Following from the first shows of Flying Lotus' 3D tour, including a sold out show at Hollywood Forever Cemetery with Thundercat and Hannibal Buress (as part of RBMA Los Angeles) and Berkeley dates with Solange and Earl Sweatshirt, Flying Lotus presents the new video and song 'Post Requisite.'
Joni Mitchell arguably one of the greatest songwriters of her generation will be honored on her birthday at a special benefit concert showcasing songs from her prolific, multidecade career.
Following its debut today during the World Premiere of PLANET EARTH: BLUE PLANET II in London, a five-minute prequel for the landmark series has become the BBC's first ever natural history global simulcast - with 75 countries around the world transmitting it on TV at midday (BST) today
Radiohead, one of the world's most acclaimed rock bands, and Hans Zimmer, one of the planet's most successful movie and TV composers, are joining forces to produce an exclusive track for the forthcoming BBC AMERICA natural history landmark series PLANET EARTH: BLUE PLANET II.
A song about loss, addiction, sex, and mourning, “Come With Me” brings the listener in with a crafty crescendo of guitar woos, vocal oohs and the simple wash of creamy cymbals. The metaphor of the song title “Come With Me” is heard within the music.
Radiohead's previously unreleased 'I Promise' has been made available to stream and download.
Doc´n Roll Film Festival, the UK´s acclaimed music documentary festival, brings its rich and innovative programming to Hull this week, working with Hull Independent Cinema and supported by the BFI.
Sadler's Wells' new season features a world first for artistic research
The Chicago Philharmonic presents a unique and diverse offering of symphonic concerts across the Chicago area in its new season, Glorious Earth.
Stumbling onstage, Salty Brine was divinely off-kilter as the reincarnation of Dean Martin in DEAN. MAYBE FRANK. MAYBE SAMMY. at Pangea. Newly returned from Vegas and looking worse for wear in the role, the performer was sporting bandages and a neck brace from a recent car crash, he later explained. For the latest in Brine's LIVING RECORD COLLECTION, in which he covers a full album in its entirety, he selected Radiohead's OK COMPUTER. Despite channeling Rat Pack vibes in both his patter and his aesthetic, musically, he didn't stray far from Radiohead frontman Thom Yorke's Gen X nasal whine, with an added boost from Brine's trademark theatricality and a few snippets from Ol' Blue Eyes thrown in here and there.
SF Opera Lab presents composer Ted Hearne's universally acclaimed digital-age oratorio The Source, drawn from the contents of Chelsea Manning's WikiLeaks release and called 'some of the most expressive socially engaged music in recent memory-from any genre' by Pitchfork. Previously performed in New York City and Los Angeles, the six performances of The Source this weekend, February 24-26, and March 1-3, 2017 at the Dianne and Tad Taube Atrium Theater open Season Two of San Francisco Opera's SF Opera Lab programming. Scroll down for a first look at the production!
SF Opera Lab presents composer Ted Hearne's universally acclaimed digital-age oratorio The Source, drawn from the contents of Chelsea Manning's WikiLeaksrelease and called 'some of the most expressive socially engaged music in recent memory-from any genre" by Pitchfork. Previously performed in New York City and Los Angeles, the six performances of The Source on February 24-26 and March 1-3, 2017 at the Dianne and Tad Taube Atrium Theater open Season Two of San Francisco Opera's SF Opera Lab programming.
The Chicago Philharmonic, Visceral Dance Chicago, and awardwinning choreographer Nick Pupillo will unite on March 5, 2017, at Harris Theater to tell the story of Fyodor Dostoyevsky's 'The Dream of a Ridiculous Man.'
SF Opera Lab presents composer Ted Hearne's universally acclaimed digital-age oratorio The Source, drawn from the contents of Chelsea Manning's WikiLeaksrelease and called 'some of the most expressive socially engaged music in recent memory-from any genre" by Pitchfork. Previously performed in New York City and Los Angeles, the six performances of The Source on February 24-26 and March 1-3, 2017 at the Dianne and Tad Taube Atrium Theater open Season Two of San Francisco Opera's SF Opera Lab programming.
SF Opera Lab presents composer Ted Hearne's universally acclaimed digital-age oratorio The Source, drawn from the contents of Chelsea Manning's WikiLeaks release and called 'some of the most expressive socially engaged music in recent memory-from any genre" by Pitchfork.
Conductor, composer, arranger, producer, and songwriter Steve Hackman conducts his Brahms V. Radio creation that synthesizes all four movements of Brahms' First Symphony (1882) with eight songs from the Radiohead album OK Computer (1997) including "Paranoid Android," "Karma Police," "No Surprises," and "Let Down."
Billboard.com reports that Four Tet has announced tour dates that will kick off Friday in Las Vegas, spanning more than a month with shows across the United States.
FLICfest, the first dance festival dedicated to presenting feature-length alternative works, will give 6 choreographers the opportunity to present work over two weekends—January 21-23 and January 28-30, 2016. Produced by Irondale, located in the heart of Brooklyn Downtown Arts District, the first performance will take place at 7:00 p.m. and the second will follow at 9:00 p.m. on all six nights. A single ticket guarantees audience members entry to both shows and the late-night cabaret that takes place in the theatre's balcony lounge, following the performances. Audiences will have two opportunities over the festival to capture the works of FLICfest's 2016 choreographers Angel Chinn/Nona Lee Dance Company, Donofrio Dance Company, Taylor Drury, Beck Heiberg, Joya Powell and Movement of the People, and Hattie Mae Williams/Tattooed Ballerinas.
The memories found in the costumes, the reason for the bock of ice, and music played backwards.
Clive Owen stopped by last night's LATE NIGHT to talk about making his Broadway debut in Harold Pinter's Old Times at the Roundabout Theatre Company.
Videos
.jpg?format=auto&width=365)
