Los Angeles Ballet (LAB), the city's own and only professional classical ballet company, will celebrate its Season 14 Gala on Friday, February 28 at the Broad Stage in Santa Monica.
Firehouse Theater Company is proud to present When We Were Young and Unafraid from February 15 through March 14, 2020. Performances are Friday and Saturday evenings at 7:30 PM, and Sundays at 2:00 PM. Tickets are $25 for adults, $23 for students/seniors/military and $20 for groups of 10 or more. All performances will be at the John Hand Theater, located art 7653 E. 1st Place, Denver CO 80230. Tickets are available online at www.firehousetheatercompany.com or by calling the Box Office at (303) 562-3232.
The Playwrights Realm (Founding Artistic Director Katherine Kovner and Producing Director Roberta Pereira) will presents the 2020 INK'D Festival of New Plays, showcasing new works by this year's Realm Writing Fellows Tanya Everett, Maya Macdonald, Tasha Gordon-Solmon, and Christopher Reyes (February 24-27). The festival's plays offer vast tonal and stylistic variation while cohering around complex contemplations of structural issues. INK'D has proven to be an indispensable launching pad for the voices driving the future of playwriting. This year's powerful slate continues to introduce audiences to a diversity of fresh perspectives, thereby underscoring theater's potential to expand the possibilities of dramatic storytelling and engage with the world around it.
Heather Raffo's NOURA, a variation on themes from Ibsen's A DOLL'S HOUSE set within an immigrant Iraqi family, serves as the mainstage anchor for an ambitious, multi-month series of four shows plus a distinguished panel talk at the Guthrie Theater. Collectively, these comprise the theater's Celebration of Arab Artistry. It's been a vital, eye-opening, boundary-crossing initiative. Artistic Director Joseph Haj says, a?oeExpanding the idea of what the classical canon is and should look like is very much in the Guthrie's charge.a??
A week after a fire severely damaged a City-owned building at 70 Mulberry Street in Chinatown that housed a number of cultural and community service organizations, Mayor Bill de Blasio announced that City agencies have made major progress recovering important archives that were feared lost.
Acts of Mad Men was a release which put Viper Recordings up into the drum & bass trophy cabinet. Released ten years prior, it featured some of the biggest anthems to come through the genre in one of its formative periods, defining itself as a pivotal part of the Viper Recordings expansion and proving why they've become an intrinsic part of dance music's history. An imprint led by Futurebound, they're now entering their fifteenth year, bringing with them another stacked 'Acts of Mad Men' LP, featuring a host of heavyweight exclusives.
Jillian Duffy is a 22 year old studying Business and Marketing at Southern Connecticut State University. She has competed within the Miss America Organization since the age of eight and has held multiple titles within the organization. Jillian strongly believes in what this organization promotes and has continuously experienced growth within herself throughout her time in the organization. Jillian's social impact statement is entitled a?oeJillian's Journey: Pediatric Cancer Research and Awarenessa??, the voice of a patient and the advocate of a survivor. Jillian's Journey not only raises awareness of the underfunding of pediatric cancer research but also focuses on the journey through cancer treatment and eventual triumph of an individual. As a survivor herself, Jillian shares her story of her battle and eventual victory over cancer to inspire others to face obstacles with a positive mindset and to always chase your dreams.
This week, stars of Birmingham Hippodrome's spectacular pantomime, Snow White and the Seven Dwarfs, took time out from their final week of performances to visit children and their families at Birmingham Children's Hospital.
A PT Clinical Specialist in Chronic Pain, Judith C. never imagined being on the opposite end of treatment a?"until she was diagnosed with Multiple Myeloma, an incurable blood cancer with a limited life expectancy. This March, Judith's journey from diagnosis to stem cell transplant unfolds in her hilarious and heartbreaking solo show Welcome to The Cancer Café at The Marsh Berkeley. Enlightening, elevating, and deeply personal, Judith brings audiences on her unexpected journey from provider to patient, sharing the profound lessons this role reversal offers. Using actual conversations with providers, Judith portrays her interactions with the medical establishment, bringing keen insight and offering a better understanding of the journey and choices faced by people of similar circumstances. Proceeds from each show will be donated to a local cancer organization chosen by Judith.
a??Huntington Theatre Companya??announces a first-ever a?oePink Outa?? performance of The Second City's She the People: Girlfriends' Guide to Sisters Doing it for Themselves in partnership with The Ellie Fund, a breast cancer support organization. The a?oePink Outa?? performance will take place on Sunday, February 23 at 6PM at the Calderwood Pavilion at the BCA (527 Tremont St. Boston). A portion of the proceeds of ticket sales will go to The Ellie Fund's Healing Together Patient and Family Care Program. All attendees of the a?oePink Outa?? performance are encouraged to wear pink to show support for breast cancer patients and survivors. Tickets can be purchased online, by phone or in person at ticketing services by providing the promo code PINKOUT.
Boston Baroque returns to Vivaldi's masterworks, The Four Seasons and Gloria in D, along with Monteverdi's Beatus Vir this March, featuring Concertmaster Christina Day Martinson and conducted by Music Director Martin Pearlman. Two performances of this program will take place at NEC's Jordan Halla?"the first, on Friday, March 27 at 8pm, and the second on Sunday, March 29 at 3pm. Pre-concert speaker Laury Gutiérrez, founding director of La Donna Musicale, will give a talk before both performances at 7pm and 2pm.
With Andrea King as a disfigured war vet going through an excruciating rehab in Three Bone Theatre's UGLY LIES THE BONE, it's a perverse pleasure to have Scott Tynes-Miller and Peter Finnegan making asses of of themselves as they make the road to recovery that much tougher.
Theatrical licensor Music Theatre International has announced the Broadway hit and Tony winning musical comedy SOMETHING ROTTEN! is now available for licensing worldwide.
On Sunday, February 9, Donnie Sengstack (Caroline's on Broadway); Clare O'Kane (Viceland); and Brendan Eyre (Late Night with Seth Meyers); will deliver sets covering STIs, abortion, depression, and more at Doctors Without Boundaries. Check out Clare O'Kane's stand-up here:
There are some musicals that become cultural milestones, that permeate beyond the theatre community into mainstream popular culture. OKLAHOMA did so in its day and HAMILTON is an obvious modern example. But if there's one show that achieved it in the 1990s, it's RENT. And this week, you can see the 20th Anniversary touring production at DPAC. The show's music, lyrics, and book by Jonathan Larson haven't changed over the past two decades but the world in which they exist certainly has.
It's always a tough choice, at this annual Ballet Icons Gala, to know whether to review the performances on stage or the extravagant antics of it's animated Russian audience. It's a starry evening, where the glamorous attendees don floor length gowns, the men wear tuxedos and although it's meant to start at 7pm, you can dream on if you think anything is starting on time! What an occasion though, a varied offering of classical and contemporary repertoire and danced by some of ballet's most recognisable stars with, it must be said, mixed success.
How Does Theatre Mirror Society? will be explored along with drawing on the panelists' experiences and perspectives on Equity, Diversity and Inclusion. Topics of the 17th annual Theatre Forward Broadway Roundtable will include an open-ended dialogue about opportunity, access, education and social justice. Panelists all share a passion for the power of storytelling and how it reflects and influences our world.
Quentin Sauvé is a singer-songwriter from Laval, France best known for his bass duties in the excellent post-hardcore band Birds In Row. Last year, Sauvé self-released his quiet and pensive debut solo album, Whatever It Takes, and stepped out of the shadows to show the world that he is an incredible talent on his own. The songs on his debut are stripped down and soft, showcasing his vulnerable side and proving that “less” can, in fact, be so much more.