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Marquee TV Will Stream MADAMA BUTTERFLY and NABUCCO

Marquee TV a?" the global streaming platform for dance, opera and theatre on demand a?" continues its season of Saturday night premieres and brings viewers performances of Puccini's Madama Butterfly on 4 July and Verdi's Nabucco on 18 July 2020. 

BWW Feature: Our Favourite Outdoor Theatre Memories

This summer, we're sadly not going to be seeing all the outdoor theatre that we've loved in past years - whether at venues like Regent's Park and Shakespeare's Globe or dedicated festivals and other open-air arts gatherings. So, until we can welcome all these wonderful events back again, BroadwayWorld reviewers are paying tribute to them with some of our favourite memories!

BWW Feature: Reinventing Summer Shakespeare, Los Angeles Style

It's summer in L.A. and the theaters are closed. What's a Shakespeare lover to do? Well, artists continue to create in whatever way they can as they brainstorm plans for 2020 and beyond. We've heard from some of your favorite companies and here's the latest on cancellations and some of the inventive solutions meant to help you get your Bard on this season. Go see a showa??.online!

Winners Announced for the 10th Annual Off Broadway Alliance Awards!

On Tuesday, May 19, presenters Charles Bush and Julie Halston, along with OBA President Peter Breger, announced the 10th Annual Off Broadway Alliance. The Off Broadway Alliance plans on celebrating this year's winners with a reception this Fall.

Burning Coal Theatre Announces Four Corners Project Recipients

Burning Coal Theatre Company would like to announce recipients of the inaugural the Four Corners Project, beginning in its 2020-2021 season. This project grants the Murphey School space for one week, four times a year to creative individuals coming forth with innovative and exciting projects, whether it be a show, a workshop, a class, or so on.

BWW Review: ROMEO & JULIET, English National Ballet At Home

Rudolf Nureyev created his version of Romeo and Juliet back in 1977 for what was then called the London Festival Ballet. He commissioned a Russian translation of Shakespeare's play, wanting to use the language to inspire the movement. The result is a cinematic, dark and accurate representation of the turmoil and passion of the characters and their tragic story.

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