A major new exhibition at the Museum of Jewish Heritage - A Living Memorial to the Holocaust opens today. The Holocaust: What Hate Can Do offers an expansive and timely presentation of Holocaust history told through personal stories, objects, photos, and film-many on view for the first time.
Stockholm’s prestigious Royal Dramatic Theatre commissioned America’s Congress for Jewish Culture to present director Moshe Yassur’s critically acclaimed 2013 Off-Broadway Yiddish language staging of WAITING FOR GODOT. The production played to three sold out houses November 13th and 14th.
Stockholm’s prestigious Royal Dramatic Theatre commissioned America’s Congress for Jewish Culture to present director Moshe Yassur’s critically acclaimed 2013 Off-Broadway Yiddish language staging of WAITING FOR GODOT.
Stockholm’s prestigious Royal Dramatic Theatre commissioned America’s Congress for Jewish Culture to present director Moshe Yassur’s critically acclaimed 2013 Off-Broadway Yiddish language staging of WAITING FOR GODOT.
The Congress for Jewish Culture has been commissioned to present director Moshe Yassur’s critically acclaimed 2013 Off-Broadway Yiddish language staging of WAITING FOR GODOT at the prestigious Royal Dramatic Theatre in Stockholm, Sweden next month.
Find out what happens to the beloved characters in Fiddler on the Roof after the musical ends. TEVYE SERVED RAW is an evening of Sholem Aleichem material, with adaptations of his Tevye stories (“What, Me Worthy?” and “Get Thee Gone!”), scenes from his own long-unseen Yiddish stage version, and three of his purely comedic stories, newly adapted (“Strange Jews on a Train,” “The Yiddish Sisyphus” and “A Stepmother’s Trash-Talk”).
The play 'How Many Bushels Am I Worth?' will debut in January 2020 in Providence, Rhode Island, and New York City, marking five decades since the first wave of immigration of Soviet Jews to the United States. Written by Kevin Olson and Soviet émigré Bena Shklyanoy and based on her life story, the performance captures a Kiev family's agonizing decision in 1976 to flee the Soviet Union for America and the challenging adjustment period that followed.
TEVYE SERVED RAW made its New York premiere in 2018 to unanimous rave reviews ("Hilarious" - Jewish Standard; "Incredibly moving" - Tablet; "Brilliantly directed" - Forward) and, by popular demand, returned this year to its home at The Playroom Theater, 151 West 46 Street (just east of Seventh Ave.) There are only two more performances before the strictly limited engagement concludes tonight.
TEVYE SERVED RAW made its New York premiere in 2018 to unanimous rave reviews and, by popular demand, will return this Monday, January 28th to its home at The Playroom Theater, 151 West 46 Street (just east of Seventh Ave.), where it will play through February 13th.
The TEVYE SERVED RAW troupe – currently preparing to resume performances at The Playroom Theater – will present a selection from their show on April 15th at Carnegie Hall, as part of FROM SHTETL TO STAGE: A CELEBRATION OF YIDDISH MUSIC AND CULTURE. The evening will also feature Mike Burstyn, Paula Vogel, Avi Hoffman, Eleanor Reissa, Joanne Borts, Daniel Kahn, violinist Gil Shaham, and pianist Evgeny Kissin.
Sholem Aleichem's Tevye stories formed the basis of Fiddler on the Roof. TEVYE SERVED RAW presents this material 'raw,' i.e., as it was created in Europe, before being Americanized for Broadway.
The Jewish Repertory Theatre of Western New York opens its 16th season with THE STRUDEL LADY, the story of Chava, an American-born, Jewish Orthodox wife and mother, who seeks to put her life back together when she is deserted by her husband and children. Embarrassed and confused about her identity and how to support herself financially, she seeks advice from a trusted older couple, who help her find independence, self-esteem and eventually love through her skill as a baker.
Find out what happens to the beloved characters in FIDDLER ON THE ROOF after the musical ends. TEVYE SERVED RAW is an evening of Sholem Aleichem material, with adaptations of his 'Tevye' stories ('What, Me Worthy?' and 'Get Thee Gone!'), scenes from his own long-unseen Yiddish stage version, and three of his purely comedic stories, newly adapted ('Strange Jews on a Train,' 'The Yiddish Sisyphus' and 'A Stepmother's Trash-Talk'). The production is set to officially open next Tuesday, July 17th at The Playroom Theater in the Heart of the Theatre District, 151 West 46 Street (just east of Seventh Ave.)
Find out what happens to the beloved characters in FIDDLER ON THE ROOF after the musical ends. TEVYE SERVED RAW is an evening of Sholem Aleichem material, with adaptations of his Tevye stories ("What, Me Worthy?" and "Get Thee Gone!"), scenes from his own long-unseen Yiddish stage version, and three of his purely comedic stories, newly adapted ("Strange Jews on a Train," "The Yiddish Sisyphus" and "A Stepmother's Trash-Talk").
Find out what happens to the beloved characters in Fiddler on the Roof after the musical ends. TEVYE SERVED RAW is an evening of Sholem Aleichem material, with adaptations of his Tevye stories ("What, Me Worthy?" and "Get Thee Gone!"), scenes from his own long-unseen Yiddish stage version, and three of his purely comedic stories, newly adapted ("Strange Jews on a Train," "The Yiddish Sisyphus" and "A Stepmother's Trash-Talk").
The 2017 awards honor productions which opened between October 1, 2016 and September 30, 2017. Nominations were completely reader-submitted and after the nomination period ended October 31, BroadwayWorld's local editors proofed the list for eligibility and errors.
The 2017 awards honor productions which opened between October 1, 2016 and September 30, 2017. Nominations were completely reader-submitted and after the nomination period ended October 31, BroadwayWorld's local editors proofed the list for eligibility and errors.
The 2017 awards honor productions which opened between October 1, 2016 and September 30, 2017. Nominations were completely reader-submitted and after the nomination period ended October 31, BroadwayWorld's local editors proofed the list for eligibility and errors.
The 2017 awards honor productions which opened between October 1, 2016 and September 30, 2017. Nominations were completely reader-submitted and after the nomination period ended October 31, BroadwayWorld's local editors proofed the list for eligibility and errors.