Artistic Director Hal Brooks has announced that the 2020 Season of the Cape Cod Theatre Project will feature staged readings of new work by Zora Howard, Michele Lowe, Edith Freni and Kevin Artigue.
Lynne Meadow (Artistic Director) and Barry Grove (Executive Producer) have announced this year's six recipients of the Alfred P. Sloan Foundation Initiative commissions. The commissioned writers are Kate Attwell, Mia Chung, Noah Diaz, Julia Izumi, Ife Olujobi, and Stacey Rose.
WP Theater has announced that their third biennial Pipeline Festival will continue virtually, with #pipelineonline. Originally slated to begin performances on March 26, each of the Festival plays will now be featured weekly by WP Lab Artists in weekly emails and on WP Theater's Instagram @wptheater, through April 24.
Here's the third installment of responses from various Los Angeles Theatre heads on how their individual theatre families are holding up in these crazy, safe-distancing times. As with the first two batches of responses, these are just as amazing in their acknowledged realism and uniform positivity:
WP Theater, under the leadership of Producing Artistic Director Lisa McNulty and Managing Director Michael Sag, has announced the 2020 lineup for The Pipeline Festival, the third biennial showcase of its celebrated WP Lab residency for playwrights, directors and producers. Running from March 26 - April 25, 2020 at WP Theater (2162 Broadway, at 76th Street), the festival is the culmination of the renowned two-year WP Lab residency, providing a unique opportunity for audiences to see five new plays - in various stages of development, ranging from staged readings to full-length workshop productions - presented over a span of five weeks.
Victory Gardens Theater continues its 45th season with the Co-World Premiere of How to Defend Yourself by Liliana Padilla and directed by Marti Lyons. A Co-World Premiere with Actors Theatre of Louisville, How to Defend Yourself runs January 24 - February 23, 2020, with press performance on Friday, January 31, 2020 at 7:30pm at Victory Gardens Theater, 2433 N. Lincoln Avenue.
WP Theater, under the leadership of Producing Artistic Director Lisa McNulty and Managing Director Michael Sag, has announced that the world premiere of playwright and performer Donnetta Lavinia Grays' Where We Stand, co-presented by WP Theater and Baltimore Center Stage, will star Grays [Men on Boats, In The Next Room (or The Vibrator Play)], who will alternate select performances with David Ryan Smith (One Man, Two Guvnors; Passing Strange) beginning February 15. Directed by Tamilla Woodard (Hadestown Broadway associate director), previews begin Off-Broadway on Friday, January 31 at WP Theater with an opening night of February 11, 2020. The limited engagement at WP Theater will run through March 1, 2020 before playing Baltimore Center Stage April 2-26.
a??a??a??a??a??a??a??SPACE on Ryder Farm--a nonprofit residency program and organic farm located on the grounds of a 224-year-old family homestead in Putnam County, New York--announced that applications for 2020 residency programs are now open.
Corporate greed. Out-sourcing. Layoffs. Have you ever wanted to look inside the business world and see how decisions are really made? Assembly Line Theatre Company is giving their audiences an opportunity to do just that, with the staging of the play Dry Powder by Sarah Burgess. Performances will be at the historic Hunt Street Station, an 1897 architectural gem and former Detroit police station which has been converted to modern co-working space, and is located just outside Eastern Market.
New member of congress, Sydney Millsap, sees how money corrupts politics, and she's on a mission to do something about it. Just imagine how a career senator and two ambitious lobbyists react to her efforts! Kings is a whip-smart political satire that will inspire you to change the system. And vote. Kings begins previews on Thursday, May 16; opens on Thursday, May 23; and runs through Sunday, June 16, 2019, at the Ashby Stage.
Lynne Meadow (Artistic Director) and Barry Grove (Executive Producer) are pleased to announce the complete casting for the world premiere of Continuity, the new play by Lortel and Drama Desk Award nominee Bess Wohl (Small Mouth Sounds, American Hero) and directed by Tony Award nominee Rachel Chavkin (Hadestown; Natasha, Pierre & The Great Comet of 1812). The production will feature Max Baker (1984, The Explorers Club), Jasmine Batchelor (The River), Rosal Colon ('Orange is the New Black,' Between Riverside and Crazy), Curran Connor (Pidgeon, A Picture of Autumn), Garcia ('Tales of the City'), Darren Goldstein (Lillian Hellman's The Little Foxes, The Madrid), Alex Hurt (Cardinal, The Whirligig) and Megan Ketch (The Big Wedding, 'American Gothic').
WP Theater, under the leadership of Producing Artistic Director Lisa McNulty and Managing Director Michael Sag, announces their 2019-20 Season at WP Theater (2162 Broadway, at 76th Street).
With the dust settled from midterm elections and freshman members of Congress learning to navigate the maze of Capitol Hill 2.5 miles away, Studio Theatre presents Kings, part of its Studio X series, written by Alexandria, VA native Sarah Burgess and directed by Marti Lyons. With a deft hand at the fast talk and power dynamics of lawmaking and fundraising, Burgesss play is a swamp tour of the Beltway power-broking that fuels her hometown. A Susan Smith Blackburn Prize finalist, Burgess quickly rose to notoriety exploring the cutthroat world of finance in her breakout play, Dry Powder, at the Public Theater in New York, which starred Claire Danes, John Krasinski, and Hank Azaria.
Some people go to the theater to find a place to escape from the world around them. If you are one of those people, Studio Theatre's production of Kings wont be your cup of tea. This production is often an uncomfortably real exploration of politics, lobbyists and daily life in the heart of our nation. It takes a moment for the plot to get moving, but once it has left the station, Kings proved to be a thoroughly enjoyable ride.
Evermore Theatre Company is pleased to announce that Christef Desir has joined the Toronto premiere production of Dry Powder.
Scott Chaloff has joined Seller Suarez Productions as Head of Development for Television and Film. In his new position, Chaloff will develop new material for Seller Suarez's first look deal at Universal Television and build out a feature slate.
Evermore Theatre Company is pleased to announce that Rebecca Liddiard (Frankie Drake Mysteries, Alias Grace) and Peter Keleghan (Workin' Moms, Murdoch Mysteries) have joined the Toronto premiere production of Dry Powder.
As our divided country hurtles towards the all-important mid-term elections, it is becoming increasingly harder not to feel even a bit disenchanted with it all, as we surrender to the feeling that our political system seems to be unfairly rigged. Right smack at the center of the action are people who call themselves lobbyists---people who are hired (and are paid handsomely) by a business, an industry, or a cause to persuade government officials or even promising electoral candidates to support that specific business, industry, or cause that employ them. This is the sphere that surrounds Sarah Burgess' timely new play KINGS, which is now continuing its West Coast Premiere performances at Orange County's South Coast Repertory in Costa Mesa, CA through November 10. Interesting, intriguing, but slightly too tame and a bit of a promising work-in progress, the play basically presents what most of us already know about the lobby-friendly political arena: in order to stay in 'the game,' you have to be willing to play within it.
Theatre Royal, Glasgow is to hold a Dementia Friendly performance of Still Alice next month as part of the venue's ongoing commitment to providing an accessible theatre environment.
The first of three Monday evening new-play readings at South Coast Repertory for the 2018-19 season will be Eureka Day by Jonathan Spector. The NewSCRipts reading on Monday, Oct. 22, at 7:30 p.m., is directed by Jennifer Chambers. Tickets are available at www.scr.org.
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