EDINBURGH 2026: Review: NEXT TO NORMAL, Paradise In Augustines
A slow warmup into the boiling crucible of grief.
The latest reviews and critic recommendations from Scotland.
A slow warmup into the boiling crucible of grief.
What did our critic think of TED HILL: POWERPOINDEXTER at Assembly George Square?
Amy Matthews: Definitions of Toast is a brilliant stand-up show which finds humour in the mundane whilst exploring the complex human emotions that often sit beneath the surface.
With carefully developed storytelling, plenty of laughs and a story that increasingly becomes more unbelievable as it unfolds, 'Is Pepsi OK?' proves that sometimes the funniest comedy comes from the most unexpected situations.
Chris Rutter's debut hour shows promise but lacks any big laughs.
Each night, David Magidoff (Dexter) interviews a celebrity about a real love story – then he and his ensemble turn it into a fully improvised musical! Three-year sold-out run in LA!
Recently married, emotionally feral.
Thank God you're here! We have so much to tell you!! Charly Clive and Ellen Robertson (aka double act Britney) are back.
Sophie Kean and Abby McCann lead this historical intrigue.
Boogie on the Bones shines a light on a rather unknown slice of history.
Hannah Maxwell returns to the Fringe with one of the most relevant, urgent, and vital shows you will see at the Festival.
Back in 2024, a TikTok user asked women if they’d rather be stuck in a forest with a man or with a bear.
Though it’s a comedy, the foundations of Reformer rest on an acute social examination.
Brit Barron: CHURCH is a humorous, heartfelt and musically driven hour that explores faith, queerness and the complexities of being human.
Lil Wenker is a force of energy.
Harry Jun wastes no time checking in with his sold out Edinburgh audience, first ensuring his Australian accent is decipherable, before conducting a racism check to establish that he is, importantly, in a safe space.
This show grapples with the complex moral quandary of survival by following instructions.
Cathy is a new comedy inspired by writer Eilidh Loan's grandmother, and how she dealt with the grief in her unique way after losing her husband.
Someone once told her that babies are natural comedians, and I can say with certainty that so is she.
A rare new play by Bryony Kimmings, renowned for her tearjerking and hilarious autobiographical theatre creations.
The Singer is a bold, new, thrilling piece of gig-theatre about Joe, a deaf artist who “sings” with his hands, and Andy, a washed-up musician hungry for a comeback.
Amanda Knox is approaching forty, juggling motherhood and finally getting around to being furious about the whole wrongful-imprisonment thing.
Have you ever worried about the end of the world? Thought you would make a terrible 1950s housewife? Wanted to use a quiche as a euphemism? Then this might be the fever-dream for you.
This uproarious road-trip comedy becomes a chance to talk about social class, parental strife, regressive opinions, and intense patriotism.
The script itself introduces too many narrative devices to be subtle.
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Mark Thomas: 40 In Stand Up Years Traverse Theatre (12/11-12/11) |
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This City Summerhall (12/04-12/06) |
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Ed Byrne: No Dramas Music Hall (2/10-2/10) |