Robert Wilson News

Peak Performances' season of genre-and-convention-defying performances catapults into 2019 with multidisciplinary visionary Rapha lle Boitel's return to the Alexander Kasser Theater, following her luminous directorial debut The Forgotten. The U.S. premiere performance, When Angels Fall (February 9-17), is a tragicomic vision of a mechanized world stripped of nature, an environmentally depleted future that holds a mirror to the precariousness of our present. Pushing the boundaries of her circus training as a contortionist and aerialist, Boitel and her company of collaborators Cie L'Oubli (e) layer jaw-dropping acrobatics, an interactive set, chiaroscuro-style lighting, and original music into a breathtaking cinematographic universe. When Angels Fall exemplifies Peak Performances' commitment to highlighting the works of performance auteurs from around the globe giving a home to singular visions by artists like Boitel, Nora Chipaumire, Romeo Castellucci, Emma Dante, Faye Driscoll, Astrid Haddad, Ang lica Liddell, Robert Wilson, and many others.

Four women of color breaking boundaries at Mabou Mines as part of the 2019 SUITE/Space program - Cinthia Chen, Marcelle Davies-Lashley, Cristina Pitter and Edisa Weeks.

The Canadian Opera Company offers three bold new productions in 2019/2020 that hone in on the stories and myths that shape our perceptions and the ones that offer escape from all things ordinary. This 69th season features new productions of Puccini's Turandot, Dvo k's Rusalka, and Humperdinck's Hansel & Gretel, as well as COC revivals of Rossini's The Barber of Seville, Verdi's Aida, and Wagner's The Flying Dutchman.

Helga Davis, the Isabella Stewart Gardner Museum's Visiting Curator of Performing Arts, has announced a daring series of performances in music, theater, dance, and other art forms this spring, using the Museum's collection as a catalyst to spark contemporary discussions through multidisciplinary expressions.

The Private Theatre, in association with TEA Creative, is pleased to present the world premiere theatre event Rocco, Chelsea, Adriana, Sean, Claudia, Gianna, Alex, created by Vieve Radha Price and John Gould Rubin.

This testament to memory makes for a powerful evening of theatre.

Four women of color breaking boundaries at Mabou Mines as part of the 2019 SUITE/Space program - Cinthia Chen, Marcelle Davies-Lashley, Cristina Pitter and Edisa Weeks.

LA CENERENTOLA, an opera, is playing at the National Theatre in Prague from January 31st to April 10th, 2019.

Four women of color breaking boundaries at Mabou Mines as part of the 2019 SUITE/Space program - Cinthia Chen, Marcelle Davies-Lashley, Cristina Pitter and Edisa Weeks.

Peak Performances today announces a groundbreaking venture with Catapult Opera, the new chamber opera company led by Neal Goren, the internationally acclaimed former artistic director of Gotham Chamber Opera. This ongoing collaboration will launch in Fall 2020 with the world premiere of Robert Wilson's staging of Gian Carlo Menotti's Amahl and the Night Visitors, conducted by Goren, and will include the development and premiere of two Catapult productions each season at Peak Performances' home, the Alexander Kasser Theater at Montclair State University (1 Normal Ave, Montclair, NJ 07043).

Long Wharf Theatre, under the leadership of Artistic Director Jacob G. Padron and Managing Director Joshua Borenstein, presents Miller, Mississippi, by Boo Killebrew, directed by Lee Sunday Evans, from January 9 through February 2, 2019.

Peak Performances' season of genre-and-convention-defying performances catapults into 2019 with multidisciplinary visionary Rapha l Boitel's return to the Alexander Kasser Theater, following her luminous directorial debut The Forgotten. The U.S. premiere performance, When Angels Fall (February 9-17), is a tragicomic vision of a mechanized world stripped of nature, an environmentally depleted future that holds a mirror to the precariousness of our present.

Chance Theater, Anaheim's official resident theater company, is delighted to produce the Regional Premiere of Lizzie, The Musical. With music by Steven Cheslik-deMeyer and Alan Stevens Hewitt, lyrics by Steven Cheslik-deMeyer and Tim Maner, a book by Tim Maner, with additional music by Tim Maner, additional lyrics by Alan Stevens Hewitt, based on an original concept by Steven Cheslik-deMeyer and Tim Maner, this musical's orchestrations are done by Alan Stevens Hewitt.

Long Wharf Theatre, under the leadership of Artistic Director Jacob G. Padron and Managing Director Joshua Borenstein, presents Miller, Mississippi, by Boo Killebrew, directed by Lee Sunday Evans, from January 9 through February 2, 2019.

The Philip Glass Institute (PGI) will launch with a performance by the Philip Glass Ensemble and a panel discussion with Philip Glass, Lisa Bielawa, the inaugural Composer-in-Residence and Chief Curator of the PGI, and Richard Kessler, Executive Dean of the College of Performing Arts, on January 6, 2019 at 4:30 pm, at The New School's Tishman Auditorium.

Yale Repertory Theatre will present the world premiere of Good Faith: Four Chats about Race and the New Haven Fire Department by Karen Hartman, directed by Kenny Leon, February 1-23, 2019 at Yale Repertory Theatre (1120 Chapel Street). Opening Night is Thursday, February 7.

The National Gallery of Art, Washington, today announced that its Board of Trustees elected Kaywin Feldman to be the institution's next director—the fifth in the Gallery's 77-year history. She will succeed Earl A. Powell III, who has served as the director since 1992.

Taylor Mac's Holiday Sauce, the latest installment of the artist's award-winning A 24-Decade History of Popular Music project, will return to The Town Hall in New York City for another skewering of the sacred and the secular today, December 11th at 8pm. A follow-up to its debut at The Town Hall in December 2017, the show explores Christmas as calamity, upending our yuletide traditions and celebrating the holiday in all of its dysfunction with the families you choose to love.

The New School's College of Performing Arts (CoPA) today announced a landmark partnership with the Philip Glass Ensemble (PGE) and long-time PGE member, Lisa Bielawa, around the work of Philip Glass, one of the world's preeminent composers, musicians, and authors, to form a new learning and creative center. Building on Glass's enduring contributions to modern culture, the Philip Glass Institute (PGI) will offer students, faculty, and the public the opportunity to immerse themselves in the work of Philip Glass, other important artists within his circle, and the work of the iconic Philip Glass Ensemble. Renowned composer and long-time vocalist for the PGE Lisa Bielawa will become the inaugural Composer-in-Residence and Chief Curator of the Philip Glass Institute.

The Miraculous Journey of Edward Tulane comes to life on stage December 7 - March 3  NEEDHAM, MA:  Arlekin Players Theatre is happy to announce its newest production, an original adaptation based on the book by the award-winning author Kate DiCamillo, The Miraculous Journey of Edward Tulane.