life in the theatre (no choice), Ms. Ashley is a fabulous, veritable walking, talking history of the American theatre in the last forty years and no one - I repeat, no one - can tell a story better than she can! From Mohammad Ali to Edward Albee, this interview has it all! She is one of the greats, onstage and off. There will never be another Liz Ashley and this first part is just half the reason why!
This afternoon I had the delight of talking to one of the sweetest and sexiest (and shockingly super-talented) stars of stage and screen who can currently be seen on the hit of all TV hits, GLEE, in her recurring role as April Rhodes, as well as in the new Disney comedy YOU AGAIN co-starring Sigourney Weaver, Kristen Bell, Victor Garber, Cloris Leachman and Betty White: the Tony Award and Emmy Award-winning actress and operatic chanteuse herself, Ms. Kristin Chenoweth! In this BWW exclusive we talk about filming the first of several new episodes of GLEE next week, working on Broadway with GLEE lead (and show love interest) Matt Morrison, what Sondheim means to her, what GLEE means to Broadway, as well as a thorough look at her new Disney film YOU AGAIN directed by Andy Fickman. This is merely a tease of what's to come in the complete InDepth InterView: Kristin Chenoweth coming next week! Stay tuned to BWW until then! In the complete interview she also comments on working with Matt Morrison, Lea Michele and Ryan Murphy on GLEE, as well as Patti LuPone, Laura Benanti, Barbara Cook and John Doyle in her premiere Sondheim performance and working with Carrie Underwood - and many others! She's a Spring breeze on a Fall day - April (Rhodes) after all! Besides, this is just the bud, you'll have to wait until next week to watch our chat grow into a full bloom!
Chris Kelly's (The Onion News Network) show Oh My God, I Heard You're Dying makes it's triumphant return the UCB Theatre NY(307 W. 26th Street, NY, NY 10001) September 23, 2010 at 8:00 PM. Tickets are $5 and are available at the door.
This afternoon I was lucky enough to score some talk-time with legendary recording artist, Oscar-nominated songwriter and the most iconic female pop singer of the 60s, Ms. Lesley Gore. She will be appearing in Broadway's hit jukebox musical MILLION DOLLAR QUARTET one night only on Friday night, September 24th, but in this SOUND OFF SPECIAL INTERVIEW she opens up about her illustrious and accomplished career in the studio and on the stage - and also onscreen in an oh-so-classic BATMAN with Julie Newmar - as well some breaking news about her new biographical musical using both the stacks of hit songs she is so famous for and some newly written compositions. As if all that - and compelling recollections of time spent with Liza Minnelli, Jerry Lee Lewis, Quincy Jones, Laura Nyro (almost) and many more - weren't enough, we also have some breaking news about the future of her brother, a world-famous songwriter in his own right due to FAME, Michael Gore's infamous Broadway musical CARRIE may be making its way back to the boards very soon - which is the epitome of good news for Broadway babies who have wanted to know! Bloody lucky Broadway will be to have CARRIE - and the disarmingly warm and exceptionally delightful Lesley Gore!
This afternoon I had the chance to conduct an InDepth InterView with Drama Desk-winning stage actor and director Brian Murray who currently stars alongside Elizabeth Ashley in Edward Albee's new off-Broadway farce ME, MYSELF & I. BWW will be running a series of articles on that production and its performers all next week, but this news was too good to hold all weekend! Murray dishes on his new 2011 'horrific chiller' co-starring Daniel Craig, Rachel Weisz and Naomi Watts directed by esteemed director Jim Sheridan (MY LEFT FOOT, THE BOXER, GET RICH OR DIE TRYIN', BROTHERS), as well as playing Alec Baldwin and Nathan Lane's alcoholic father on 30 ROCK (married to Elaine Stritch!) and his warm words to his TWELFTH NIGHT co-star Kyra Sedgwick on her Emmy win as Best Actress for THE CLOSER last week! This is merely the 'I' of the 'Me, Myself & I' of InDepth InterView: Brian Murray and the series on the new Albee play! Stay tuned.
