NCTC Presents 3 Weeks of Plays in 365 Days Project
The New Conservatory Theatre Center, in partnership with a group of San Francisco Bay Area theatres and coordinated by the Z Space Studio, the Playwrights Foundation, and Cutting Ball Theatre, is presenting three weeks of plays in Pulitzer Prize-winning Suzan-Lori Parks' 365 Days Project. Directed by Tracy Ward, March 2 - 18, Thursdays through Saturdays at 8PM and Sundays at 2PM at NCTC, 25 Van Ness Avenue at Market, San Francisco.
Tickets are pay-what-you-can with a suggested price of $10 to $20 and can be purchased through the NCTC Box Office at 415-861-8972 or online at www.nctcsf.org.
3 Week NCTC Play
Schedule
Thursdays - Saturdays
at 8PM
Sundays at 2PM
March 2 - 4
New York Taxi
Project Tempest
She Bit Me
What Were You Wearing for
Black History Month
Another Play Within
the Epic Play "House of Jones"
Burning
Lucky Day
The Plank
March 9 - 11
9 Bars
Neither Snow no Rain
no Gloom of Night Stays These Couriers from the Swift Completion of the
Appointed Rounds
Cuckoo
Holey
Father Comes Home from
the Wars
The Leaving
Dragon Keeper
March 16 - 18
Top Speed
Book
The Line to Life
The Run Around
Opening Night
FedEx to My Ex
A Play for my Brother
Buddy on His 38th Birthday
"In November 2002, the Pulitzer Prize-winning Suzan-Lori Parks sat down and committed to writing a play a day for the next 365 days. This play cycle is being performed as a yearlong national festival simultaneously in major cities and communities around the country. From November 13, 2006 to November 12, 2007, over 600 theatres in New York, Atlanta, Los Angeles, Denver, Seattle, San Francisco, Austin, Washington DC, Chicago, Minneapolis, the Carolinas, Mississippi River towns, and university campuses are creating the largest theatre collaboration in US history," states press notes.
For more on the nation-wide project, see The Public Theatre's website at www.365days365plays.com.
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Julius Caesar Marin Shakespeare Company (8/14-9/13) |
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Pickleball Hillbarn Theatre (8/20-9/13) |
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Macbeth Santa Cruz Shakespeare (7/12-8/30) |
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Private Lives by Noel Coward Santa Cruz Shakespeare (9/04-10/04) |
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Iphigenia in Splott Shotgun Players Ashby Stage (7/25-8/30) |
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Hadestown (Non-Equity) Orpheum Theatre San Francisco (1/07-1/10) |
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Roar! The Marsh Berkeley (8/29-8/30) |
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Odyssea We Players (10/08-10/18) |
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Yvonne Martinez’s Someday Mija, You’ll Learn the Difference Between a and a Working Woman The Marsh Berkeley (8/29-8/30) |
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Candace Johnson’s The Conductress: Adventures in Teaching Gospel Music The Marsh Berkeley (8/28-8/30) |