Christopher Verleger

The stage and lighting design of the production are wondrously spectacular and exciting, with vibrant colors, persuasive imagery, and pulsating sound effects that perfectly depict the turmoil and uncertainty of his predicament. As Pi describes the timeline of past events, the visual transformation from hospital bed to time spent afloat is seamless and exquisite, ranging from serene, star-filled night skies to drab, ominous storm clouds.

Markus delivers a magnetic, passionate performance as MJ, complete with clear, fresh vocals and flawless mimicry of Jackson’s signature dance moves. As younger, “Off the Wall”-era Michael, Erik Hamilton is equally impressive, and Quentin Blanton, Jr. (on Tuesday night’s performance) is especially endearing as Little Michael.

While ABBA enthusiasts revel in the nostalgia, non-fans and first-timers will find it impossible to resist the production’s contagious energy, tender storyline, and playful style. The Greek island backdrop further enhances the celebratory atmosphere, as though the audience were on vacation with the cast.

From start to finish, the production is one show-stopping number after another, with eye-catching, intricate sets, magnificent dance routines, and finely detailed, colorful costumes that perfectly recreate the era. “Henry Street,” the dazzling show-within-a-show, features all the quintessential trimmings of a vintage stage act that would make Ziegfeld himself proud.