Music Director James Conlon will conduct three mainstage productions and Colombian-American conductor Lina González-Granados will make her company debut as Resident Conductor, the first Latina to hold a high-ranking conducting position with a major U.S. opera company.
Des Moines Metro Opera's General and Artistic Director Michael Egel announced today the repertory for the company's 50th Anniversary Season alongside the launch of the public phase of a $15 million fundraising campaign, 50 Next: Giving Voice to the Future.
Opera companies worldwide have found themselves canceling their seasons, including Des Moines Metro Opera (DMMO). The difference with DMMO is that they have had an Emmy winning partnership with Iowa Public Television, now called Iowa Public Broadcasting Service (PBS), coming together to give you the best seats in the house with a virtual season, starting June 28 with their Emmy-winning MANON by Massenet.
Currently, on the Los Angeles Opera website you can hear Rossini's 'The Barber of Seville.' Music Director James Conlon conducts baritone Rodion Pogossov as Figaro, mezzo-soprano Elizabeth DeShong as Rosina, and tenor René Barbera as Count Almaviva.
Today (June 19) in live streaming: the first ever Antonyo Awards, Peter Pan Live! and so much more!
During its unplanned hiatus from public performances, LA Opera has created an extensive array of online programming under the banner LAO At Home.
Following the cancellation of the 2020 Festival Season, Des Moines Metro Opera and Iowa PBS have formed a unique partnership to bring the opera season into a digital format with online streams and televised broadcasts of four fan-favorite productions.
Created specifically for young artists, the Promethean Live series is designed to cover basic principles and provide a space for young artists to gain access to industry leaders. Previous classes have covered topics including in depth discussions on audition arias, how ensemble contracts function, and an introduction to artistic administration and the structure at opera companies in the US and Europe.
Mazzoli's music is sensational.
The 2020 Adelaide Festival curated by Artistic Directors Neil Armfield AO and Rachel Healy has seen a triumphant 17 day event unfold with sold out shows, the biggest schools program in Festival history and box-office success. With two days still to go the Adelaide Festival has increased its total audience attendance by 24.8%, has smashed its box office target (of $4.7 million) and generated the second highest box office in the event's 60-year history, so far achieving a total box office income in excess of $5.3 million (figure is inclusive of umbrella shows, but does not include WOMADelaide).
The magic of the WNO's THE MAGIC FLUTE is that it is captivating for all ages and a tempting proposition for first-timers and opera-buffs alike.
The whimsical tale of The Magic Flute comes to life at Washington National Opera (WNO) at the Kennedy Center Opera House from November 2a?"23, 2019. Performed in English with projected surtitles, this production of The Magic Flute features design by famed children's author/illustrator Maurice Sendak. This light-hearted and comical opera is a delight for newcomers and opera fans alike.
Breaking the Waves is now playing at the Edinburgh International Festival! What did the critics think? Read all the reviews!
Lars von Trier's 1996 film Breaking The Waves has no underscore. So, while the subject matter is perfectly apt for yet another opera where a woman debases herself at the whims of a man, composer Missy Mazzoli has little to musically draw inspiration from.
Edinburgh International Festival returns for its 73rd year on 2 - 26 August 2019, bringing the best of theatre, music and dance from across the world to Scotland's capital.
A prince's quest to prove his worth and rescue his beloved leads to a fantastic adventure filled with danger and mysticism in the Metropolitan Opera's holiday presentation of Mozart's The Magic Flute, with performances December 19, 2018 to January 5, 2019. This English-language adaptation of the classic fairy tale, performed in a 100-minute version of the Met's popular production by visionary theater artist Julie Taymor, is the perfect introduction to opera for the whole family, as well as a holiday treat for those who are already admirers of Mozart. The performances are led by acclaimed Mozart conductor Harry Bicket.
Of all the composers in the world Giuseppe Verdi is by far the most popular. Of all the operas in the world his 'La traviata' is by far the most frequently performed. Have you missed out on this mega hit? You can fill in that cultural gap with the splendid production now offered by Opera Theatre of St. Louis.
Teatro Nuovo, the new organization led by Will Crutchfield, is proud to announce its inaugural Bel Canto Festival at Purchase College, The Dawn of Romantic Opera, July 28-August 5 2018, in collaboration with The Performing Arts Center at Purchase College.
Teatro Nuovo, the new organization led by Will Crutchfield, is proud to announce its inaugural Bel Canto Festival at Purchase College, The Dawn of Romantic Opera, July 28-August 5 2018, in collaboration with The Performing Arts Center at Purchase College. The Festival will present semi-staged productions of Rossini's Tancredi, Mayr's Medea in Corinto, two operas premiered in 1813; one by a mature master and the other by a budding genius, both pointing the way for opera's Romantic century. The Festival will also include a second version of the Rossini score, Tancredi rifatto, incorporating extensive music that the composer wrote for later revivals. Teatro Nuovo will also introduce a radical new adventure with early 19th-century performing style and period orchestral instruments.
A tragic story of jealousy, vengeance and sacrifice, Rigoletto is one of Verdi's most popular operas. Jonathan Miller's much-loved 'Mafia' production makes a welcome return to the ENO stage, relocating the action to New York's Little Italy in the 1950s.
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