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San Francisco / Bay Area Theater Reviews

The latest reviews and critic recommendations from San Francisco / Bay Area.

Review: Keeping Cool with 'Blues in the Night'

by Eugene Lovendusky — August 20, 2007

'Blues in the Night,' now playing 8-weeks at San Francisco's Post Street Theatre, offers an evening from the loneliest pages of the American song-book performed by three stunning ladies in a dimly-lit hotel.

Review: 'The Big Voice' Hits All the Right Notes

by Eugene Lovendusky — August 6, 2007

The special off-Broadway engagement of 'The Big Voice: God or Merman?' now playing San Francisco's New Conservatory Theatre Center is an unwavering true, hilarious and passionate story worth a-thousand retellings.

Review: Taken In By 'Take Me Out'

by Eugene Lovendusky — June 7, 2007

Richard Greenberg's 'Take Me Out,' now at the New Conservatory Theatre Center, is a grand slam production played by a highly focused and polished team of theatrical athletes.

Review: 'Oliver Twist,' a Very Good Boy

by Eugene Lovendusky — May 21, 2007

Neil Bartlett's reimagined 'Oliver Twist' abducts Charles Dickens' classic tale, sends it through the meat-grinder, and spits it back onto its feet in a fantastic and grimy work of art.

Review: 'Songs' Not Afraid of Anything

by Eugene Lovendusky — May 17, 2007

Ray of Light's 'Songs for a New World' is not afraid of anything, simply putting four-actors center-stage with nothing but the music.

Review: 'Blackbird' Sings a Daring Song

by Eugene Lovendusky — May 6, 2007

David Harrower's 'Blackbird,' now making its West Coast premiere at the American Conservatory Theatre, is risky, stirring, and uncomfortable.

Review: 'Merrily' Rolls Into Tedium

by Eugene Lovendusky — April 15, 2007

To close their 37th season, TheatreWorks tackles 'Merrily We Roll Along,' the self-proclaimed Broadway flop.

Review: White's 'Terre Haute' Haunts

by Eugene Lovendusky — April 11, 2007

Edmund White's US premiere of 'Terre Haute' at San Francisco's New Conservatory Theatre Center is beautifully uncomfortable and exceptionally performed, putting us in the opposing minds of a terrorist and a novelist.

Review: Gotanda's Sappy San Franciscan Saga

by Eugene Lovendusky — April 3, 2007

The world premiere of Philip Kan Gotanda's 'After the War' at ACT is more a sappy 1940s San Francisco soap-opera than a nod to Japanese-American history.

Review: 'Boyz' Keep the Faith

by Eugene Lovendusky — March 15, 2007

A winning combination of catchy songs, heart-pumping dance, and good wholesome Jesus-loving makes 'Altar Boyz' a non-stop rockin' evening.

Review: Some Chills, Few Thrills at Rep's 'Pillowman'

by Eugene Lovendusky — January 22, 2007

The Berkeley Rep's production of 'The Pillowman' has the expected chill here-and-there and notable performances, but misses some of the essential rhythm of Martin McDonagh's thrilling style of fear.

Review: 'Three Seconds' Makes the Shot

by Eugene Lovendusky — January 17, 2007

The SF Playhouse continues its 4th season with a pleasantly funny and touching West Coast premiere, 'Three Seconds in the Key' by Deb Margolin, brimming with creative word- and sport-play.

Review: Jesus Christ, He's Still Got It!

by Eugene Lovendusky — December 22, 2006

Ted Neeley phenomenally headlines in the Farewell Tour of Andrew Lloyd Webber and Tim Rice's 'Jesus Christ Superstar.

Review: All Wear Smiles at 'bowlers'

by Eugene Lovendusky — December 5, 2006

'all wear bowlers,' the Drama Desk Award-winning clown act starring Trey Lyford and Geoff Sobelle, is a comical romp that puts a unique and fun spin on familiar gags.

Review: Conveniently Charming 'Convenience'

by Eugene Lovendusky — November 16, 2006

'Convenience,' the five-person Gregg Coffin musical (with only seven chairs and a keyboard), charms audiences at the New Conservatory Theatre Center of San Francisco.

Review: Stew's 'Strange' Passing for Unique

by Eugene Lovendusky — November 12, 2006

The world-premiere of 'Passing Strange' at the Berkeley Rep, featuring a book and music by Stew, blends psychedelic rhythm with a semi-stale story.

Review: The Big Snakes of The Little Foxes

by Eugene Lovendusky — November 5, 2006

'The Little Foxes' at the American Conservatory Theatre delectably wriggles in a snake-pit of lies, corruption, and familial deceit.

Review: The War at Home Humbly Hits

by Eugene Lovendusky — October 20, 2006

'The War at Home,' now playing at the New Conservatory Theatre Center, skillfully reminds audiences that the fight for the freedom to love can hit closer than we think.

Review: The God of Hellish Reminders

by Eugene Lovendusky — October 5, 2006

While dripping in political comedy and appropriateness, Sam Shepard's 'The God of Hell,' now playing the Magic Theatre, offers a cold slap of reality a few years late.

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