Indecent, Paula Vogel's warm, poignant, powerful play that resurrects the playwright Sholem Asch and the journey of his groundbreaking 1907 work, God of Vengeance, opens Palm Beach Dramaworks' nineteenth season on Friday, October 19 (8pm) at the Don & Ann Brown Theatre.
"It's an indulgence to sit in a room and discuss your beliefs as if they were a juicy piece of gossip." From the Farrellys' living room in Washington, the Nazis and the war in Europe seem very far away - until the war comes to them, when Fanny's daughter Sara brings her anti-fascist husband home after twenty years abroad. Kurt, Sara, and their children aren't Fanny's only guests, and conflict soon arises between them and an opportunistic count with Nazi sympathies, forcing the Farrellys to choose between standing by and standing up.
Max & Louie Productions proudly announce its tenth sensational season with two Saint Louis premieres. Love, Linda the one woman musical tour de force about the life of Mrs. Cole Porter runs January 17th through January 27th 2019 at the Marcelle Theater in The Grand Center Arts District.
Arena Stage Artistic Director Molly Smith and Executive Director Edgar Dobie announce the 2018/19 season lineup for the company's 69th season. The season reflects Arena Stage's commitment to championing diverse voices and producing work that is politically and socially relevant.
"Sigh no more, ladies"…Sparring lovers Beatrice and Benedick are tricked into falling for each other in Shakespeare's classic battle of wits, set against the backdrop of a darker story of romantic betrayal and prejudice. The return of the soldiers from war heralds two things: the resumption of a less life-and-death "merry war" between the witty Benedick and her equally witty ex Beatrice, and a fairytale engagement between Claudio and Hero. What better way to pass the time before the wedding than by setting their old friends up? Sometimes even very clever people will believe anything they hear…
Victory Gardens Theater under the direction of Artistic Director Chay Yew and Managing Director Erica Daniels, announces casting for its upcoming productions of Indecent by Paula Vogel, directed by Gary Griffin, Rightlynd by Ike Holter, directed by Lisa Portes, Pipeline by Dominique Morisseau, directed by Cheryl Lynn Bruce, and Cambodian Rock Band by Lauren Yee, directed by Marti Lyons. The cast for Miriam for President by Madhuri Shekar, directed by Chay Yew, is yet to be announced.
Find out what happens to the beloved characters in FIDDLER ON THE ROOF after the musical ends. TEVYE SERVED RAW is an evening of Sholem Aleichem material, with adaptations of his 'Tevye' stories ('What, Me Worthy?' and 'Get Thee Gone!'), scenes from his own long-unseen Yiddish stage version, and three of his purely comedic stories, newly adapted ('Strange Jews on a Train,' 'The Yiddish Sisyphus' and 'A Stepmother's Trash-Talk'). The production is set to officially open next Tuesday, July 17th at The Playroom Theater in the Heart of the Theatre District, 151 West 46 Street (just east of Seventh Ave.)
Find out what happens to the beloved characters in FIDDLER ON THE ROOF after the musical ends. TEVYE SERVED RAW is an evening of Sholem Aleichem material, with adaptations of his Tevye stories ("What, Me Worthy?" and "Get Thee Gone!"), scenes from his own long-unseen Yiddish stage version, and three of his purely comedic stories, newly adapted ("Strange Jews on a Train," "The Yiddish Sisyphus" and "A Stepmother's Trash-Talk").
Find out what happens to the beloved characters in Fiddler on the Roof after the musical ends. TEVYE SERVED RAW is an evening of Sholem Aleichem material, with adaptations of his Tevye stories ("What, Me Worthy?" and "Get Thee Gone!"), scenes from his own long-unseen Yiddish stage version, and three of his purely comedic stories, newly adapted ("Strange Jews on a Train," "The Yiddish Sisyphus" and "A Stepmother's Trash-Talk").
GableStage Producing Artistic Director Joseph Adler and Palm Beach Dramaworks Producing Artistic Director William Hayes regret to report that due to circumstances beyond their control, their companies are no longer able to co-produce Paula Vogel's touching and powerful play, Indecent.
The theater and the arts is generally more progressive than the rest of the world. It's a place where stories take shape that reflect the parts of society that many aren't quite ready to face. Unfortunately, that hasn't always been the way.
The Segal Centre for Performing Arts announced today an exquisite lineup of programming for its 2018-2019 season and a new name for its mainstage theatre.
Oregon Shakespeare Festival (OSF) Artistic Director Bill Rauch announced the Festival's 2019 playbill today. The season, which will be Rauch's last at the artistic helm, celebrates Shakespeare, classics and new plays, including two American Revolutions commissions and a pilot Community Visit Project that will take a bilingual Play on! translation into community venues throughout the region.
While GOD OF VENGEANCE may currently be better known as the subject of the 2017 Tony Award nominated Paula Vogel play, Indecent, as anyone who attended Head Trick Theatre's production of the show at AS220's Black Box Theatre could attest, it is a fascinating piece of theatre in its own right.
In a house built over a brothel, Yekel and Sarah struggle for a place in legitimate Jewish society as a pimp and a former prostitute. Everything hinges on marrying off their daughter Rifkele, but Rifkele's secret relationship with Manke, one of the women of the brothel, threatens their carefully laid plans. In Sholem Asch's God of Vengeance, the boundary between the seedy underworld and the respectable world dissolves: when both are built on the sale of female bodies, which is the family home and which the brothel?
Actor Ben Cherry provides his deep appreciation for this play with music that's reminiscent of his character Lemml's feelings for the play within the play. Read on and see this show before it closes March 24.
Huntington Theatre Company, Boston's leading independent theatre, announces its 2018-2019 season, featuring two of the most highly acclaimed Broadway plays of the last year, Shakespeare's enduring love story, a theatrical caper with Sherlock Holmes, and three of the most compelling new plays in the country, all with rich and relevant stories that speak to the times we live in.