Violetta News

Opera Naples has announced the three productions in its upcoming 2021 season.

Since the summer of 2005, Hawaii Performing Arts Festival (HPAF) has continued to bring world-class music to Hawai'i Island. Over the past sixteen years, HPAF has garnered an international reputation as a premiere training and performance program for aspiring young artists worldwide.

OPERA America is inviting artists, administrators, trustees, and audiences to 'A Toast to 50 Years,' a celebration of opera's progress and of OPERA America's 50th Anniversary, taking place today, Friday, May 15, from 4:30 to 5:00 p.m. EDT.

Here's a look at how 'Light Shall Lift Us; Singers Unite in Song' (for OPERA America), a video project featuring 107 opera singers in “a song of hope and solidarity” by Paul Moravec and Mark Campbell, came together to help raise up the spirits of their communities as we deal with COVID-19. It went 'live' on May 14 at 1:30 pm EST.

The Columbus Symphony and Music Director Rossen Milanov today announced the 2020-21 Masterworks season that focuses on the expressive power of the human voice. Subscriptions go on sale at 10am on Wednesday, May 13.

Los Angeles Opera's website www.laopera.org has a plethora of short a?oeAt Homea?? recitals for opera lovers to enjoy during our time of theatrical drought. The newest entry is Theo Hoffman's program of Bernstein, Rachmaninov, Sondheim and Schubert. Accompanied either by Jeremy Frank's pre-recorded piano or by his own guitar, Theo treats listeners to a different song for each day of the week.

Mathew Anchel will be a special guest on Faithful Friday with Angel Blue today, Friday, April 24 at 12:00 p.m. ET. A popular bass with Stuttgart Opera, American-born Anchel also runs his own successful voice studio, teaching a range of styles from pop to opera. In a new development for 'Faithful Fridays', Mr Anchel will also perform.

Due to popular demand, the Verdi Chorus is extending its first online concert, a streaming of its Spring 2018 program The Force of Destiny led by Founding Artistic Director Anne Marie Ketchum, through April 27.

In place of its previously scheduled Live Concert on April 18, The Verdi Chorus will offer its first online concert:  a streaming of its Spring 2018 program The Force of Destiny led by Founding Artistic Director Anne Marie Ketchum. The concert will be launched online April 18 at 7:30pm on the Verdi Chorus website at https://www.verdichorus.org and will also be available on Facebook at https://www.facebook.com/VerdiChorus/

In place of its previously scheduled Live Concert on April 18, The Verdi Chorus will offer its first online concert:  a streaming of its Spring 2018 program The Force of Destiny led by Founding Artistic Director Anne Marie Ketchum. The concert will be launched online April 18 at 7:30pm on the Verdi Chorus website at https://www.verdichorus.org and will also be available on Facebook at https://www.facebook.com/VerdiChorus/

While it will not be opening The Magic Flute in April due to COVID-19 restrictions, Opera San José has announced something all opera patrons can enjoy at home instead: the FREE live stream viewing of its breathtaking 2011 production of Mozart's first dramatic masterpiece, the rarely produced Idomeneo: ré di Creta.

On March 27, 2020, Cooking Vinyl present Abolition of the Royal Familia the 17th album by THE ORB, formed prolific electronic godfather Alex Paterson and his rotating roster of collaborative cohorts. It forms part two of a pair – a continuation of the same “anything goes” ethos as the previous, critically-acclaimed 2018 longplayer No Sounds Are Out Of Bounds.

Acclaimed German director Tatjana Gürbaca and designer Klaus Grünberg make their English National Opera (ENO) debuts with ENO's first new Rusalka in two decades, with Corinne Winters in the title role and David Butt Philip as the Prince.

Some unclear choices keep a beautifully-designed and often well-sung GIOVANNI from making the impact it intends to.

When I recently interviewed Lisette Ororpesa, just before her first Violetta at the Met, she told me that people are always asking her “Isn't TRAVIATA an opera for three different sopranos? One soprano per act?” and her answer is: “Yeah, if you want to look at it that way...' She proved that she didn't need any help from a doppelganger in pulling off all the varied aspects of Verdi's courtesan, with a stellar performance.

Saturday night, I heard soprano Lisette Oropesa deliver an alternatingly delicious and desperately dramatic Violetta in Verdi's LA TRAVIATA at the Met. Less than a day later, she was the emcee at the GRAND FINALS CONCERT of the Met's National Council Auditions--where she was a winner herself in 2005 and “it changed my life,” she recalled--delivering the latest batch of opera babies into the big time.

It's been a big year for soprano Lisette Oropesa, with starring roles at major European houses. But in this country, it's something else entirely: She won the Richard Tucker Award and the Met's Beverly Sills Award. That was followed by a pair of name-above-the-title roles, her first at the Met: her role debut in Massenet's MANON and, this week, her house role debut as Verdi's Violetta in LA TRAVIATA.

Celebrated soprano Lisette Oropesa, in the midst of her highly anticipated run as Violetta Valéry in The Met's La Traviata, will share an exclusive house concert on Monday, March 2, 2020, in a stunning TriBeCa loft as part of the 2020 Hamlen-Palm Series.

Today, the Metropolitan Opera announced its 2020-21 season, the first in which Yannick Nézet-Séguin assumes his full breadth of musical duties as the company's Jeanette Lerman-Neubauer Music Director, conducting six productions. His schedule includes the Met premiere of Jake Heggie's Dead Man Walking, the first contemporary opera conducted by the maestro on the Met stage, as part of his ongoing commitment to opera of our time at the Met, which will expand in the seasons to come.

Opera Omaha announces its third annual ONE FESTIVAL. The ONE Festival is a place for wild dreams, wilder execution, and exploration of those ideas on a grand scale. Programming is driven by the artists, not the executives. With an emphasis on experimentation and new worka?'yet not tethered to premieresa?'ONE fosters an environment that encourages and celebrates bold risks and transformative storytelling. At a glance, one might assume this is happening in NYC or LA; but this opera hothouse sizzles in the dead center of our country, far from the coasts.