Playwrights' Center and Venturous Theater Fund have revealed the 2023-25 Venturous Playwright Fellows: Harmon dot aut, with their play Tornado Tastes Like Aluminum Sting (in partnership with Spectrum Theatre Ensemble and the Contemporary American Theater.
Tim Sanford, former artistic director of Playwrights Horizons, and Aimée Hayes, former producing artistic director of Southern Rep, have launched The Tent Theater Company.
Playwright incubator PlayGround-Chicago celebrates the best writers and short works from its inaugural season and its first in-person performance at the BEST OF PLAYGROUND-CHICAGO GALA.
As the industry and theater artists grapple with equity and the many issues facing the field, the 2021-2024 Core Writers Mathilde Dratwa, L M Feldman, Franky D. Gonzalez, Yilong Liu, TyLie Shider, Deborah Yarchun, and Nathan Yungerberg will be given the space and support to create over the next three years.
The Playwrights' Center is continuing its commitment to developing playwrights and new work through their Core Writers program. Seven of the country's most thrilling playwrights are joining the program. The 2020-2023 Core Writers are Sharon Bridgforth, Mashuq Mushtaq Deen, Andrew Rosendorf, Riti Sachdeva, Charly Evon Simpson, Crystal Skillman, and Jonathan Spector.
![BWW Review: HOW WATER BEHAVES at Theatre [502]](https://cloudimages2.broadwayworld.com/columnpic10/2002008B48F563-A6F8-BD11-00CE69ECC1256F8F.jpg?format=auto)
Sherry Kramer's How Water Behaves is kind of a crazy play. Warm, funny, engaging, illogical, improbable, and slightly surreal - it is maddening in how it pulls these disparate qualities together for a conclusion that explodes expectations of narrative logic while somehow staying true to its own, unique sensibility.
The Core Writer program at the Playwrights' Center gives 25-30 of the most exciting playwrights from across the country the time and tools to develop new work for the stage. The Center is announcing new Core Writers Darren Canady, Erin Courtney, Marisela Treviño Orta, Stacey Rose, Ariel Stess and Ray Yamanouchi. In addition, the Playwrights' Center is pleased to welcome three new student playwrights to its Core Apprentice program for 2018-19: Lily Padilla, Drew Paryzer and Lauren Wimmer.
The 2017-18 Ruth Easton New Play Series at the Playwrights' Center closes April 9 and 10 with Core Writer Harrison David Rivers' new play 'the bandaged place.' The readings begin at 7 p.m. at the Playwrights' Center, located at 2301 E. Franklin Avenue in Minneapolis. They are free, but reservations are recommended and can be made at pwcenter.org.
The 2017-18 Ruth Easton New Play Series at the Playwrights' Center continues March 5 and 6 with Core Writer Meg Miroshnik's new play 'Quiver.' The readings begin at 7 p.m. at the Playwrights' Center, located at 2301 E. Franklin Avenue in Minneapolis. They are free, but reservations are recommended and can be made at pwcenter.org.
January's Ruth Easton New Play Series readings at the Playwrights' Center were standing room only, so theater fans will want to reserve their tickets early for February's offering: 'Three Quarter Inches of Sky' by Core Writer Sherry Kramer. The readings are February 5 and 6 at 7 p.m. at the Playwrights' Center, 2301 E. Franklin Avenue in Minneapolis. The readings are free, but reservations are recommended and can be made at pwcenter.org.
Actress Anna May Wong (1905-1961) was incredibly prolific, appearing in silent movies, 'talkies,' television, plays and vaudeville. She was also stifled by a close-minded industry which largely limited the Chinese American actress to stereotyped roles, and the Hays code which kept her out of romantic leads.
Actress Anna May Wong (1905-1961) was incredibly prolific, appearing in silent movies, 'talkies,' television, plays and vaudeville. She was also stifled by a close-minded industry which largely limited the Chinese American actress to stereotyped roles, and the Hays code which kept her out of romantic leads.
As chilly weather settles into Minnesota, local playwright Kira Obolensky has a wintery new musical to share. 'The Overcoat: A Low-Fi Musical' is the first play in the Playwrights' Center's 2017-18 Ruth Easton New Play Series, a long-running series offering Playwrights' Center Core Writers 20 hours of workshop time to develop a new play and giving theater fans a chance to see free public readings of the plays in progress.
Of the 70+ new plays developed at the Playwrights' Center each year, eight are selected to be part of the public season, giving playwrights expanded workshop time with collaborators and the chance to see their new work on its feet in front of two different audiences. These readings are free to attend and take place at the Playwrights' Center, located at 2301 E Franklin Avenue in Minneapolis.
Of the 70+ new plays developed at the Playwrights' Center each year, eight are selected to be part of the public season, giving playwrights expanded workshop time with collaborators and the chance to see their new work on its feet in front of two different audiences.
The New Harmony Project announced today that it is now accepting submissions for the 32nd annual conference in May of 2018. Since 1986, the secluded town of New Harmony, Indiana has hosted artists from around the world for two-weeks of dedicated script development. Over the course of the conference, The New Harmony Project offers a retreat from the outside world, and space for writers to fully immerse themselves in their work. The peaceful serenity of New Harmony, the site of two former utopian societies, is a world away from the hustle and bustle of everyday life.
The Playwrights' Center is excited to announce the 2017-18 McKnight National Residency and Commission recipient, 2017-18 McKnight Fellows in Playwriting, 2017-18 McKnight Theater Artist Fellows, 2017-2020 Core Writers and 2017-18 Core Apprentices.
THE 31ST ANNUAL NEW HARMONY PROJECT KICKS OFF MAY 23RD GATHERING IN THE QUAINT TOWN OF NEW HARMONY, INDIANA TO SUPPORT AND ELEVATE THE WORK OF WRITERS THAT EXPLORE AND CELEBRATE THE HUMAN SPIRIT
Dating is hard enough on its own, much less when you have to screen your father's options, too. Bob Morris' hilarious, poignant new play Assisted Loving: Dating with My Dad posits a brave new world that tangles filial piety, romance and the internet in bright, unexpected ways.
Dating is hard enough on its own, much less when you have to screen your father's options, too. Bob Morris' hilarious, poignant new play Assisted Loving: Dating with My Dad posits a brave new world that tangles filial piety, romance and the internet in bright, unexpected ways.
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