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Take Five! Spend Your Tea Break with Ralph Fiennes

Ralph Fiennes plays the villainous title role in Rupert Goold's new production of Shakespeare's RICHARD III at the Almeida, opening tonight. Vanessa Redgrave is Queen Margaret, and the cast also features David Annen, Joseph Arkley, Osman Baig, Benedict Barker, Tom Canton, Daniel Cerqueira, Simon Coates, Josh Collins, Susan Engel, James Garnon, Mark Hadfield, Scott Handy, Lev Levermore, Finbar Lynch, Aislin McGuckin, Joseph Mydell, Lukas Parish, Joshua Riley, Lukas Rolfe , Joanna Vanderham, Baxter Westby and Oliver Whitehouse.

Photo Flash: Jesse Eisenberg's THE SPOILS Opens at Trafalgar Studios

Last night, Jesse Eisenberg's THE SPOILS recently had its press night at Trafalgar Studios. His third play, The Spoils originally ran Off-Broadway in 2015 at The Pershing Square Signature Center. The London production stars Eisenberg, Alfie Allen (Game of Thrones), Katie Brayben(Beautiful - The Carole King Musical), Annapurna Sriram (Billions) and Kunal Nayyar (The Big Bang Theory), and plays until August 13. It's directed by The New Group's Scott Elliott. To book tickets, call 0844 871 7632 or visit atgtickets.com

Broadway at the Cabaret - Top 5 Cabaret Picks for June 6-12, Featuring Andrew Rannells, Tom Wopat, and More!

Broadway's 40 theatres aren't the only places to catch performances from your favorite stars! Well after Broadway orchestras begin their overtures, ensemble members take their dance breaks, and performers belt out their eleven o'clock numbers, the party continues at various cabaret venues throughout New York City. Below, BroadwayWorld brings you some cabaret highlights for this week as picked by our theatre editors, including: Show Biz After Hours With Frank DiLella with Andrew Rannells, James Lecesne, and Rachel Bay Jones; Tom Wopat at The Metropolitan Room; Kurt Weill on Broadway with Mary Testa and Friends; Victoria Cook at 54 Below; Women in the World of Sondheim: Katie Welsh and Emily Whitaker.

Jesse Eisenberg's THE SPOILS Opens in the West End

Last night, Jesse Eisenberg's THE SPOILS had its press night at Trafalgar Studios. His third play, The Spoils originally ran Off-Broadway in 2015 at The Pershing Square Signature Center. The London production stars Eisenberg, Alfie Allen (Game of Thrones), Katie Brayben (Beautiful - The Carole King Musical), Annapurna Sriram (Billions) and Kunal Nayyar (The Big Bang Theory), and plays until August 13. It's directed by The New Group's Scott Elliott. To book tickets: 0844 871 7632, atgtickets.com

Ralph Fiennes's Richard III Leads June's Top 10 New London Shows

London is never short of theatre temptations, whether splashy West End shows, epic dramas or bold fringe offerings. From Shakespeare and Rattigan to new musicals and an Edward Snowden play, here are some of this month's most eye-catching openings. Don't forget to check back for BroadwayWorld's reviews...

THE SHAWSHANK REDEMPTION Set for Theatre Royal Glasgow

Following its hugely successful launch last year, Bill Kenwright's new production of The Shawshank Redemption embarks on a national tour for 2016 coming to the Theatre Royal Glasgow from Monday 21 until Saturday 26 November.

THE SHAWSHANK REDEMPTION to Launch UK Tour, Aug. 30

Following its hugely successful launch last year Bill Kenwright's new production of The Shawshank Redemption embarks on a national tour for 2016 from 30th August at Theatre Royal Windsor.

BWW Review: THE REVISIONIST Misses the Mark Due to Disjointed Script

While the writing is a bit disjointed and the story much too difficult to follow due to many comments spoken only in Polish by Ilia Volok as Zemon, a Polish taxi driver who provides various services to Maria, the acting by the two leads Seamus Mulcahy and Deanna Dunagan is superb. But while their characters are fascinating in their complexity and Robin Larsen's direction keeps the action moving briskly around the three rooms making up Tom Buderwitz's scenic design (which places the set in the middle of the space with audience members seated on both sides), this up close and personal theatrical experience seems to have something lacking in the fabric of the writing to keep you interested in what exactly is going on between these two lost souls.

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