Seattle Theatre Group (STG) presents Diane Birch on Monday, May 17, 2010 at 8:00pm at the Crocodile.
Singer-songwriter Diane Birch took half her lifetime, and traveled across the globe, to get to America, where she literally found her voice and made her remarkable debut, Bible Belt. Though only in her mid-twenties, Birch likes to think of herself as an "old soul," and indeed there is a startling maturity in her singing and a veteran's self-assurance in her writing. Hook-driven songs like "Fools" and "Valentino" offer more than just instant gratification: they're like your new best friends - you'll want to get together with them as frequently as possible. Birch mixes piano-playing virtuosity with easy-going soul, and she can strike an uplifting groove on even the most melancholy tune. Her work bears hints of
Laura Nyro (when she was hanging out with LaBelle) and early 70's
Karen Carpenter (when she was ruling the charts), while effortlessly incorporating New Orleans second-line rhythms, gospel fervor, doo-wop harmonies, country-blues guitar and classic AM radio-style melodies.
Bible Beltwas recorded in New York City and New Orleans with a formidable team of Grammy-winning producers: S-Curve Records founder
Steve Greenberg, soul legend
Betty Wright and Mike Mangini. Among
The Players accompanying Birch are guitarist Lenny Kaye of The
Patti Smith Group, bassists Adam Blackstone from The Roots, and George Porter of The Meters, acclaimed drummers Stanton Moore of Galactic and Cindy Blackman of
Lenny Kravitz fame, saxophonist-about-town
Lenny Pickett, and trombonist Tom "Bones" Malone, along with veteran singer Eugene Pitt, lead vocalist of fabled Brooklyn vocal group, the Jive Five.
Birch was born in Michigan, but at a very young age she moved to Zimbabwe with her South African-born parents. Her dad was a conservative pastor who moved his family from continent to continent. So the young Birch migrated with her folks from Zimbabwe to South Africa to Australia, following her father's mission. Throughout her journeys, Birch longed to be back in America, and finally got her wish when her family relocated to Portland, Oregon, when she was 10.
Compared to the average American teenager, Birch was truly exotic, both in terms of where she had resided and in how she had lived - within the confines of a strict religious community that had little interaction with its secular neighbors. She had to be resilient and adaptable, which at times meant seeking refuge in a rich fantasy life, imagining herself as someone living in say, the eighteenth century, conjuring up imaginary friends/muses like Valentino, the subject of one of her songs, an Amadeus like-figure, somewhat more dashing in proportion than the real Mozart. Until she arrived in the States, she'd had scant exposure to the radio or television and little knowledge of popular culture; she'd only listened to classical music, opera and, of course, church hymns.
Birch initially cycled through a serious Goth phase, perfect for an "old soul" trying to define itself. She embraced Goth both musically and sartorially, as musical inspiration and teenage rebellion - listening to the Sisters of Mercy, Joy Division, the Cure, even Christian Death; arriving at her father's church in a floor-length black cape and waiting until the rest of the congregation was seated before swanning up the aisle. Her musical education didn't stop there, though: she fell for songs from the twenties, jazz, the Beatles, psychedelic music, and Fleetwood Mac.
As for the album title, "The idea of Bible Belthas a layered kind of meaning for me," explains Diane. "Because my dad was a preacher, the very religious upbringing I had made a huge impact on my life, in a very restraining and constricting way. I'm constantly talking about heaven, angels, and forgiveness. I'm hugely inspired by church hymns -- their chord structures, their colors. It was a form of constraint for me as a child but now I see that it has fueled my creative fire."
Over the course of Bible Belt's thirteen songs Diane Birch has served up her own portrait of American music in all its breadth and majesty, touching down on Beale Street, Bourbon Street, Tin Pan Alley, Laurel Canyon, South Philly, Brooklyn street corners and many points in between. Hers is a tour-de-force debut album.
Tickets: $22.00 not including applicable fees. Tickets are on sale Friday, April 16, 2010 at 10am online at
TheCrocodile.com. More info can be found at
STGPresents.org.
Seattle Theatre Group is the 501 (c)(3) non-profit arts organization that operates the historic Paramount and Moore Theatres in Seattle, Washington. Our mission is to make diverse performing arts and education an integral part of our region's cultural identity while keeping these two landmark venues alive and vibrant. STG presents a range of performances from Broadway, off-Broadway, dance and jazz to comedy, concerts of all genres, speakers and family shows - at both historic theatres in Seattle and venues throughout the Puget Sound and Portland, Oregon.
