Oh what a beautiful day it is for Oklahoma!
According to the New York Times, the St. Ann's Warehouse production of Rodgers & Hammerstein's Oklahoma, directed by Daniel Fish, will open on Broadway in 2019. Previews will begin on March 19 at the Circle in the Square Theatre, with opening night set for April 7.
St. Ann's Warehouse and Eva Price have extended the celebrated Bard SummerScape production of Rodgers & Hammerstein's Oklahoma, directed byDaniel Fish, to November 11. Reviewing this re-imagined Oklahoma! for the New York Times in 2015, Ben Brantley said that it 'elicits what has always been just below the surface of this magnificent musical.' Now bringing audiences and artists together in this production under the vast canopy of St. Ann's Warehouse, Fish illuminates the musical form's essentials to better expose the show's emotional range and layered characters. The result is a production as fresh and revelatory as if it were written for today's America.
St. Ann's Warehouse today reveal the cast and creative team for the Bard SummerScape production of Daniel Fish's reimagining of Rodgers and Hammerstein's landmark 1943 musical Oklahoma!, which kicks off the seasonon September 27, having first been staged by Bard's Fisher Center in 2015.
On August 25 this year, Leonard Bernstein would have celebrated his 100th birthday. To honor this centennial, the 2018 Bard SummerScape festival launches with the first major revival of the composer's Peter Pan. Commissioned from Olivier Award-winning director and Bernstein specialist Christopher Alden, and presented complete in an intimate new chamber arrangement, Bard's new production is the only one of Bernstein's theatrical works to be staged in the New York area during the centenary year. Alden's psychologically gripping treatment reveals the childhood fantasy's darker side, combining new choreography from Jack Ferver, with Bernstein's joyous, shimmering score. By turns whimsical and sinister, the production's cast is led by William Michals as Captain Hook, Peter Smith as Peter Pan, Erin Markey, as Wendy, and Ferver as Tinker Bell.
As a major highlight of its summer-long celebration, June 15-September 2, of the centennial of Leonard Bernstein's birth, Tanglewood, the summer home of the Boston Symphony Orchestra (BSO) in Lenox, MA, has programmed several fully staged and semi-staged productions of Leonard Bernstein's work written for the stage, featuring several Tony Award-winning Broadway performers, choreographers, and directors.
This summer, countertenor Anthony Roth Costanzo, a "bona-fide star" (New Yorker) of the Metropolitan Opera, Berlin Philharmonic, Lyric Opera of Chicago, San Francisco Opera, English National Opera, Canadian Opera Company, LA Opera, and Glyndebourne, returns as one of twelve curators to Brooklyn's artist-led National Sawdust (NS), where he will present and perform in a radical reimagining of Handel's dramatic cantata Aci, Galatea e Polifemo, a co-production of National Sawdust and San Francisco's Philharmonia Baroque Orchestra & Chorale (led by conductor Nicholas McGegan).
SF Opera Lab presents composer Ted Hearne's universally acclaimed digital-age oratorio The Source, drawn from the contents of Chelsea Manning's WikiLeaks release and called 'some of the most expressive socially engaged music in recent memory-from any genre' by Pitchfork. Previously performed in New York City and Los Angeles, the six performances of The Source this weekend, February 24-26, and March 1-3, 2017 at the Dianne and Tad Taube Atrium Theater open Season Two of San Francisco Opera's SF Opera Lab programming. Scroll down for a first look at the production!
LA Opera's 2016/17 season will continue with the west coast premiere of The Source, opening on October 19. In this penetrating multimedia work, Brooklyn-based composer Ted Hearne, librettist Mark Doten, director Daniel Fish and production designer Jim Findlay dive into the media hysteria responsible for the many faces of Chelsea Manning, the U.S. Army private who infamously leaked hundreds of thousands of classified documents to WikiLeaks.
LA Opera's 2016/17 season will continue with the west coast premiere of The Source, opening on October 19. In this penetrating multimedia work, Brooklyn-based composer Ted Hearne, librettist Mark Doten, director Daniel Fish and production designer Jim Findlay dive into the media hysteria responsible for the many faces of Chelsea Manning, the U.S. Army private who infamously leaked hundreds of thousands of classified documents to WikiLeaks.
