Coming after a nearly month-long mini-hiatus following the superb "Asian F" in early October, the gleeks of McKinley High on GLEE swept back onto the main stage last night with the hotly anticipated "Pot O' Gold" episode, which introduced new recurring cast members and THE GLEE PROJECT co-winner, Damian McGinty in the tailor-made role of sassy and offensive Rory Flanagan. While McGinty proved to be a winning addition to the roundly respectable line-up of GLEE Season Three, once again the musical performance highlight of the night goes to new GLEE regular Darren Criss - alongside show standout Lea Michele and the rest of the glee club - and their electrifying take on Katy Perry's campy anthem "Last Friday Night (T.G.I.F)". Much like with Lea Michele's emotionally shattering "Firework", once again a Katy Perry anthem has been rendered even better than the huge hit original by the gleeks of GLEE. Also, "Pot O' Gold" - directed by HAIRSPRAY movie musical helmer Adam Shankman - continued the season-long character arc of Tony-winning Broadway star Idina Menzel, in the role of rival McKinley glee club director Shelby Corcoran, and further developed her complex relationship with Quinn and Puck, played by sensitive Dianna Agron and imposingly forceful Mark Salling - the latter of whom contributed an emotionally charged and displayed his rarely seen softer side with his sensitive rendering of the 80s Foreigner power ballad "Waiting For A Girl Like You". McGinty's two selections - Teddy Thompson's "Take Care Of Yourself" and Kermit The Frog's "Bein' Green" - were relatively lucky and charmed introductions to the foreign exchange student character. Additionally, Mercedes, Santana and Brittany also got a Christina Aguilera/BURLESQUE-esque moment in the spotlight with their sweet and sexy "Candyman" (written by Linda Perry) as the newly formed girl-group The Troubletones. So, as for the rest of "Pot O' Gold" and how the songs stacked up in their dramatic context - as well as virtually everything else? Read on! The rainbow certainly ends with a shiny, gleaming pot o' gold - and maybe a leprechaun or two to love, too! Thank goodness it's Tuesday (or was) - and thank St. Patrick it's GLEE! After all, we've been waiting for a GLEE like this all October!
San Diego Theatres continues to offer a wide range of the best entertainment for their audiences with the announcement of the first presentations of an evolving 2011-2012 BALBOA THEATRE SEASON! The previously announced FRAMPTON COMES ALIVE! 35TH Anniversary World Tour stop on August 2 will be joined by two other great events, k.d. lang and the SISS BOOM BANG on October 22 and An Evening With HOWIE MANDEL on October 23.
Carmen Pavlovic, C.E.O. of Global Creatures, the company behind the phenomenal world-wide success, Walking with Dinosaurs - the Arena Spectacular, has announced that a creative team has been assembled and work has begun on KING KONG - Live on Stage, an entirely new production conceived for the Broadway stage. KING KONG - Live on Stage is authorized by the estate of Merian C. Cooper (Creator of KING KONG and director of the 1933 film).
Joe's Pub at The Public Theater debuted in October 1998 and has quickly became one of New York City's most celebrated and in-demand showcase venues for live music and performance. With its genre-blind booking and vast diversity of interests, the stage at Joe's Pub gives voice to a world of varied and stellar artists.
Joe's Pub at The Public Theater debuted in October 1998 and has quickly became one of New York City's most celebrated and in-demand showcase venues for live music and performance. With its genre-blind booking and vast diversity of interests, the stage at Joe's Pub gives voice to a world of varied and stellar artists.
Joe's Pub at The Public Theater debuted in October 1998 and has quickly became one of New York City's most celebrated and in-demand showcase venues for live music and performance. With its genre-blind booking and vast diversity of interests, the stage at Joe's Pub gives voice to a world of varied and stellar artists.