There are just some people on this planet who naturally operate on a more creative level than the rest of us, and mezzo-soprano Hai-Ting Chinn is clearly one of those people. She is bringing her wildly inventive musical science show Science Fair: An Opera with Experiments to The Marsh on Saturday, March 6th. Conceived and performed by Chinn with pianist Erika Switzer, Science Fair pairs luscious operatic vocals with light-hearted humor and science lectures. Chinn herself describes it as “a classical cabaret of science songs with science communication staging, including live experiments and slide shows, a little audience participation and a general sort of Bill Nye fun.” Science Fair will be available for livestream at 5:00pm PST on March 6th, followed by a post-performance Q&A with The Marsh Founder/Artistic Director Stephanie Weisman. Chinn will also appear two days prior to that on Stephanie’s MarshStream at 7:30pm on Thursday, March 4th to discuss this innovative work. For more information, visit www.themarsh.org/marshstream.
BroadwayWorld caught up with Chinn last week from her home in the Hudson Valley, where she had just moved from New York City only two days earlier. A Northern California native with degrees from the Eastman and Yale Schools of Music, Shinn has enjoyed an unusually eclectic career, with credits as varied as touring around the world in Phillip Glass’s Einstein on the Beach, playing Lady Thiang in The King & I on the West End, and performing with the experimental Wooster Group in New York. Given her resume, I had thought she might be fascinating to talk to, and she did not disappoint. I mean, what other opera singers do you know who do science in their spare time, just for fun? We talked about how Science Fair came to be, her passion for the creative process, and our evolving understanding around issues of racial and gender equity. In conversation, she is candid and accessible, brainy and funny, and always very, very thoughtful. Underlying everything is her enduring joy in pushing the boundaries of what it means to create musical art.
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The story of Newfoundland and the town of Gander was a chance to remember the good in so many. COME FROM AWAY is an amazing true story of how 7,000 people were stranded in Gander and how the good in everyone was quickly discovered. BWW was able to chat recently with Andrew Samonsky who plays Kevin and other characters in COME FROM AWAY as it begins its week in San Antonio, Texas at the Majestic Theatre.
On September 11, 2001 the world stopped. On September 12, their stories moved us all. COME FROM AWAY tells the remarkable true story of 7,000 stranded passengers and the small town in Newfoundland that welcomed them. Cultures clashed and nerves ran high, but uneasiness turned into trust, music soared into the night, and gratitude grew into enduring friendships.
Hinder drummer Cody Hanson and frontman Marshal Dutton recently announced a new project called Dangerous Hippies. Last month they unveiled their new video 'Like A Ghost' that premiered over at American Songwriter. Dutton on the song: “Like a Ghost is a story about being out-shined and loving it!” Hanson talks about the re-worked Americana version: “The great thing about this project is that there are no rules. If we wake up and hear different version of a song in our heads, we'll work it up and release it.” “You know you have a good song when you can produce it in any style and you love it just as much as you did before.”
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2001 | Off-Broadway |
Off-Broadway |
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