Classic American Tales (CAT) will present Tales at the Dormer House in which guests are treated to lemonade and tasty treats while listening to stories written by noteworthy authors, read by a variety of performers.
Classic American Tales will present a series of storytelling performances across New Jersey, featuring works inspired by Louisa May Alcott, Mark Twain, and Paul Robeson, alongside a Revolutionary War-era diary performance at historic venues.
The Lolita Apologies, a new one-act play written and directed by Talia Fossum-Wernick, will receive a two-night preview run at The NuBox in New York City on July 15 and 16 before making its international debut at the 2025 Edinburgh Fringe Festival.
From June 12 through October 16, Classic American Tales (CAT) once more will present 'Tales at the Dormer House' in which guests are treated to lemonade and tasty treats while listening to stories by American authors.
Tickets are now on sale for the 5th Chicago International Puppet Theater Festival, the largest of its kind in North America, returning January 18-29, 2023, at venues large and small throughout the city.
On Wednesday, November 2 at 7pm, Pulitzer Prize-winning author and biographer Stacy Schiff will visit The Music Hall Lounge with her new book, THE REVOLUTIONARY: SAMUEL ADAMS, a riveting account of one of America's elusive founding fathers.
Symphony Space has announced additional programming and participants in its 2022-23 season, an array of live events that bring literature to life, spark conversation, and provide intimate encounters with wide-ranging musical artists.
On Wednesday, November 2 at 7pm, Pulitzer Prize-winning author and biographer Stacy Schiff visits The Music Hall's Lounge with her new book, THE REVOLUTIONARY: SAMUEL ADAMS, a riveting account of one of America's elusive founding fathers.
The 92NY Unterberg Poetry Center’s 84th season will feature a wide range of acclaimed novelists, playwrights and poets, who will visit to read from and discuss highly-anticipated new books – and pay tribute to other great writers.
Symphony Space has announced highlights of its 2022-23 season, an array of live events that bring literature to life, spark conversation, and provide intimate encounters with wide-ranging musical artists. The programming features acclaimed authors, actors, musicians, comedians, and other luminaries.
The New Coordinates, formerly The New Colony, will welcome back live audiences this summer with a workshop production of Debbie Baños’s bittersweet memoir American Side Efectos, a raucous and ruthless dive into the American Dream directed by Esteban Arévalo Ibáñez.
The New Coordinates (TNC), formerly The New Colony, has announced its 2022 season, to presented at its resident home, The Den Theatre, 1331 N. Milwaukee Ave. in Chicago’s Wicker Park neighborhood.
Invictus Theatre Founding Artistic Director Charles Askenaizer today announced full casting for the company’s season closing production of Edward Albee’s WHO’S AFRAID OF VIRGINIA WOOLF?. In this four-character drama that is often as wickedly funny as it is heartbreaking, two married couples battle with their spouses and each other over an alcohol-fueled night in a small, overstuffed living room. The tension the characters feel in these close quarters will be conveyed to the audience in Askenaizer’s storefront production in the 40-seat Reginald Vaughn Theatre at 1106 W. Thorndale, Chicago.
PEN America today announced writer and Emmy Award-winning late night host Seth Meyers, who has uplifted countless authors’ voices—as the host for the organization’s 2022 Literary Awards, which return this year as a momentous in-person event, on February 28 at New York City’s Town Hall (123 W 43rd St).
After months of refurbishments and closure due to coronavirus, the Royal Albert Hall is back open and ready to celebrate its 150th anniversary. Part of its full re-opening programme was the return of Letters Live, an event which has taken place at various venues across the world (from the Union Chapel in Islington to the Calais refugee camp to Los Angeles), and made its debut at the Royal Albert Hall back in 2019.
In my opinion, the show was in a constant state of confusion. John Barry's score was extremely 70's jazz-funk inspired. The songs were all akin to pop songs, except for a small few. Lerner's lyrics were quite good, but with a lackluster score they became bland. The script was the biggest problem.