Well, my little piggies and wolves, the next CDs I'm eliminating from my apartment are all the recordings of all the versions of Into The Woods. I'm talking London cast, movie version, Broadway revival and ouch, the one that's gonna leave a gaping hole in my heart, that beautiful Original Broadway Cast Recording starring Joanna Gleason, Chip Zien, Tom Aldredge, Robert Westenberg and above them all as the Witch (receiving the deal-breaking top billing the producers previously refused Patti LuPone when they offered her the role) Bernadette Peters.
Walnut Street Theatre's 2018-19 Independence Studio on 3 Season continues with the gripping and timely play, OLEANNA. Written by David Mamet and directed by Debi Marcucci, the production begins previews on January 15, opens January 17, and continues through February 17.
Walnut Street Theatre's 2018-19 Independence Studio on 3 Season continues with the gripping and timely play, OLEANNA. Written by David Mamet and directed by Debi Marcucci, the production begins previews on January 15, opens January 17, and continues through February 17.
Walnut Street Theatre's 2018-19 Independence Studio on 3 Season continues with the gripping and timely play, OLEANNA. Written by David Mamet and directed by Debi Marcucci, the production begins previews on January 15, opens January 17, and continues through February 17.
Walnut Street Theatre's 2018-19 Independence Studio on 3 Season continues with the gripping and timely play, OLEANNA. Written by David Mamet and directed by Debi Marcucci, the production begins previews on January 15, opens January 17, and continues through February 17.
While he was known by many as The Butcher of Broadway, Frank Rich is still considered to be one of the greatest critics who ever covered The Great White Way. Despite that savage moniker, he was, and is, a proud theater geek whose desire to collect obscure anecdotes and musicals makes him a kindred spirit to all of us.
Wright State University Theatre continues its 44th season in the Festival Playhouse with the wildly popular musical: CRAZY FOR YOU, running from November 1nd - November 18th. This show has been adored by fans for generations with a score full of such show tunes as "Slap That Bass," "Naughty Baby," and "I Got Rhythm." The original production opened on Broadway in 1992. This hit musical won the Tony Award and Olivier Award in London for Best Musical, and played for a record 1,622 performances on Broadway!
'A Comedy of Tenors'-Ken Ludwig's uproarious follow-up to his Tony Award-winning smash hit sendup of the opera world, 'Lend Me a Tenor'-will be the first play of the Hampton Theatre Company's 2018-2019 season, opening on October 25 at the Quogue Community Hall and running through November 11.
'A Comedy of Tenors'-Ken Ludwig's uproarious follow-up to his Tony Award-winning smash hit sendup of the opera world, 'Lend Me a Tenor'-will be the first play of the Hampton Theatre Company's 2018-2019 season, opening on October 25 at the Quogue Community Hall and running through November 11.
It was announced today, by husband Jason Danieley, a celebration of the life and Broadway legacy of Marin Mazzie will take place at the Gershwin Theatre, October 25th beginning at 1:30pm, for friends, family and the theatre community. There will be performances and testimonials from loved ones and theatre colleagues to pay tribute to the three-time Tony Award nominee who passed away on September 13th after a three-year tenacious struggle with ovarian cancer. A dimming of all the marquees on Broadway took place on September 19th as a sign of the impact Marin made through her many appearances on Broadway and concert stages throughout the country.
"A Comedy of Tenors"-Ken Ludwig's uproarious follow-up to his Tony Award-winning smash hit sendup of the opera world, "Lend Me a Tenor"-will be the first play of the Hampton Theatre Company's 2018-2019 season, opening on October 25 at the Quogue Community Hall and running through November 10.
Tim Rice welcomes the re-imagining of CHESS, and uniquely encourages it. The lyricist has said he knows the musical that premiered in 1986 on the West End is problem-plagued. Continues to refer to CHESS as a work in progress, he suggests exploration and and alterations.
For the first time since 2009, Scottsdale Center for the Performing Arts is producing live musical theater - nine performances of the award-winning musical revue The World Goes 'Round - featuring all local professional actors, singers, musicians and technical staff.
EgoPo Classic Theater announces their 2018-19 Season: Theater of South Africa, celebrating great dramatic works of South Africa and highlighting the remarkable transformation from apartheid to democracy. The season will begin with a South African version of Eugene O'Neill's Desire Under the Elms, as created and performed by Abrahamse and Meyer Productions from Cape Town, South Africa, in partnership with Drexel University's Westphal College of Media Arts & Design and their Performing Arts Department. EgoPo's mainstage season launches with A Human Being Died That Night, a gripping account of the Truth and Reconciliation Commission by psychologist Pumla Gobodo-Madikizela; followed by Three Sisters Two by Reza de Wet, a Chekhov sequel confronting the fall of privileged class; and concluding with two plays in rotation repertory: "Master Harold"…and the Boys by Athol Fugard and Egoli by Matsemela Manaka (co-produced with Theatre in the X), shining a light on two vastly different experiences under apartheid.
Presented by a brand new Production group, 4 Leaf Music Productions, in Association with Golden Performing Arts Center, and based on a 1934 Kaufman and Hart play of the same name, this musical tells the story of three friends, Franklin, Charley, and Mary, and the progressive decadence of their bonds and their dreams. The story is told in reverse. When it begins, in 1980, they're in their 40's: Franklin, is a rich, successful, conceited and confused noted songwriter; Charley, the lyricist in the duo, has cut off ties with his partner after a nervous breakdown and Mary is a lonely alcoholic still secretly in love with Franklin from when they first met, years and years ago. As we move forward in the play but backwards in time, we see how their friendships disintegrate, along with their aspirations and Franklin's many whirlwind marriages. Rewinding through the '70s and '60s, we end up in 1957, when the three of them meet for the first time, on a rooftop in the city, all hopeful young talents per-chance gathering to watch Sputnik go by in the pre-dawn sky. The song they sing, 'Our Time' ('We're the movers, we're the shapers/ the names in tomorrow's papers'), is undercut by some very keen irony, since we've already seen how it all turns out, at the beginning.
REPRISE 2.0, led by Producing Artistic Director Marcia Seligson, presented in association with the UCLA School of Theater, Film and Television Department of Theater (UCLA TFT) chaired by Brian Kite, performing at UCLA Freud Playhouse, announces casting for Grand Hotel performing October 24 to November 4, as well as a new 2-show FlexPass for $99, now on sale at Reprise2.org and by phone at 866-811-4111.
REPRISE 2.0, led by Producing Artistic Director Marcia Seligson, in association with the UCLA School of Theater, Film and Television Department of Theater (UCLA TFT) chaired by Brian Kite, announces Dawnn Lewis (This Is Us, Major Crimes and IZombie), Valerie Perri (LA Shubert Theatre Evita, Jerome Robbins' Broadway) Larry Cedar (Deadwood), Kelley Dorney (Annie at Hollywood Bowl) and Michael Starr (Bright Star national tour) for its production of The World Goes 'Round with music by John Kander, lyrics by Fred Ebb and conceived by Scott Ellis, Susan Stroman, and David Thompson. It will play September 5 through September 16 at UCLA's Freud Playhouse.
In his review of the debut of MERRILY WE ROLL ALONG in 1981, New York Times critic Frank Rich wrote, 'As we all should have probably learned by now, to be a Stephen Sondheim fan is to have one's heart broken at regular intervals.'
