More than fifty years ago, a show about New York City changed musical theatre forever. Now, it's coming home to make history once again. This spring, WEST SIDE STORY returns to Broadway in a groundbreaking new production directed by its legendary librettist, Tony Award® winner Arthur Laurents.
From the first notes to the final breath, WEST SIDE STORY is one of the most memorable musicals and greatest love stories of all time. Mr. Laurents' book remains as powerful, poignant and timely as ever. The score by Leonard Bernstein and Stephen Sondheim -- a collection of standards that includes "Tonight," "America," "Maria," "I Feel Pretty" and "Somewhere" -- is widely regarded as one of the best ever written. And the extraordinary, Tony-winning winning choreography by Jerome Robbins completely changed the language of Broadway dance. This production will offer a bold new design that builds on the show's raw power and emotion to create a fresh experience unlike any that came before it.
Don't miss this thrilling presentation of a matchless work of art.
Now the ninety-one-year-old Laurents is laying his claim to ownership: in this bold makeover, the story rules. From the musical’s first beats—which tone down the finger-snapping thrust of Bernstein’s signature prologue with pauses that allow us to take in the individual gang members—Laurents announces his intention to leave his fingerprints on the classic. They don’t smudge its beauty; in fact, his attempts to heighten the show’s realism only enhance it. In his version, the gang members actually look like teen-agers; the Latina chorus girls are not Broadway beautiful; the costumes (by David C. Woolard) and set designs (by James Youmans) explore the subtle, shadowy ranges of a color palette that takes the show away from glitzy spectacle and toward a grittier, more muted stylization. By eliminating blackouts between scenes, Laurents also adds to the story’s tension. The evening as a whole feels sculpted—no gesture, no word, no visual choice is arbitrary or wasted. Laurents’s most innovative touch is to have the Puerto Ricans sometimes speak and sing in Spanish. Fifty years on, in a multicultural America, this decision makes the production feel fresh,
The much-anticipated rethinking of 'West Side Story' is neither revelation nor vandalism. It is still 'West Side Story,' with those jazzy, jagged, gloriously (and shamelessly) sentimental Leonard Bernstein songs and (most of) Stephen Sondheim's swaggering, dazzling lyrics. In other words, it's still a wonderful show. As promised, new director (and original author) Arthur Laurents has darkened the violence in his bilingual revival of the 1957 landmark musical that transports Romeo and Juliet to mean-street Manhattan... The physical production is surprisingly conventional - modest in imagination if not in budget. And despite the tougher edge in Joey Mc-Kneely's reconsideration of Jerome Robbins' character-defining choreography, the second-act ballet sequence, 'Somewhere,' is as sappy as a love-in and sung by a boy soprano. Why do the Jets pretend to row a boat in a hard-hitting 'Gee, Officer Krupke'? And how are we to buy the concept's gritty new realism when the Jets have the same artfully applied smudges on their faces throughout the show?
1957 | Broadway |
Original Broadway Production Broadway |
1958 | West End |
London Production West End |
1959 | US Tour |
National Tour US Tour |
1960 | Broadway |
Return Engagement [Broadway] Broadway |
1964 | Broadway |
City Center Revival Broadway |
1968 | Broadway |
Broadway Revival Broadway |
1980 | Broadway |
Broadway Revival Broadway |
1991 | Milburn, NJ (Regional) |
Paper Mill Production Milburn, NJ (Regional) |
1992 | Regional (UK) |
Regional Revival Regional (UK) |
1998 | West End |
London Revival West End |
2006 | Houston, TX (Regional) |
Theatre Under the Stars Production Houston, TX (Regional) |
2009 | Broadway |
Broadway Revival Broadway |
2010 | US Tour |
National Tour US Tour |
2015 | Washington, DC (Regional) |
Signature Theatre Production Washington, DC (Regional) |
2018 | Washington, DC (Regional) |
National Symphony Orchestra Concert Revival Washington, DC (Regional) |
2018 | Regional (US) |
100th Birthday Celebration Revival Production Regional (US) |
2020 | Broadway |
Broadway Revival Broadway |
Year | Ceremony | Category | Nominee |
---|---|---|---|
2009 | BroadwayWorld Awards | Best Featured Actress in a Musical | Karen Olivo |
2009 | Drama Desk Awards | Outstanding Featured Actress in a Musical | Karen Olivo |
2009 | Drama Desk Awards | Outstanding Revival of a Musica | Pal Joey |
2009 | Outer Critics Circle Awards | Outstanding Actor in a Musical | Matt Cavenaugh |
2009 | Outer Critics Circle Awards | Outstanding Actress in a Musical | Josefina Scaglione |
2009 | Outer Critics Circle Awards | Outstanding Director of a Musical | Arthur Laurents |
2009 | Outer Critics Circle Awards | Outstanding Featured Actress in a Musical | Karen Olivo |
2009 | Outer Critics Circle Awards | Outstanding Revival of a Musical | 0 |
2009 | Theatre World Awards | Performance | Josefina Scaglione |
2009 | Tony Awards | Best Lighting Design of a Musical | Howell Binkley |
2009 | Tony Awards | Best Performance by an Actress in a Featured Role in a Musical | Karen Olivo |
2009 | Tony Awards | Best Performance by an Actress in a Leading Role in a Musical | Josefina Scaglione |
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