BWW Reviews: Give in to Your Nerdy Side with BAND GEEKS at Broadway Rose
Band Geeks is the kind of show you start out scoffing at for its simple-minded depiction of teenage problems, but the darn thing sneaks up on you, and you walk out cheering.
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Band Geeks is the kind of show you start out scoffing at for its simple-minded depiction of teenage problems, but the darn thing sneaks up on you, and you walk out cheering.
Part of the fun is figuring out what's going to happen and where the whole thing is headed.
The play is anecdotal, each character telling long stories about where they've been and what they've lived through, but the stories are less distinctive than I'm used to from August Wilson.
An American businessman comes over to try to sell the city leaders on hiring his company to build the signage for the center, in hopes of avoiding the mistranslations we've all seen and laughed at.
Sometimes a play that isn't working takes a positive step in its second half, and that's the case with Enjoy.
Michael Frayn's farce-within-a-farce is simply the funniest play ever written by a human, and it's so good that even high schoolers can get surefire laughs with it.
William keeps searching, Judith tries to hold things together, and Sam becomes increasingly agitated.
A playwright choosing Alzheimer's as a topic would seem to have painted himself into a corner, and we expect that we're going to spend the evening watching Gunner get worse.
Lisa D'Amour's play Detroit does not specifically take place in Michigan, but everything about it reminded me of my hometown.
Mistakes Were Made is more or less a one-man show.
I completely forgot I was watching a play.
Simon Levy's adaptation is actually a skillful condensation of the events and dialogue of the novel, stitched together with some narration, but this production isn't up to his writing, let alone Fitzgerald's.
One of the most famous quotes regarding Fiddler on the Roof came from the producer of the first Japanese production, who said to the writers, 'Do they understand this show in America? It's so Japanese!' Well, you don't have to be Japanese, or Jewish, or anything else to understand Fiddler.
This is The 39 Steps as filtered through Monty Python or Carol Burnett.
Lucky Stiff is an early project by composer Stephen Flaherty and lyricist/librettist Lynn Ahrens, who went on to create Once on This Island, Ragtime, and the underrated A Man of No Importance.
A high point of the first part of the play is when King asks Camae what she would say to the world if she were in his shoes, and she literally puts on his shoes (and coat) and launches into her own oratory, which is surprising and intelligent, if quite different from King's perspective on the confli
The Big Meal is about nothing less than the entire scope of life, played out in a series of meals in a variety of restaurants.
I salute any theater that tries to push itself into new creative directions.
In Licking Batteries, electricity is both literal (in the use of electroshock therapy to treat mental illness) and metaphoric (in the sparks between people), and it gets used in a multitude of ways to tell an engrossing story.
Cole Porter's songs are justifiably classic, both the tunes that relate to the backstage story and the numbers for the show within the show, and this company has the voices to put them over sensationally.
The late Lehman Engel was a conductor for a number of Broadway shows in the 1940s through the 1960s, in addition to writing several masterful books on the creation and construction of musicals, and founding the musical theater workshop that bears his name and has trained many of the top songwriters
We enter the world of Padua, which in director Michael Mendelson's vision takes place in the swinging 1960s.
Is there a more reliably funny performance piece than The Complete Works of William Shakespeare (Abridged) by Adam Long, Daniel Singer, and Jess Winfield?
Director-choreographer Lyn Cramer put her cast to work right away, sending them on one by one during the overture, crawling, slinking, and rolling onstage.
I attended Avenue Q at a sold-out Saturday night performance on Pride weekend in Portland, and the house was filled with people who clearly knew the show and were ready to have fun.
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Join us for the 2026–2027 Season Portland Center Stage at The Armory (9/27-6/27) |
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The Dark Stuff Twilight Theater Company (8/20-9/06) |
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You Can’t Take It With You Lakewood Theatre Company (9/11-10/18) |
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THE BURLESQUE WITCH PROJECT Project Burlesque (10/18-10/18) |
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A Midsummer Night’s Dream Oregon Shakespeare Festival (3/13-10/25) |
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Weird Al Yankovic LB Day Amphitheatre (9/07-9/07) |
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FOOLISH MORTALS: A Haunted Mansion Burlesque Cabaret The Triple Door Theatre (10/17-10/17) |
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Doja Cat at Moda Center Moda Center (10/17-10/17) |
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Jack Johnson at Hayden Homes Amphitheater Hayden Homes Amphitheater (9/27-9/27) |
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Oregon State Beavers vs. Montana Grizzlies Reser Stadium (9/19-9/19) |