People Like Us 2005 - Articles Page 13

The first production of their new theatrical enterprise, As If Theatre Company, on Feb. 8

THE MYSTERY OF EDWIN DROOD (or, as it is sometimes called, the much shorter, 'Drood') is a 1985 musical based on Charles Dickens unfinished novel The Mystery of Edwin Drood. Written entirely by Rupert Holmes, it was the first Broadway musical with multiple endings determined by the audience. Holmes received Tony Awards for Best Book and Best Original Score. The production won five Tony Awards out of eleven nominations, including Best Musical. The musical is derived from both Dickens' final unfinished novel and British pantomime and music hall traditions that reached the height of their popularity in the years following Dickens' death. Produced originally by Austin Playhouse in 2005, it was nominated for six B. Iden Payne awards including the winner of Best Director for Musical Theatre (Don Toner). Jill Blackwood, Rick Roemer, and Jacqui Cross reprise their roles from that 2005 production.

CELEBRATION THEATRE presents, as part of its Celebrating New Works reading series, SKIN LIKE MILK by Ryan Fogarty, directed by Ryan Bergmann and performing one night only on Tuesday, December 11 at 7:30pm at The West Hollywood City Chambers, 625 N. San Vicente Blvd in West Hollywood.

This week finds Jeremy Benton - Broadway's favorite tap-dancing man - in Paducah, Kentucky, with the rest of the cast and crew of Irving Berlin's White Christmas, preparing for tonight's opening performance of the quintessential holiday season musical. He's spent so many holiday seasons performing in White Christmas, in fact (he joined the show back in 2005 and has been a part of the company off and on ever since) that it's become second nature to him now.

PS CLASSICS, the label that celebrates the heritage of Broadway and American popular song, has released its groundbreaking new recording Philip Chaffin: Will He Like Me? today, Friday, November 9. The album is featured in The New York Times "2018 Holiday Gift Guide," which raves, "From 'When I Marry Mr. Snow' to 'I Got Lost in His Arms,' Chaffin tells a familiar story that has never sounded so new." 

This week finds Jeremy Benton - Broadway's favorite tap-dancing man - in Paducah, Kentucky, with the rest of the cast and crew of Irving Berlin's White Christmas, preparing for tonight's opening performance of the quintessential holiday season musical. He's spent so many holiday seasons performing in White Christmas, in fact (he joined the show back in 2005 and has been a part of the company off and on ever since) that it's become second nature to him now.

Thirty years. It's an eternity in rock 'n' roll, and a marathon for the bands who fly its tattered flag. Revisit the class of 1988, and the casualties are piled high: a thousand bands that blew up and burnt out. In this chew-and-spit industry, the Spin Doctors are the last men standing, still making music like their lives depend on it, still riding the bus, still shaking the room. They've never been a band for backslaps and self-congratulation. Even now, plans are afoot for a seventh studio album and another swashbuckling world tour, adding to their tally of almost two thousand shows. But faced with that milestone, even a band of their velocity takes a breath for reflection. “I'd never have guessed,” admits drummer Aaron Comess, “this would have turned into thirty years of making great music together.”

The Ojai Film Festival and Women In Film (WIF) will present a Legacy Series event with acclaimed actress Eva Marie Saint on Friday, November 9 at the Ojai Art Center. The intimate filmed interview produced by WIF's Ilene Kahn Power and Dorothea Petrie, directed by Petra Haffter, and edited by David Flores and Zachary Weintraub, is a 40-minute retrospective of the Academy, and Emmy award-winning star's career in film, television and stage. The event begins at 4 pm with the screening, followed by Q&A with Ms. Saint. A reception will follow.

On “Camelot,” the beautiful, sensual new single from Sy Smith's critically acclaimed new album 'Sometimes A Rose Will Grow in Concrete,' the “Queen of Underground Soul” takes us on a heavenly, throwback-quiet-storm type of journey; inviting us to dream and fantasize along with her about the perfect love, “all in my mind.” The track, the third single from the collection following “Now and Later” and “Perspective,” will be serviced to Urban AC radio on September 24.  

PS CLASSICS will release the groundbreaking new recording Philip Chaffin: Will He Like Me? online and in stores November 9, 2018.

Thirty years. It's an eternity in rock 'n' roll, and a marathon for the bands who fly its tattered flag. Revisit the class of 1988, and the casualties are piled high: a thousand bands that blew up and burnt out. In this chew-and-spit industry, theSpin Doctors are the last men standing, still making music like their lives depend on it, still riding the bus, still shaking the room. They've never been a band for backslaps and self-congratulation. Even now, plans are afoot for a seventh studio album and another swashbuckling world tour, adding to their tally of almost two thousand shows. But faced with that milestone, even a band of their velocity takes a breath for reflection. “I'd never have guessed,” admits drummer Aaron Comess, “this would have turned into thirty years of making great music together.”

We chatted recently with Trafalgar Releasing's CEO Marc Allenby, and recently hired senior VP, programming and acquisitions Kymberli Frueh to get the scoop on everything the company is up to, the current state of event cinema and so much more. 

