Peter Gelb Videos

Sting will star in a newly adapted version of his musical The Last Ship, which appears at the Metropolitan Opera House for nine performances, June 9–14, 2026. Go inside press day for the show in a new video from inside The Met as Sting sings from the show and discusses its origins.

Check out rehearsal video footage from Robert O'Hara's production of Anthony Davis's X: The Life and Times of Malcolm X at the Met Opera here!

In celebration of World Opera Day, the Met thanks the many opera lovers who gathered to experience Terence Blanchard's Fire Shut Up in My Bones, as well as the company's long-awaited reopening, on September 27, 2021.

Watch as General Manager Peter Gelb discusses Fire Shut Up in My Bones with members of the production’s creative team, including composer Terence Blanchard, co-director James Robinson, and Met Music Director Yannick Nézet-Séguin.

BroadwayWorld has a first look at Great Performances at the Met: Cendrillon, starring Joyce DiDonato as the titular heroine and Alice Coote as Prince Charming alongside Kathleen Kim as the Fairy Godmother and Stephanie Blythe as Madame de la Haltiere. The season 12 finale airs this Sunday, September 9 at 12:00 p.m. on PBS (check local listings).

Great Performances: The Opera House, the new documentary by multiple Emmy Award-winning documentary filmmaker Susan Froemke (Grey Gardens; Lalee's Kin: The Legacy of Cotton) surveys a remarkable period of the Metropolitan Opera's rich history and a time of great change for New York City. Drawing on rarely seen archival footage, stills and recent interviews, the film chronicles the creation of the Met's storied Lincoln Center home of the last 50 years, set against a backdrop of the artists, architects and politicians who shaped the cultural life of New York City in the 1950s and 60s. Among the notable figures featured in the film are famed soprano Leontyne Price, who opened the Met's present Opera House in 1966 with a starring role in Samuel Barber's Antony and Cleopatra; Rudolf Bing, the Met's imperious general manager who engineered the move from the old house to the new one; Robert Moses, the unstoppable city planner who bulldozed an entire neighborhood to make room for Lincoln Center; and Wallace Harrison, whose quest for architectural glory was never fully realized.

Great Performances: The Opera House, the new documentary by multiple Emmy Award-winning documentary filmmaker Susan Froemke (Grey Gardens; Lalee's Kin: The Legacy of Cotton) surveys a remarkable period of the Metropolitan Opera's rich history and a time of great change for New York City. Drawing on rarely seen archival footage, stills and recent interviews, the film chronicles the creation of the Met's storied Lincoln Center home of the last 50 years, set against a backdrop of the artists, architects and politicians who shaped the cultural life of New York City in the 1950s and 60s. Amongst the notable figures featured in the film are famed soprano Leontyne Price, who opened the Met's present Opera House in 1966 with a starring role in Samuel Barber's Antony and Cleopatra; Rudolf Bing, the Met's imperious general manager who engineered the move from the old house to the new one; Robert Moses, the unstoppable city planner who bulldozed an entire neighborhood to make room for Lincoln Center; and Wallace Harrison, whose quest for architectural glory was never fully realized.

Accelerating his arrival as Music Director by two seasons, Yannick Nezet-Seguin will take up the post in time for the start of the Metropolitan Opera's 2018-19 season, it was announced today. By freeing up some guest conducting weeks in his busy calendar in both the 2018-19 and 2019-20 seasons, Nezet-Seguin will now be able to conduct three operas and two Met Orchestra concerts at Carnegie Hall in each of those seasons, instead of the two operas per season originally scheduled. With the assumption of the Music Director title in the fall of 2018, Nezet-Seguin will also be taking on the full artistic responsibilities for the orchestra, chorus, and music staff. His full-time collaboration with Met General Manager Peter Gelb on all other artistic matters will also begin at that time. As previously announced, Nezet-Seguin will begin conducting a minimum of five operas per season starting with the 2020-21 season.

Mario Frangoulis, the acclaimed international Crossover Tenor returns to the US for a limited set of engagements in New York, Montreal and Los Angeles from November 6-11, 2017.

Star tenor Jonas Kaufmann sings the title role in a new production of Wagner's final masterpiece Parsifal, staged by acclaimed French Canadian director François Girard in his Met debut, on Great Performances at the Met Sunday, July 28 at 12 noon on PBS (check local listings). (In New York, THIRTEEN will air the opera in two parts: Friday, August 16 at 9 p.m. and Friday, August 23 at 9 p.m.)

Star tenor Jonas Kaufmann sings the title role in a new production of Wagner's final masterpiece Parsifal on Great Performances at the MetSunday, July 28 at 12 noon on PBS

Elina Garanca, star of the Great Performances at the Met broadcasts of Carmen and La Cenerentola, appears in the trouser role of Sesto in the Met's rare revival of Mozart's opera of ancient Rome, La Clemenza di Tito. Check out the video below!

British composer Thomas Ades conducts the Met premiere of his contemporary Masterpiece THE TEMPEST, an English-language opera based on Shakespeare's final play. The Met's fantastical new production by Robert Lepage airs on Great Performances at the Met today, March 17 at 12 noon on PBS (check local listings). Get a sneak peek below!

British composer Thomas Ades conducts the Met premiere of his contemporary Masterpiece THE TEMPEST, an English-language opera based on Shakespeare's final play. The Met's fantastical new production by Robert Lepage airs on Great Performances at the Met Sunday, March 17 at 12 noon on PBS (check local listings). Get a sneak peek below!

On CBS' 'Sunday Morning' today, November 4th, Anthony Mason talked with The Metropolitan Opera's general manager Peter Gelb about using technology to keep opera alive and bring it to a new audience, with a focus on the Met Live in HD series. Watch the segment below!