Oh, I Say!

It's a true story. It's a dramatization about a man who moves to Marietta, Georgia, and is falsely convicted of murder. It's his journey of trying to prove his innocence, while simultaneously we see and follow this love story between him and his wife, Lucille.

This time, the reader question was: What are some of the most famous Broadway ghost stories? Some Broadway houses have many haunted tales… and others seem to have no ghostly spirits at all! Let's unpack!

Protestors outside the first preview performance of Parade greeted audience members with chants such as '[Leo Frank is] a Jewish Pedophile.' Parade's composer Jason Robert Brown is speaking up about the

When you think 'haunted houses' you probably don't picture the inside of a theatre. But with an over 100 year history, many of Broadway's most famous houses are positively teeming with reports of the supernatural.

BWW Reviewer Peter Nason chooses the best musical theatre characters from 1940-2020; see if your favorites are on our list of the best characters from Broadway musicals.

BWW Reviewer Peter Nason chooses the greatest theatrical works (non-musical) from 1920-2020; see if your favorites made the list!

As the year winds to a close, and the holiday hustle and bustle keeps us spinning our wheels, it can be a salve for the spirit and rest for the weary to sit in a darkened theater for a couple of hours. There is a plethora of seasonal fare competing for your entertainment dollars, but may I suggest something completely different from the colorful, holly jolly? A departure from the ballerinas, Christmas ghosts, and department store Santas? How about a two-time Tony Award-winning musical (1999 Best Book/Best Score) written by Pulitzer Prize-winner Alfred Uhry (DRIVING MISS DAISY) and Tony Award-winner Jason Robert Brown (SONGS FOR A NEW WORLD, THE LAST FIVE YEARS), that will pump the blood to your heart, and push you back in your seat until the very end, when you will rise up and salute this Moonbox Productions' PARADE.

'19: The Musical' is the brainchild of Through the 4th Wall co-founders, Jennifer Schwed and Doug Bradshaw. Both DC natives, Schwed and Bradshaw conceived the idea of a musical about the passage of the 19th Amendment back in 2016, and have been overseeing workshops and concert performances for a little over a year, with an eye toward a full production in time for the Amendment's centennial in 2020.

Today we are talking to a Tony Award-winning composer and lyricist celebrated for his many impressive musical theatre scores since his astonishing debut in the 1990s with SONGS FOR A NEW WORLD and PARADE, the one and only Jason Robert Brown. Discussing the finer points of the vastly different scores for his two new stage musicals premiering this year, THE BRIDGES OF MADISON COUNTY and HONEYMOON IN VEGAS, Brown paints a vivid portrait of his composing process in creating both the serious romantic drama and bubbly musical comedy, respectively. Additionally, Brown outlines his experiences collaborating with theatre legends Harold Prince and Alfred Uhry on his first big Broadway musical, PARADE, and also reflects on the subsequent successful national tour which he himself conducted. Most importantly, Brown sheds some light on the sparkling new cast recording of his recent self-directed revival of his two-character cult mainstay THE LAST FIVE YEARS and how the last ten years have shaded his perspective on the piece, particularly as anticipation builds for the release of the highly anticipated feature film adaptation starring Anna Kendrick and Jeremy Jordan, directed by Richard LaGravenese and set for release next year, which Brown confirms he has completed his scoring duties on this month and offers an enticing endorsement of the indie movie musical. All of that, a discussion of his solo album and specialty material penned over the years, astute observations on his sporadic collaborations with wife, songwriter and fellow InDepth InterView participant Georgia Stitt as well as much, much more in this quick catch-up chat with one of Broadway's busiest musical craftsmen.

The latest in unauthorized gossip and buzz from the heart of Chicago's showtune video bars, and musical theater news from Chicago to Broadway. 'Fiddler' and the Paramount triumph and make plans, two Sondheim shows next year from Gary Griffin, the return of 'Hank Williams' and 'Last Five Years,' 'Parade' and 'Pirates' in short runs, and two Victorian musical dramas, spanning the pond...and more!

Raleigh Little Theatre is holding auditions for Own Town by Thornton Wilder. The production will be directed by Haskell Fitz-Simons and will be presented in the Cantey V. Sutton Theatre.

Raleigh Little Theatre is holding auditions for Own Town by Thornton Wilder. The production will be directed by Haskell Fitz-Simons and will be presented in the Cantey V. Sutton Theatre.

Raleigh Little Theatre is holding auditions for Own Town by Thornton Wilder. The production will be directed by Haskell Fitz-Simons and will be presented in the Cantey V. Sutton Theatre.

The latest in unauthorized gossip and buzz from the heart of Chicago's showtune video bars, and musical theater news from Chicago to Broadway. 'Annie,' 'Mamma Mia!,' 'Dreamgirls,' 'Billy Elliot,' Michael Ingersoll, 'Parade,' more.....

Today, John McGrath, Artistic Director of National Theatre Wales announced the company's first year of work at a press briefing in Cardiff that was simultaneously broadcast to the world via the internet.