Uta Hagen News

The Storm Theatre and Blackfriars Repertory Theatre present the third show of The Paul Claudel Project, NOON DIVIDE (Partage de Midi), originally BREAK OF NOON, by Paul Claudel, beginning October 29, 2010 at The Theatre of the Church of Notre Dame, 114th Street and Morningside Park (one block from Columbia University).

Burning Coal Theatre Company announces its second production of the 2010/2011 season, St. Nicholas, a one-man show by the Irish writer Conor McPherson, directed by Randolph Curtis Rand and featuring Burning Coal Artistic Director Jerome Davis. Performances are Thursdays through Saturdays at 7:30 pm (November 4 - 6, 11 - 13, 18 - 20) and Sundays at 2 pm (November 7, 14 and 21, 2010). Tickets are $20 or $15 for students, seniors and active military. Thursday evening tickets are $10 apiece and Sunday, November 7th at 2 pm is our 'Pay What You Can' performance. The production will take place at the Murphey School, 224 Polk Street, Raleigh, NC (PLEASE NOTE venue name change). For further information, please contact Burning Coal's managing director, Simmie Kastner, at 919.834.4001.

Piven Theatre Workshop extends its 2009-10 season with the Chicago premiere of Sarah Ruhl's adaptation of Chekov's Three Sisters, directed by Artistic Director Emeritus Joyce Piven. The production will run October 16 - November 21, 2010 at Piven Theatre Workshop, 927 Noyes Street

The Storm Theatre and Blackfriars Repertory Theatre present the third show of The Paul Claudel Project, NOON DIVIDE (Partage de Midi), originally BREAK OF NOON, by Paul Claudel, beginning October 29, 2010 at The Theatre of the Church of Notre Dame, 114th Street and Morningside Park (one block from Columbia University).

Piven Theatre Workshop extends its 2009-10 season with the Chicago premiere of Sarah Ruhl's adaptation of Chekov's Three Sisters, directed by Artistic Director Emeritus Joyce Piven. The production will run October 16 - November 21, 2010 at Piven Theatre Workshop, 927 Noyes Street

LA LUNA NUEVA - A festival of Hispanic arts and culture from around the world in celebration of Hispanic Heritage Month, Sponsored by PGE Foundation

For the fifth production in their 39th annual season, Cortland Repertory Theatre will present the Central New York premiere of the modern comedy/drama 'Six Dance Lessons in Six Weeks' by Richard Alfieri.

Burning Coal's 2010/2011 season will include: TO KILL A MOCKINGBIRD by Christopher Sergel from the novel by Harper Lee directed by Randolph Curtis Rand (September 9 - 26, 2010), ST. NICHOLAS by Conor McPherson, directed by Randolph Curtis Rand (November 4 - 21, 2010), CROWNS by Regina Taylor, directed by Rebecca Holderness (December 2 - 19, 2010), BLUE by Kelly Doyle, directed by Mark Sutch (January 13 - 30, 2011) and THE SHAPE OF THE TABLE by David Edgar, directed by Jerome Davis (April 7 - 24, 2011).

As BroadwayWorld previously speculated, Brendan Fraser, who's film career includes The Mummy, G.I. Joe, Encino Man, Journey to the Center of the Earth and other films will make his Broadway debut in the Simon Bent play - Elling, Variety reports. The play, which will begin previews at the Ethel Barrymore Theatre on November 2, will open officially on November 21. The production will also star Denis O'Hare, Jennifer Coolidge, and Richard Easton and will be directed by Dough Hughes and produced by Howard Panter.

For the fifth production in their 39th annual season, Cortland Repertory Theatre will present the Central New York premiere of the modern comedy/drama 'Six Dance Lessons in Six Weeks' by Richard Alfieri.

LA LUNA NUEVA - A festival of Hispanic arts and culture from around the world in celebration of Hispanic Heritage Month, Sponsored by PGE Foundation

Registration is now open for the Fall Session of On Camera Acting Classes, beginning September 12th & 13th, 2010 at JTA Talent in Charlotte. Taught by professional actor Martin Thompson, these classes are appropriate for both aspiring actors and professionals who would like to improve their skills. Class registration is limited and will be accepted one week prior to the first class of each session.

MCC Theatre (Robert LuPone, Bernard Telsey, Artistic Directors; William Cantler, Associate Artistic Director; Blake West, Executive Director) today announced three exciting additions to their upcoming 2010-11 season, which will mark the company's 25th Anniversary.

An interview with Brad Heikes, currently in ELTC's THE DICTATOR by Gayle Stahlhuth.

For the fifth production in their 39th annual season, Cortland Repertory Theatre will present the Central New York premiere of the modern comedy/drama 'Six Dance Lessons in Six Weeks' by Richard Alfieri.

Burning Coal's 2010/2011 season will include: TO KILL A MOCKINGBIRD by Christopher Sergel from the novel by Harper Lee directed by Randolph Curtis Rand (September 9 - 26, 2010), ST. NICHOLAS by Conor McPherson, directed by Randolph Curtis Rand (November 4 - 21, 2010), CROWNS by Regina Taylor, directed by Rebecca Holderness (December 2 - 19, 2010), BLUE by Kelly Doyle, directed by Mark Sutch (January 13 - 30, 2011) and THE SHAPE OF THE TABLE by David Edgar, directed by Jerome Davis (April 7 - 24, 2011).

Theatre Communications Group (TCG), the national organization for professional not-for-profit theatre announces the winners of the 2010 TCG Awards for excellence.

A pumpkin turns into a carriage, mice become horses, and a young girl becomes a beautiful princess when Cabrillo Music Theatre's production of CINDERELLA weaves a spell on audiences at the Thousand Oaks Civic Arts Plaza.

Nine of the most respected actors in America, representing nine of the nation's premier regional theatres, have just been selected for the prestigious Lunt-Fontanne Fellowship Program, a widely acclaimed national program to serve regional theatre actors and the future of American theatre.

Nine of the most respected actors in America, representing nine of the nation's premier regional theatres, have just been selected for the prestigious Lunt-Fontanne Fellowship Program, a widely acclaimed national program to serve regional theatre actors and the future of American theatre.