This month, Opera Colorado presents the world premiere of THE SCARLET LETTER -- a new adaptation of Nathaniel Hawthorne's iconic American novel by composer Lori Laitman and librettist David Mason. The premiere marks yet another major milestone for Opera Colorado, which recently announced a return to a three-production season in 2016-17. Ahead of tomorrow's first performance, BroadwayWorld has a first look at the company in action below!
Daniel Fish, the innovative director of theater, opera, and film, collaborates with designer Jim Findlay to create WHO LEFT THIS FORK HERE, a new interdisciplinary work inspired by the psychological and emotional themes of aging and mortality in Anton Chekhov's The Three Sisters. WHO LEFT THIS FORK HERE is set for four performances only, tonight, December 9, through Saturday, December 12, at 7:30pm at Baryshnikov Arts Center (BAC)'s Howard Gilman Performance Space, 450 West 37th Street.
Daniel Fish, the innovative director of theater, opera, and film, collaborates with designer Jim Findlay to create Who Left This Fork Here, a new interdisciplinary work inspired by the psychological and emotional themes of aging and mortality in Anton Chekhov's The Three Sisters. Who Left This Fork Here is set for four performances only, Wednesday, December 9, through Saturday, December 12, at 7:30pm at Baryshnikov Arts Center (BAC)'s Howard Gilman Performance Space, 450 West 37th Street.
Daniel Fish, the innovative director of theater, opera, and film, collaborates with designer Jim Findlay to create WHO LEFT THIS FORK HERE, a new interdisciplinary work inspired by the psychological and emotional themes of aging and mortality in Anton Chekhov's The Three Sisters. WHO LEFT THIS FORK HERE is set for four performances only, Wednesday, December 9, through Saturday, December 12, at 7:30pm at Baryshnikov Arts Center (BAC)'s Howard Gilman Performance Space, 450 West 37th Street.
ANNANDALE-ON-HUDSON, NY: The Bard SummerScape festival presents an entirely new way to experience Oklahoma!, Rodgers and Hammerstein's quintessential celebration of the American frontier. Starring Damon Daunno, Amber Gray, and two-time Tony nominee Mary Testa, Bard's production is directed by Daniel Fish - 'a magical manipulator' (New York Times) - with new musical arrangements for a six-piece Americana band by Henry Hewes Award-winner Daniel Kluger, and new choreography by Jacob's Pillow Dance Award-winner John Heginbotham. This intimate, revelatory production brings audience and artists together in the round, sharing food and telling the story of a young nation forming its identity. Oklahoma!will be mounted in 25 performances between June 25 and July 19 in the LUMA Theater of the Frank Gehry-designed Fisher Center. SummerScape also presents Fernando Rubio's Everything by my side, an alfresco performance-installation that takes place outdoors under the trees in Bard's glorious Hudson Valley landscape (July 9-12).
The Bard SummerScape festival presents an entirely new way to experience Oklahoma!, Rodgers and Hammerstein's quintessential celebration of the American frontier
Off-Broadway's award-winning Irish Repertory Theatre (Charlotte Moore, Artistic Director and Ciaran O'Reilly, Producing Director) announces that the critically acclaimed New York premiere of Nate Rufus Edelman's THE BELLE OF BELFAST, directed by Claudia Weill, will extend one week, and will be now be performed through Sunday, June 14th, 2015.
The Bard SummerScape festival presents an entirely new way to experience Oklahoma!, Rodgers and Hammerstein's quintessential celebration of the American frontier
Off-Broadway's award-winning Irish Repertory Theatre presents the fourth production of its 27ththeatre season, the New York premiere of Nate Rufus Edelman's THE BELLE OF BELFAST, directed by Claudia Weill. THE BELLE OF BELFAST was developed as part of the Irish Rep's Reading Series in 2013. THE BELLE OF BELFAST will run through Sunday, June 7, 2015. The Opening Night is scheduled for tonight, April 23, 2015. BroadwayWorld has a look at the cast in action below!