Magic Theatre (Loretta Greco, Artistic Director and Kevin Nelson, Interim Managing Director) announced today that the Company's 2020 Gala Fundraiser, Magic Masquerade: Spring Forward, will be held at Gallery 308 (Fort Mason Center, Landmark Building A, 2 Marina Blvd, San Francisco, CA 94123) on Thursday, March 19, 2020 at 6:00 p.m.
Lyric Theatre of Oklahoma will present the world premiere of the Native American Musical Distant Thunder this month as part of the organization's New Works Initiative.
Here are two statements rarely heard in the world of Cabaret. “There goes that Cabaret Singer driving off in his new Bentley!” and “Did you check out that beautiful new Cabaret Room?”
An aspiring young journalist hides a big secret. Her parents look for a fresh start. Her best friend Jonas is stuck in the rut of late-night improv shows. Down the street, Shirley Wong grapples with allegations about her husband, the mysterious Rajinder remains an enigma to the neighbourhood, and the Perlitz house rests haunted by the events of its former inhabitants. When flyers appear around the Garneau Block inviting the community to come together and save the neighbourhood, out folds a satirical and moving story of everyday Edmontonians trying to do what Edmontonians do best: rebuild.
LEVITATION takes over Hotel Vegas and The Volcom Garden for two days of events this year! For 2020, they've joined forces with Tower Records and Volcom to unite some of the most eclectic artists and bands from across the world for their annual SXSW programming.
ABC (6.124 million viewers, #2; adults 18-49: 1.4, #1) was the demo champ on Monday thanks to its duo of 'The Bachelor' (6.367 million viewers, #2; adults 18-49: 1.8, #1) and 'The Good Doctor' (5.639 million viewers, #3; adults 18-49: 0.8, #4).
Following their hyper-successful Sunday Favourites at The Other Palace, the venue are launching another series of one-off concerts that will see performers get up close and personal in an acoustic setting. With their main stage being dark on a Monday, the theatre are taking the chance to bring more stars to their fans, hosting an impressive line-up, including John Owen-Jones and Kerry Ellis later in the spring.
On Monday night, Michael McElroy and Broadway Inspirational Voices celebrated the 'Silver Anniversary Gala Concert & Live Auction', honoring Disney Theatrical Productions for their commitment to diversity and inclusion.
It's revitalized. It's funny (with new jokes). It's Facebook - er, Instagram. It's Mean Girls meets 2020. Fey's stage book is so thoughtfully transliterated from its early-aughts source, it's the familiar lines that earn the smallest laughs (except from those who've never seen the movie... shout-out to the couple who nearly died when they heard 'too gay to function,' clearly for the first time).
Cinema Guild announced today the acquisition of U.S. distribution rights for Hong Sangsoo's The Woman who Ran. The film made its world premiere last week in competition at the 70th Berlinale, where it won the Silver Bear for Best Director. It will mark the seventh film directed by Hong that Cinema Guild has released.
Bursting onto the Jazz at Lincoln Center stage like a chariot tackling the final stretch of the Race of Champions, Ali Stroker doesn't wear a bib on her sleeve, but if she did, you can bet rather than a number, it would bear but a single word: 'moxie.'
Disney has released the new trailer for a?oeArtemis Fowl,a?? a breathtaking, fantastical adventure that will astonish and delight audiences of all ages, based on the beloved book by Eoin Colfer. Directed by Kenneth Branagh, the film follows the journey of 12-year-old criminal mastermind Artemis as he searches for his missing father.
'Revitalized' is the new euphemism for 'about 80% rewritten', or at least it appears that way in regards to the new musical that carries the name The Unsinkable Molly Brown.
Quick Silver Theater Company (QSTC) presented a staged reading of Pearl Cleage's latest play Angry, Raucous and Shamelessly Gorgeous, featuring Crystal Fox (A Fall from Grace, 'Big Little Lies,' Burden opposite Forrest Whittaker, 'The Haves and Have Nots') as Anna Campbell, Tony nominee and QSTC company member Pascale Armand (Eclipsed) as Precious Pete Watson, Tony nominee Brenda Braxton (Smokey Joe's Café) as Kate Hughes and Two-time Audelco Award winner Marjorie L. Johnson (Coleman Domingo's-Dot) as Betty Samson at the National Black Theatre, 2031 125th Street & National Black Theatre Way (5th Avenue) 10035 on February 20.
“The Walking Dead” franchise has been a favorite of Wizard World fans since the original show first aired on AMC on Halloween 2010. Now, almost 10 years later, Wizard World Cleveland attendees will have the opportunity to be among the first to see the premier episode of the newest series in the 'TWD' Universe, “The Walking Dead: World Beyond,” during a special, advanced screening on Saturday, March 7 at 6:15 p.m. in the Grand Ballroom of the Huntington Convention Center of Cleveland.
I'm only recently discovering my own musical identity outside of the things I listened to in my parents' cars growing up. I discovered The Secret Sisters around the same time I discovered horror movies, around the same time I discovered a new kind of higher-stakes storytelling. “You Don't Own Me Anymore” was a masterclass in harmony and tension. It was a collection of those kinds of higher-stakes stories; the haunting beauty of a song about murdering your child taught me more about writing a character than pretty much any play or movie or TV show I've ever watched; naming and admonishing Davey White on “He's Fine” showed me an unapologetic way to channel anger and heartbreak. The whole album shrieks unapology, except it's not shrieking; it's speaking quietly but pointedly, in harmony and in unity. The title song is anthemic. It's feminine angst; less loud but more directly expressive than any other album of its kind I'd ever heard.
a?oeGood times and bum times, I've seen them all and, my dear, I'm still here,a?? sings Carlotta in a pivotal moment in Follies. Like Carlotta, Follies has proven to be a fighter, surviving the yearly onslaught of new musicals while retaining the show's natural, understated charm. With a set consisting of not much more than a few tables and chairs, Follies spins a story about four aging performers confronting the (literal) ghosts of their past.