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Spoleto Festival USA News

MAXIMUM PLEASURE GUARANTEED Soundtrack Sets Release Date

MAXIMUM PLEASURE GUARANTEED Soundtrack Sets Release Date

by Josh Sharpe — July 9, 2026

Platoon will release the soundtrack for the Apple Original series “Maximum Pleasure Guaranteed” on Wednesday, July 15th, to coincide with the airing of the season finale, premiering globally on Apple TV that same day.

DORRANCE DANCE to Perform at Fred Kavli Theatre

DORRANCE DANCE to Perform at Fred Kavli Theatre

by Stephi Wild — June 24, 2026

Dorrance Dance, the Bessie Award-winning tap company founded by MacArthur Fellow Michelle Dorrance, will perform at the Fred Kavli Theatre in Thousand Oaks, featuring works by company members and Dorrance herself.

Review: THE OLD MAID / QUEEN MARY / MARTHA GRAHAM at Spoleto

Review: THE OLD MAID / QUEEN MARY / MARTHA GRAHAM at Spoleto

by Perry Tannenbaum — June 3, 2026

Scottish Ballet's MARY, QUEEN OF SCOTS is likely to stand as the most spectacular triumph at Spoleto Festival USA 2026, and festival founder Gian Carlo Menotti's 1939 radio opera, THE OLD MAID AND THE THIEF, will probably remain the best theatre.

THE MAESTRO Will Come to Sierra Madre Playhouse

THE MAESTRO Will Come to Sierra Madre Playhouse

by Stephi Wild — May 1, 2026

Sierra Madre Playhouse will present Domenico Cimarosa's IL MAESTRO DI CAPPELLA, reimagined by Source/Filter Music, featuring baritone Caleb Yanez Glickman as a pompous conductor with a 17-piece orchestra.

Review: MARY, QUEEN OF SCOTS, Theatre Royal

Review: MARY, QUEEN OF SCOTS, Theatre Royal

by Natalie O'Donoghue — September 18, 2025

This major new production from Scottish Ballet’s choreographer-in-residence Sophie Laplane and co-creator, James Bonas (The Crucible), draws on the complex relationship between Mary, Queen of Scots and Elizabeth I of England.

Review: THE TURN OF THE SCREW AT SPOLETO FESTIVAL USA at Dock Street Theatre

Review: THE TURN OF THE SCREW AT SPOLETO FESTIVAL USA at Dock Street Theatre

by Perry Tannenbaum — June 4, 2025

Spoleto Festival USA's bipolar weekend of WHITE BOX and POLAR BEAR & PENGUIN was an admirable pairing for young and old -but not as grippingly theatrical as the world premiere staging of Benjamin Britten's opera, THE TURN OF THE SCREW, retelling the ghostly Henry James novella under the direction of


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