Last week I conducted an illuminating InDepth InterView with legendary producer and director Harold Prince in which we discussed his singular career, having won more Tony Awards than any other person on the planet for his near one-hundred productions since his start as George Abbott's assistant producer over fifty years ago. He produced such landmark musicals as DAMN YANKEES, THE PAJAMA GAME and WEST SIDE STORY in the 1950s and then went on to become a director in his own right with Kander & Ebb's FLORA, THE RED MENANCE (Liza Minnelli's Broadway debut), CABARET into the Sondheim series of masterpieces in the 1970s - COMPANY, FOLLIES, A LITTLE NIGHT MUSIC, PACIFIC OVERTURES, SWEENEY TODD - bridging into his two biggest commercial successes, the Andrew Lloyd Webber musicals EVITA and THE PHANTOM OF THE OPERA. Celebrating its 23rd year on Broadway in January, THE PHANTOM OF THE OPERA is the most successful entertainment of all time, more than any other musical, television show or even feature film in history. It's a juggernaut like no other and the mystery, magic and majesty that had made the show such a rousing success is thanks to the masterful eye-of-all-eyes, the true master director of the American Theatre, Harold Prince. But, will he be doing the sequel?
Today we are talking to the heart-stopping bombshell of BODY HEAT and PEGGY SUE GOT MARRIED, the satirical queen of comedy in SERIAL MOM, the Mother of mass suicide in THE VIRGIN SUICIDES and the unforgettable dog-trainer in MARLEY & ME, as well as the greatest Martha since Uta Hagan in the Edward Albee's ferocious work of staggering genius, WHO'S AFRAID OF VIRGINIA WOOLF; star of stages and screens all over the world, the one and only Kathleen Turner. Talking theatre (her new play HIGH), film (past and future, including a few in the can such as one co-starring Jason Ritter), television (she plays David Duchovney's confidant on CALIFORNICATION), and her erudite insights on the cultural significance of the basic arts - like theatre - in a technology-drenched world. Ms. Turner also talks about working with Francis Ford Coppola, John Waters, Edward Albee, Michael Douglas, William Hurt, James Woods, Kirsten Dunst, Sofia Coppola, Jason Ritter, Emily Deschanel and a host of other huge Hollywood and/or Broadway heavyweights. Her unmistakable voice and spirit paw and purr through every word she selects, she is the cat's pajamas - or should I say, cat's negligee.
Michael Hartney's one man show So I Like Superman: A One-Nerd Show and Chris Kelly's (The Onion News Network) show Oh My God, I Heard You're Dying are paired together tonight at 8:00 PM at the UCB Theatre NY(307 W. 26th Street, NY, NY 10001). Tickets are $5 and are available at the door
Last week I had a true Broadway baby's dream come true by having the thrill of interviewing not only one of the best interview subjects (check out her episode of INSIDE THE ACTOR'S STUDIO for further proof of that) but also one of the very greatest and most highly-rewarded stars in Hollywood and Broadway history, the recipient of the Oscar, Emmy, Grammy, multiple Tony Awards and Hollywood Royalty like none other before or since: Miss Liza Minnelli. In this special preview of a much longer interview which will go live in a few weeks, we discuss her revealing and intimate new studio album CONFESSIONS featuring a riveting 'At Last', her impressions and opinions on Lady Gaga and Beyonce, as well as discussing her blockbuster HSN Liza Collection success, the recent Snickers commercial with Aretha Franklin, GLEE, and much, much more. Plus, some stories about her father, director of GIGI and AN AMERICAN IN PARIS, Vincente Minnelli; as well as her mother, Judy Garland, by most accounts the greatest star in Hollywood history and as popular today as ever thanks to THE WIZARD OF OZ. Liza Minnelli has conquered every arena of entertainment and in the complete discussion she opens up and reveals fascinating, absorbing and electrifying new sides to her legendary, starry and incomparable career on stage and on screen.
Yesterday, I had the exceptional privilege of conducting an InDepth InterView with legendary Oscar-winning Hollywood and Broadway legend Julie Andrews, star of films like MARY POPPINS, THE SOUND OF MUSIC; original TV musicals like Rodgers & Hammerstein's CINDERELLA; and stage shows like the original productions of MY FAIR LADY, CAMELOT and VICTOR/VICTORIA. In our exclusive conversation we discussed everything from her favorite cast albums and theatre scores to working with Robert Wise on THE SOUND OF MUSIC and STAR! to ENCHANTED, THE PRINCESS DIARIES, SHREK and this summer's smash-hit Pharrell Williams/Neptunes-composed animated musical DESPICABLE ME. We also discuss plans for a US tour and the resounding success of her children's book series - even after all these years she still was at the top of the book charts and featured in the top movie of the week last week! Additionally, We also discuss her opinions on co-stars Russell Brand and Steve Carell, rock music in the theatre, GLEE, the Obamas, Sondheim, the Tony Awards and much more. Here is much more than a mere spoonful of the endless vat of sweetness - as well as generosity, beauty, elegance and class - that defines Ms. Julie Andrews.
