DuBose Heyward Videos

Lana Del Rey has released a new video performing Summertime by George Gershwin.

A 12-year-old who uses ventriloquism to overcome her shyness stunned the crowd with a surprising singing act on last week's AMERICA'S GOT TALENT. Below, watch as she stuns the audience and the judges and gets a Golden Buzzer from Mel B!

Today in 1942, the first revival of Porgy and Bess opened at the Majestic Theatre, where it ran for 286 performances. First performed in 1935, with music by George Gershwin, libretto by DuBose Heyward, and lyrics by Ira Gershwin and DuBose Heyward, it was based on DuBose Heyward's novel Porgy and subsequent play of the same title, which he co-wrote with his wife Dorothy Heyward. All three works deal with African-American life in the fictitious Catfish Row in Charleston, South Carolina, in the early 1920s. Originally conceived by George Gershwin as an 'American folk opera', Porgy and Bess premiered in New York in the fall of 1935 and featured an entire cast of classically trained African-American singers-a daring artistic choice at the time.

Happy Birthday, Ira Gershwin! A lyricist, Gershwin collaborated with his younger brother, composer George Gershwin, to create some of the most memorable songs of the 20th century. With George he wrote more than a dozen Broadway shows, featuring songs such as 'I Got Rhythm', 'Embraceable You', 'The Man I Love' and 'Someone to Watch Over Me'. He was also responsible, along with DuBose Heyward, for the libretto to George's opera Porgy and Bess. The success the brothers had with their collaborative works has often overshadowed the creative role that Ira played. However, his mastery of songwriting continued after the early death of George. He wrote additional hit songs with composers Jerome Kern ('Long Ago (and Far Away)'), Kurt Weill and Harold Arlen.

Today in 1943, Porgy and Bess opened at the 44th Street Theatre, where it ran for 24 performances. First performed in 1935, with music by George Gershwin, libretto by DuBose Heyward, and lyrics by Ira Gershwin and DuBose Heyward, it was based on DuBose Heyward's novel Porgy and subsequent play of the same title, which he co-wrote with his wife Dorothy Heyward. All three works deal with African-American life in the fictitious Catfish Row in Charleston, South Carolina, in the early 1920s. Originally conceived by George Gershwin as an 'American folk opera', Porgy and Bess premiered in New York in the fall of 1935 and featured an entire cast of classically trained African-American singers-a daring artistic choice at the time.

Live From Lincoln Center - the pioneering, award-winning performing arts series - continues its 40th anniversary season with another concert from Lincoln Center's American Songbook series, featuring Norm Lewis: Who Am I? (April 10 on PBS). Song selections include: 'Wouldn't It Be Loverly?' (Music by Frederick Loewe, lyrics by Alan Jay Lerner); 'I Got Plenty o' Nuttin' (Music by George Gershwin, lyrics by DuBose Heyward and Ira Gershwin); 'What's Going On' (Renaldo Benson, al Cleveland, and Marvin Gaye); and 'No One Is Alone' (Stephen Sondheim).

Today in 1942, the first revival of Porgy and Bess opened at the Majestic Theatre, where it ran for 286 performances. First performed in 1935, with music by George Gershwin, libretto by DuBose Heyward, and lyrics by Ira Gershwin and DuBose Heyward, it was based on DuBose Heyward's novel Porgy and subsequent play of the same title, which he co-wrote with his wife Dorothy Heyward. All three works deal with African-American life in the fictitious Catfish Row in Charleston, South Carolina, in the early 1920s. Originally conceived by George Gershwin as an 'American folk opera', Porgy and Bess premiered in New York in the fall of 1935 and featured an entire cast of classically trained African-American singers-a daring artistic choice at the time.

Happy Birthday, Ira Gershwin! A lyricist, Gershwin collaborated with his younger brother, composer George Gershwin, to create some of the most memorable songs of the 20th century. With George he wrote more than a dozen Broadway shows, featuring songs such as 'I Got Rhythm', 'Embraceable You', 'The Man I Love' and 'Someone to Watch Over Me'. He was also responsible, along with DuBose Heyward, for the libretto to George's opera Porgy and Bess. The success the brothers had with their collaborative works has often overshadowed the creative role that Ira played. However, his mastery of songwriting continued after the early death of George. He wrote additional hit songs with composers Jerome Kern ('Long Ago (and Far Away)'), Kurt Weill and Harold Arlen.

Today in 1943, Porgy and Bess opened at the 44th Street Theatre, where it ran for 24 performances. First performed in 1935, with music by George Gershwin, libretto by DuBose Heyward, and lyrics by Ira Gershwin and DuBose Heyward, it was based on DuBose Heyward's novel Porgy and subsequent play of the same title, which he co-wrote with his wife Dorothy Heyward. All three works deal with African-American life in the fictitious Catfish Row in Charleston, South Carolina, in the early 1920s. Originally conceived by George Gershwin as an 'American folk opera', Porgy and Bess premiered in New York in the fall of 1935 and featured an entire cast of classically trained African-American singers-a daring artistic choice at the time.