For the first time ever, Tony's Chocolonely, a B-Corp certified company making 100 percent slave free chocolate, is bringing its Limited Edition bars to the USA in three delicious flavors. Available while supplies last online and in select retailers beginning today, the Limited Edition bars celebrate all things caramel, unique and playful design and of course, chocolate made with the mission to ban modern slavery and exploitation in the cocoa industry.

Christian Rey Marbella has recently taken over as The Engineer on the UK tour of Miss Saigon. This is his tenth year of being involved with the show and this UK tour marks his fifth production. He has been in Miss Saigon in Manila, on the Asian tour, on the first UK tour, the second UK tour, and was the alternate Engineer in the West End revival in 2014. He has also performed in theatre in the US and his native Philippines.

David Harrower's celebrated 2005 play, Blackbird, is coming to Atlanta this August at The Robert Mello Studio Blackbox. The Tony-nominated play, which The New York Times called 'gorgeous' and 'unsettling,' tells the story of Una, a young woman, who shows up at the office of Ray, her former lover, who, after having been imprisoned at the age of 40 for his illicit relationship with the 12-year-old Una, has tried to make a new life for himself. A new name. A new relationship.  But when Una pops up 15 years later to rehash the details of their former love affair after seeing his picture in a trade magazine, Ray's carefully constructed new life begins to collapse. BroadwayWorld recently caught up with The Walking Dead star Jayson Warner Smith to chat about his turn as Ray in the self-produced run.

Chrissy Metz, the Emmy Award and Golden Globe nominated star of the NBC drama This Is Us, will make her stage debut in Neil LaBute's critically acclaimed play Fat Pig at the Geffen Playhouse.

Has it been 15 years already? Wow... (Well, technically, it's only been 14 because you don't count the first Festival as a calendar year, and then you have to divide by the square root of - you know what? It doesn't matter!) Know Theatre is once again patently hysterical to offer something for everyone at the region's largest and longest annual theatre and arts festival - that's renowned for being "kinda WEIRD. like YOU!"

Spectrum Music and Toronto Composers Collective present the world premiere of NO PLACE LIKE HOME, featuring an award-winning all-female musical trio from the Toronto Chinese Orchestra, playing seven pieces that tell stories of home, identity and roots. Spectrum composers, using traditional Chinese instruments, have created distinctly Canadian repertoire that reflects individual stories of origin. NO PLACE LIKE HOME will be presented on Saturday, June 2, at 8pm at Alliance Francaise Theatre.

Cuba's rich musical traditions explode onstage as three next-generation Cuban jazz artists converge for the first time on the Younes and Soraya Nazarian Center for the Performing Arts Stage (The Soraya) on Saturday, April 21 for one performance only. Grammy-nominated, Afro-Latin percussionist-singer Pedrito Martinez brings his earth-shaking drumming, vocalist Dayme Arocena lets loose her powerful voice that breaks free like a cry from Havana, and Grammy-nominated, composer and producer Roberto Fonseca demonstrates why The New York Times called him "a charismatic spark plug of a pianist."

World premieres of an oratorio about the Underground Railroad that sets narratives of slaves running for freedom and their lives, and a work that sets poems calling for peace in Farsi, Spanish, Hebrew, Arabic, and English: Sanctuary Road, music by Paul Moravec and text by Mark Campbell based upon the writings of William Still, a conductor for the Underground Railroad; and We Are One for chorus and orchestra by Behzad Ranjbaran, both completed within the last year, will be given their first performances by the Oratorio Society of New York (OSNY) led by Music Director Kent Tritle as the culminating concert of the OSNY's 145th season on Monday, May 7, 2018, at Carnegie Hall.

They called her a queen, with reverence and affection, though she mostly sang in smoky bars, her voice rising above the din of smirking, drinking men. Despite the undeniable emotive power of her voice, Serbian Roma singer Vida Pavlovi? never gained international notoriety and died before her 60th birthday in 2005.

'Is it now? I thought I had more time.' So begins Will Eno's new play WAKEY WAKEY, currently receiving a regional premiere production at Hyde Park Theatre. It is, in fact, only the second production of Eno's new work. These first words are spoken by Guy (Ken Webster), a man who is coming to terms with the knowledge that his time here on Earth is extremely limited. He is about to die. In a profoundly moving and luminously human meditation, Guy proceeds to utterly shatter the fourth wall in order to engage the audience in questioning why we are here and examining the various paths we take only to all arrive at the same place when all is said and done. WAKEY WAKEY is a subtly sublime examination of what, in the human experience, is actually worth celebrating and treasuring; and it does it while maintaining a decidedly dark, yet humorous tone. While this may sound like a depressing subject, Guy reminds us that 'We're not here to mope, right? We're here to listen to music and drink some grape juice, maybe get a free T-shirt. We're here to say goodbye, of course - there's always someone or something to say goodbye to, and it's important to honor the people whose shoulders we stood upon and fell asleep against.'

Every once in a while we have the opportunity to experience a piece of theatre that not only is a beautiful work of art and technically incredible, but is also deeply moving and makes us think about our lives in a way we haven't before. We have that opportunity beginning tonight when THE COLOR PURPLE opens at the Saenger Theatre.