Talia Sajor

Against the writing shortcomings of “Kimberly Levaco,” the music holds a strong chance of redeeming it, but ultimately does nothing to leave a mark on viewers. Similarly to “Before I Go,” numbers such as “Good Kid” miss the emotional nerve, while others like “Better” are comically entertaining yet do not implant an earworm once the curtains close. Every lyric and musical composition feels generic and provides nothing remarkable or new to make it stand out from other contemporary musical soundtracks.