This October, 1,000 singers from across New York City's five boroughs will come together on the High Line for the premiere performances of The Mile-Long Opera: a biography of 7 o'clock. Due to overwhelming demand for tickets to the previously announced performances (October 3-7), an encore performance will be added on October 8.Tickets for this additional night will be made available first to members of the public currently on the waitlist, on a first come, first served basis, beginning Thursday, September 27, at noon. Those interested in accessing these tickets may join the waitlist at milelongopera.com. Tickets for The Mile-Long Opera are free, but advance registration is required. A standby line will open 30 minutes prior to the 7:00pm time slot on all performance dates.
Theatre Puget Sound (TPS) and the Gregory Awards announce today that brothers Billy and Howie Seago will be recognized for their contributions to the Seattle theatre community.
New York Stage and Film announced today that Artistic Director Johanna Pfaelzer will be stepping down from her longtime leadership position with the organization to become the new Artistic Director of Berkeley Repertory Theatre beginning September 1, 2019.
American Repertory Theater at Harvard University (A.R.T.), under the leadership of Terrie and Bradley Bloom Artistic Director Diane Paulus and Executive Producer Diane Borger, announces complete casting and creative team for The Black Clown. The production begins previews Friday, August 31; opens Wednesday, September 5; and closes Sunday, September 23, 2018 at the Loeb Drama Center in Cambridge, MA.
LUMBERYARD today announces the September 1 grand opening of its $8.2 million, state-of-the-art center for performing arts and film in Catskill, NY, and the fall season programming that will inaugurate the new facility. LUMBERYARD's heralded Hudson Valley campus will make transformative contributions both to the cultural landscape and economic health of the region and to the field of contemporary performance in New York City and the U.S. by bringing a wide range of renowned and emerging artists to Catskill for out-of-town premieres, often incubated through LUMBERYARD's signature technical residencies.
American Repertory Theater at Harvard University (A.R.T.), under the leadership of Terrie and Bradley Bloom Artistic Director Diane Paulus and Executive Producer Diane Borger, announces complete casting and creative team for The Black Clown. The production begins previews Friday, August 31; opens Wednesday, September 5; and closes Sunday, September 23, 2018 at the Loeb Drama Center in Cambridge, MA.
Lincoln Center Theater will again open its doors for the 24th annual LCT Directors Lab, a three-week developmental program for nurturing young professional stage directors from across the country and around the world. This year's lab will take place from August 6-25.
On July 28, 2018, 13 years after its premiere, Santa Fe Opera presented John Adams and Peter Sellars' DOCTOR ATOMIC. This new production featured bass-baritone Ryan McKinny as the volatile scientist J. Robert Oppenheimer. The opera, which takes place during the last few days before the first atomic bomb test, shows Oppenheimer battling with his mental demons as he tried to deal with the impending use of his scientific discovery to destroy an entire city and its inhabitants. McKinny showed the audience the human side of the scientific genius and I doubt that operagoers who saw his portrayal will soon forget it.
Peak Performances kicks off its 2018-19 season with the world premiere of Hatuey: Memory of Fire, a rousing Afro-Cuban-Yiddish opera performed in English, Yiddish and Spanish, with music by Frank London, libretto by Elise Thoron, direction by Mary Birnbaum, and choreography by Maija Garcia.
Andreas Homoki, intendant and artistic director of Zurich Opera House, will remain in his position until 2025. The announcement that his contract had been extended for an additional three years by the Opernhaus Zurich Board of Directors was made on Monday, July 2 at a press conference. Ballet director Christian Spuck's contract extension (also until 2025) was also announced. Both have been responsible for the Opernhaus Zurich's artistic profile since 2012.
Evans's Production, with a Translation by Paula Wing, Will Feature a Cast of Three Women Bringing to Life Assassinated Journalist Anna Politkovskaya's Uncompromising Drive to Unveil Hard Truths
After four widely heralded self-released albums, Brooklyn-based singer/songwriter Jessie Kilguss is clearly on the verge of gaining the wider recognition she so decidedly deserves. Her mood-affecting melodies reflect an artist who consistently proves herself remarkably adept at expressing a wide array of interests and emotions that stir the senses through both her vocals and in her verse.
Helga Davis, an accomplished New York City-based performer whose interdisciplinary work includes theater, opera, and fine art, will become the next Visiting Curator for Performing Arts at the Isabella Stewart Gardner Museum on July 1. Davis will be creating new and exciting programming that furthers the Museum's role as a vibrant arts and cultural center in Boston. Davis succeeds George Steel who is now the Museum's Abrams Curator of Music.
The Play Company (PlayCo), led by Founding Producer Kate Loewald and Managing Director Robert G. Bradshaw, today announces the complete cast for Toshiki Okada's Time's Journey Through a Room, marking PlayCo's third collaboration with Okada, translator Aya Ogawa, and director Dan Rothenberg, May 10 - June 10, 2018. This haunting play, set in post-Fukushima Japan, will star three Japanese born performers, all of whom are now based in New York: Yuki Kawahisa (Honoka), Maho Honda (Arisa) and Kensaku Shinohara (Kazuki). The play is both an intimate examination of how we move forward from life-altering events, and a study of how we experience time, asking whether we can ever be alive to the present moment.
LAGUNA PLAYHOUSE is thrilled to present the final show in its 97thseason, the critically acclaimed, Pulitzer and Tony award winner for Best Play, CYLBOURNE PARK, written by Bruce Norris and directed by Matt August. Executive Director Ellen Richard comments, "What a privilege to close this extraordinary season with one of the most important plays of the past decade."
The Kimmel Center for the Performing Arts, in a co-presentation with Pomegranate Arts, is thrilled to announce the special guest artists who will perform in Taylor Mac's ambitious, internationally acclaimed work A 24-Decade History of Popular Music. Local Philadelphia performance artists and musicians will join Mac in these final U.S. performances of the full, 24-hour-long pop odyssey, June 2 & 9 at the Kimmel Center's Merriam Theater, as part of the 2018 Philadelphia International Festival of the Arts (PIFA). Mac will perform A 24-Decade History of Popular Music as two distinct 12-hour concerts, Saturday, June 2 (1776-1896) and Saturday, June 9 (1896-present day) - Mac's longest continuous performances since the work premiered at St. Ann's Warehouse in Brooklyn in 2016.
The U.S. Premiere of Toshiki Okada's Time's Journey Through a Room opens this Sunday, May 20, at the Mezzanine Theatre at the A.R.T./New York Theatres. Presented by The Play Company (PlayCo), led by Founding Producer Kate Loewald and Managing Director Robert G. Bradshaw, Time's Journey Through a Room is PlayCo's third collaboration with Okada, translator Aya Ogawa and director Dan Rothenberg. This haunting play, set in Japan after the Fukushima disaster, stars the Japanese-born, New York based performers Yuki Kawahisa (Honoka), Maho Honda (Arisa) and Kensaku Shinohara (Kazuki). The play is both an intimate examination of how we move forward from life-altering events, and a study of how we experience time, asking whether we can ever be alive to the present moment.
