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Classic American Tales To Present Tales at the Dormer House

Classic American Tales (CAT) will present Tales at the Dormer House in which guests are treated to lemonade and tasty treats while listening to stories written by noteworthy authors, read by a variety of performers.

Classic American Tales to Present TALES AT THE DORMER HOUSE

From June 12 through October 16, Classic American Tales (CAT) once more will present 'Tales at the Dormer House' in which guests are treated to lemonade and tasty treats while listening to stories by American authors. 

Invictus Theatre Company Announces Full Casting for WHO'S AFRAID OF VIRGINIA WOOLF?

Invictus Theatre Founding Artistic Director Charles Askenaizer today announced full casting for the company’s season closing production of Edward Albee’s WHO’S AFRAID OF VIRGINIA WOOLF?. In this four-character drama that is often as wickedly funny as it is heartbreaking, two married couples battle with their spouses and each other over an alcohol-fueled night in a small, overstuffed living room. The tension the characters feel in these close quarters will be conveyed to the audience in Askenaizer’s storefront production in the 40-seat Reginald Vaughn Theatre at 1106 W. Thorndale, Chicago. 

Seth Meyers to Host PEN America Literary Awards Honoring Elaine May & More

PEN America today announced writer and Emmy Award-winning late night host Seth Meyers, who has uplifted countless authors’ voices—as the host for the organization’s 2022 Literary Awards, which return this year as a momentous in-person event, on February 28 at New York City’s Town Hall (123 W 43rd St).

BWW Review: LETTERS LIVE, Royal Albert Hall

After months of refurbishments and closure due to coronavirus, the Royal Albert Hall is back open and ready to celebrate its 150th anniversary. Part of its full re-opening programme was the return of Letters Live, an event which has taken place at various venues across the world (from the Union Chapel in Islington to the Calais refugee camp to Los Angeles), and made its debut at the Royal Albert Hall back in 2019.

Student Blog: Lolita, My Love: How a Script Killed a Score

In my opinion, the show was in a constant state of confusion. John Barry's score was extremely 70's jazz-funk inspired. The songs were all akin to pop songs, except for a small few. Lerner's lyrics were quite good, but with a lackluster score they became bland. The script was the biggest problem.

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