On Tuesday night I had the privilege of conducting an InDepth InterView with legendary composer, conductor and musical director Marvin Hamlisch. The three-time Oscar-winner has also won a Pulitzer Prize, a Tony, Emmys and Golden Globes making him the only individual besides Richard Rodgers to accomplish as much in his forty-year-plus career. His scores for A CHORUS LINE, THEY'RE PLAYING OUR SONG and SWEET SMELL OF SUCCESS, along with his work on classic films like THE WAY WE WERE and THE STING surely cement his place in the pantheon of great American artists, a legend in his own time. On Monday night he also participated - accompanying Idina Menzel on a song from A CHORUS LINE - in the White House celebration of Broadway also starring Nathan Lane, Idina Menzel, Audra McDonald and the First Family themselves which will be airing on PBS in October. He also hosts the 70s music special THE WAY WE WERE, MUSIC OF THE SEVENTIES airing in August on PBS, as well.
Last weekend, I had the exceptional privilege of conducting an InDepth InterView with 2010 Tony-winning Best Featured Actress In A Play: the luminous and winsomely witty film and stage star Scarlett Johannson. We talked about her work in the theatre on this year's highly-praised revival of Arthur Miller's A VIEW FROM THE BRIDGE, as well as her feelings on musicals, Stephen Sondheim, and growing up in New York, which then veered off into a considerable discussion of her film work and working with actors like Hugh Jackman, Robert Downey Jr. and Penelope Cruz, as well as directors like Woody Allen and Christopher Nolan. Additionally, we discussed her love of musicals, her favorite shows, scores and cast albums, singing showtunes with Hugh Jackman, her thoughts on a Woody Allen musical, what Sondheim roles she would like to play, GLEE, and, of course, a detailed and descriptive discussion of the entire process of bringing BRIDGE to the stage. This is the complete InDepth InterView you have all been waiting for - of course, two sneek peek samples have gone up on BWW this week and have so far been quoted and reprinted in US WEEKLY, Perez Hilton and Oh No They Didn't, just to name a few, all of whom also reprinted her e-mail response to me. She is without a doubt one of the brightest stars of our age and it was a extreme privilege for me to help her shine some light on the more obscure corners of her career, as well as the highs - on Broadway, in Hollywood and elsewhere. Enjoy!
This weekend, I had the exceptional privilege of conducting an InDepth InterView with 2010 Tony-winning Best Featured Actress In A Play: the luminous and winsomely witty film and stage star Scarlett Johansson. We talked about her work in the theatre on this year's highly-praised revival of Arthur Miller's A VIEW FROM THE BRIDGE, as well as her feelings on musicals, Sondheim, and growing up in New York, which then veered off into a considerable discussion of her film work and working with actors like Hugh Jackman, Robert Downey Jr. and Penelope Cruz, as well as directors like Woody Allen and Christopher Nolan. In this second sample portion of the forthcoming interview we talk about her love of musicals, her favorite shows, scores and cast albums, singing showtunes with Hugh Jackman, her thoughts on a Woody Allen musical, what Sondheim roles she would like to play, GLEE, and more. The complete InDepth InterView will be available next Friday, but here is another small sampling to curb your appetite until then. A special early-summer treat!
Today, I am sharing with you Part I of my exclusive InDepth InterView with legendary Broadway star Donna McKechnie who is perhaps best known as the genius director- choreographer Michael Bennett's muse and primary interpreter as well as the originator and inspiration for the character of Cassie in A CHORUS LINE - for which she won Best Actress In A Musical at the 1976 Tony Awards - in addition to her many roles on Broadway and the West End, as well as all over the country on tours of every kind over the years. In Part I of this comprehensive chat we discuss her earliest featured roles on Broadway, working on the groundbreaking COMPANY and her thoughts on collaborators Bennett, Sondheim and Hal Prince; as well as her thoughts on the current state of Broadway, the out-of-town experience in the Golden Age and creating Cassie in A CHORUS LINE. Plus, of course, we discuss her fantastic new show and much, much more!
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