Norm Lewis makes his eagerly anticipated solo debut at American Songbook on Saturday night at 8:30pm. The show is SOLD OUT, and has been for weeks, and he has been in what he calls 'training' for the last few months. His musical director is Joseph Joubert (Motown, The Color Purple, Violet, Leap of Faith) and the evening is directed by Richard Jay-Alexander., for whom Norm did 'Javert' along with Hugh Panaro as 'Valjean' in last summer's blockbuster success of LES MISERABLES at The Muny in St. Louis.

Today in 1942, the first revival of Porgy and Bess opened at the Majestic Theatre, where it ran for 286 performances. First performed in 1935, with music by George Gershwin, libretto by DuBose Heyward, and lyrics by Ira Gershwin and DuBose Heyward, it was based on DuBose Heyward's novel Porgy and subsequent play of the same title, which he co-wrote with his wife Dorothy Heyward. All three works deal with African-American life in the fictitious Catfish Row in Charleston, South Carolina, in the early 1920s. Originally conceived by George Gershwin as an 'American folk opera', Porgy and Bess premiered in New York in the fall of 1935 and featured an entire cast of classically trained African-American singers-a daring artistic choice at the time.

Happy Birthday, Ira Gershwin! A lyricist, Gershwin collaborated with his younger brother, composer George Gershwin, to create some of the most memorable songs of the 20th century. With George he wrote more than a dozen Broadway shows, featuring songs such as 'I Got Rhythm', 'Embraceable You', 'The Man I Love' and 'Someone to Watch Over Me'. He was also responsible, along with DuBose Heyward, for the libretto to George's opera Porgy and Bess. The success the brothers had with their collaborative works has often overshadowed the creative role that Ira played. However, his mastery of songwriting continued after the early death of George. He wrote additional hit songs with composers Jerome Kern ('Long Ago (and Far Away)'), Kurt Weill and Harold Arlen.

Today in 1943, Porgy and Bess opened at the 44th Street Theatre, where it ran for 24 performances. First performed in 1935, with music by George Gershwin, libretto by DuBose Heyward, and lyrics by Ira Gershwin and DuBose Heyward, it was based on DuBose Heyward's novel Porgy and subsequent play of the same title, which he co-wrote with his wife Dorothy Heyward. All three works deal with African-American life in the fictitious Catfish Row in Charleston, South Carolina, in the early 1920s. Originally conceived by George Gershwin as an 'American folk opera', Porgy and Bess premiered in New York in the fall of 1935 and featured an entire cast of classically trained African-American singers-a daring artistic choice at the time.

Today in 1942, the first revival of Porgy and Bess opened at the Majestic Theatre, where it ran for 286 performances. First performed in 1935, with music by George Gershwin, libretto by DuBose Heyward, and lyrics by Ira Gershwin and DuBose Heyward, it was based on DuBose Heyward's novel Porgy and subsequent play of the same title, which he co-wrote with his wife Dorothy Heyward. All three works deal with African-American life in the fictitious Catfish Row in Charleston, South Carolina, in the early 1920s. Originally conceived by George Gershwin as an 'American folk opera', Porgy and Bess premiered in New York in the fall of 1935 and featured an entire cast of classically trained African-American singers-a daring artistic choice at the time.

Happy Birthday, Ira Gershwin! A lyricist, Gershwin collaborated with his younger brother, composer George Gershwin, to create some of the most memorable songs of the 20th century. With George he wrote more than a dozen Broadway shows, featuring songs such as 'I Got Rhythm', 'Embraceable You', 'The Man I Love' and 'Someone to Watch Over Me'. He was also responsible, along with DuBose Heyward, for the libretto to George's opera Porgy and Bess. The success the brothers had with their collaborative works has often overshadowed the creative role that Ira played. However, his mastery of songwriting continued after the early death of George. He wrote additional hit songs with composers Jerome Kern ('Long Ago (and Far Away)'), Kurt Weill and Harold Arlen.

Today in 1943, Porgy and Bess opened at the 44th Street Theatre, where it ran for 24 performances. First performed in 1935, with music by George Gershwin, libretto by DuBose Heyward, and lyrics by Ira Gershwin and DuBose Heyward, it was based on DuBose Heyward's novel Porgy and subsequent play of the same title, which he co-wrote with his wife Dorothy Heyward. All three works deal with African-American life in the fictitious Catfish Row in Charleston, South Carolina, in the early 1920s. Originally conceived by George Gershwin as an 'American folk opera', Porgy and Bess premiered in New York in the fall of 1935 and featured an entire cast of classically trained African-American singers-a daring artistic choice at the time.