F*It Club, the New York Innovative Award-winning film and theatre company, continues its annual series of short, commissioned world-premiere plays at the IRT Theater as part of their 3B Development Series in Manhattan's West Village with The Spring Fling: Rebound, seven new short plays by Ngozi Anyanwu (Good Grief), Lucy Boyle (The Blue Deep), Liza Birkenmeier (Radio Island), Ryan King (Burying Augustus), Dan Moyer (Half Moon Bay), Matthew Paul Olmos (So Go The Ghosts of Mexico), and Leah Nanako Winkler (Kentucky).
Bessie Award winner and New York Live Arts' Stryker/Ranjelovic Resident Commissioned Artist Okwui Okpokwasili presents the culmination of her two-year residency at New York Live Arts with the New York premiere of Poor People's TV Room.
Everyman is successful, popular, and riding high when Death comes calling. Forced to abandon the life he has built, he embarks on a last, frantic search to recruit a friend, anyone, to speak in his defense. But Death is close behind, and time is running out.
Hard Sparks gives the ancients a twist with a pair of shows in rep: Melody Bates and Rebecca Hart's The Cabaret at the End of the World (directed by Joan Jubett), set in a nightclub in Julius Caesar-era Rome; and Bob Bartlett's Bareback Ink (directed by David Drake), a modern queer update of the Ganymede myth, set in a tattoo shop.
IRT presents Hard Sparks' THE CABARET AT THE END OF THE WORLD by Melody Bates and Rebecca Hart, directed by Joan Jubett, March 10-19 at IRT Theater (154 Christopher Street) as part of the 3B Development Series*.
HERE proudly presents CasablancaBox, a HERE Resident Artist Production, as part of its 2016-2017 producing season. Written by Sara Farrington and directed by Reid Farrington, this original multi-media play will have 21 performances, in a premiere production, April 5 - 29 at HERE (145 Sixth Avenue, just below Spring Street).
Ancient Rome looks a lot like modern America as irreverent, vivacious hosts Flora and Fawna invite you to the hottest club in the City Of Seven Hills for a sly, sexy, hilarious romp through Julius Caesar.
The 2017/18 Main Series Season includes Harold Pinter's groundbreaking The Caretaker, Branden Jacob-Jenkins' Neighbors, Young Jean Lee's Church, Thornton Wilder's Pulitzer Prize-winning masterpiece The Skin of Our Teeth, Annie Baker's The Flick, and Sean Graney and Kevin O'Donnell's subversive new adaptation of Gilbert and Sullivan's The Pirates of Penzance, or The Slave of Duty.
The Wilbury Theatre Group's Founding Artistic Director Josh Short has announced the Group's 2017/18 Main Series Season. The exciting 6 play season includes some of our audiences favorite playwrights alongside experimental new works by the brightest theatre artists working today, including Harold Pinter's groundbreaking The Caretaker, Branden Jacob-Jenkins' Neighbors, Young Jean Lee's Church, the Pulitzer Prize winning The Skin of Our Teeth, Annie Baker's The Flick, and Sean Graney and Kevin O'Donnell's subversive new adaptation of the Gilbert and Sullivan's The Pirates of Penzance, or The Slave of Duty.
IRT presents Hard Sparks' BAREBACK INK by Bob Bartlett, directed by David Drake, tonight, March 4, through March 18 at IRT Theater (154 Christopher Street) as part of the 3B Development Series.
At the Mezzanine Theatre at the A.R.T./New York Theatres (502 W 53rd Street), Soho Rep. is pleased to present the world premiere of Richard Maxwell's Samara, commissioned by Artistic Director Sarah Benson. In a departure, Maxwell, who has directed nearly all 20 of his plays, is handing over the directorial duties to Benson. Maxwell's work was seen previously at Soho Rep. in 2001 with Cavemen and in 1999 with Cowboys and Indians.
OBERON, the American Repertory Theater's (A.R.T.) second stage and club theater venue, presents A Ride on the Irish Cream, written and created by Erin Markey and directed by Jordan Fein. Performances begin today, February 28 and run through Saturday, March 4 at OBERON, 2 Arrow St, Cambridge.
Steppenwolf Theatre Company announces acclaimed director Liesl Tommy, who received a Tony nomination for her direction of Eclipsed by Danai Gurira on Broadway, will direct Steppenwolf's world premiere production of Pass Over by Antoinette Nwandu. The cast features ensemble member Jon Michael Hill and Cliff Chamberlain with one remaining role to be announced.
Enchantment abounds as the season continues with the Bay Area Premiere of Marc Norman, Tom Stoppard and Lee Hall's effervescent romance, Shakespeare in Love, coming to MTC this holiday season. In the Elizabethan era, when women are forbidden to become actors, what's a stage-struck lady to do? Lady Viola de Lesseps adores plays, especially those by a young writer named Will Shakespeare, but can only look on longingly as men and boys perform them. Will, meanwhile, has his own struggles: his inspiration fled, his debts and unwritten commissions piling up…until he meets an unknown young player named Thomas Kent, who speaks his words as he's always dreamed they'd be spoken, and a beautiful woman named Viola, who could be just the muse he needs. Under the direction of MTC artistic director Jasson Minadakis, this stage adaptation of the beloved film finds its true essence: a love letter to the power of theatre and the imagination.
The OBIE-winning HERE proudly presents CULTUREMART 2017, taking place March 15 - 25. In this annual festival, CULTUREMART, process becomes the focus, offering a first look at live performance in various stages of development from the boundary-breaking artists in the HERE Artist Residency Program (HARP) as they journey to mainstage production.
By popular demand, Steppenwolf Theatre Company extends its critically acclaimed Chicago premiere production of Straight White Men written and directed by Young Jean Lee. Hailed as "fascinating and hugely arresting" (Chicago Tribune, 3 ½ out of 4 stars) and "intriguing and entertaining" (Time Out Chicago), the production continues for seven additional performances, through March 26, 2017. Tickets ($20 - $89) to the additional performances of Straight White Men are now on sale through Audience Services (1650 N Halsted), at 312-335-1650 or steppenwolf.org.
Stable Cable Lab Co. has announced its 2017 season, which will launch tonight with its annual reading series of new plays in process. This free reading series will feature three plays in development including HOME CHURCH PLAY by Jacob Perkins tonight, February 17th, DOLLFACE by Emily Daly on February 20th, and LITTLEGHOST by Liza Birkenmeier on February 27th.
IRT presents Hard Sparks' THE CABARET AT THE END OF THE WORLD by Melody Bates and Rebecca Hart, directed by Joan Jubett, March 10-19 at IRT Theater (154 Christopher Street) as part of the 3B Development Series*.
OBERON, the American Repertory Theater's (A.R.T.) second stage and club theater venue, presents A Ride on the Irish Cream, written and created by Erin Markey and directed by Jordan Fein. Performances begin on Tuesday, February 28 and run through Saturday, March 4 at OBERON, 2 Arrow St, Cambridge.
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