It doesn't get more site-specific than this, people: Solas Nua's doing a play called In the Middle of the Fields in the middle of a field! Starring as the field, P Street Beach; who knew she's been waiting for her close-up as a legit house all this time?
DC is a city steeped in national myth, so perhaps it is most fitting that now, in the midst of our own battle for self-determination and statehood, Solas Nua brings us Fishamble’s production of 'Inside the GPO', an intimate look at Ireland’s 1916 Easter Rising...but as with every myth, one must peel back the layers to really get to the good stuff
Solas Nua, the Washington D.C.-based contemporary Irish arts organization, has appointed Rex Daugherty as its full time Artistic Director of Theatre. This is a senior full-time position with responsibility for the leadership and management of the theatre program of Solas Nua. Mr. Daugherty, originally from Oklahoma City, has been an active member of Washington’s robust theatre scene for the past thirteen years. He became a company member with Solas Nua in 2008 during their sold-out, Off-Broadway run of Disco Pigs, and has been acting as theatre artistic director on a part-time basis since 2015.
The third online production in the series, and the second from Kennedy’s Alexander Plays, is a penetrating, seemingly straightforward tale of mid-20th century discrimination in academia, blended with unspeakable crime.
Round House Theatre’s “Sleep Deprivation Chamber,” directed by Raymond O. Campbell, is a tale of injustice, which echoes stories of police brutality in the news, wrapped in dreamy surrealism.
Round House Theatre, in association with McCarter Theatre Center, announces additional details for The Work of Adrienne Kennedy: Inspiration & Influence, a four-week festival highlighting the award-winning playwright.
Solas Nua has commissioned a series of digital plays from African-American playwright Jeremy Keith Hunter and Irish playwright John King. Their first collaboration asks us to consider how language, specifically GIFs and emojis, can be used to forge connection is our digital world.
Exploring the digital landscape of theatre, Solas Nua is commissioning a new play to capture the self isolation that people around the world are experiencing during the COVID 19 pandemic. Audiences can tune into the production to enjoy a live performance of a play specifically written for the online platform. The performance will feature optional, mild audience interaction.
Pull up a bar stool. The Irish barkeep has a little story to tell you. The saga of 'The Smuggler,' a new prize-winning play by Ronán Noone, couldn't have a more authentic setting than the gently curved eight-seat wooden bar in the speakeasy-like Allegory Bar at the Eaton Hotel downtown. That's where the Irish arts collective Solas Nua has ingeniously set the one man play.
The Smuggler, which won the Best Playwright Award at the 1st Irish Festival of New York in January, is a 9000 word rhyme-poem by Irish-American playwright, Ronán Noone. Originally from County Galway and now settled in Boston, Noone brings a journalistic eye to the modern immigrant experience and ruminates on the impossibility of the 'American Dream'.
One of the newest professional theatre companies in the DC region, Prologue Theatre, is continuing its inaugural season with Nell Benjamin's The Explorers Club. This hilarious satire explores societal, workplace, gender, economic, and racial inequalities.
Arts on the Horizon, a non-verbal theatre for children ages 0 to 6, is excited to present a new commission by a local DC area playwright. Beep Beep! will run from March 7th - 23rd, 2019 at The Lab at Convergence in Alexandria, Virginia.
Tino, short for Valentino (as in Rudolph), 'once had splendid things', but has lost it all and is now living on the streets of Dublin. Taking inspiration from the historical Valentino, Kinevane brings us into an intimate world of love and loss, of regret and of hope.
Arts on the Horizon, a non-verbal theatre for children ages 0 to 6, is excited to present a new commission by a local DC area playwright. Beep Beep! will run from March 7th - 23rd, 2019 at The Lab at Convergence in Alexandria, Virginia.
In an age when we are tearing down digital walls and erecting physical ones, Solas Nua brings us Sonya Kelly's brilliant and autobiographical How to Keep an Alien, which tells the story of two people "falling in love and proving it to the government".
For something completely different this holiday season, you might want to consider Signature Theatre's latest offering. Billy Elliot the Musical is not your standard holiday fare by any means. Sure, there are big production numbers, but the story features important underlying themes of labor tensions, economic inequality, and acceptance. In other words, this show follows my philosophy that theater is meant to educate as well as entertain. The production also features some pretty incredible ballet and tap choreography with a cast that performs it beautifully.
Go behind the scenes of Signature Theatre's Billy Elliot with Grant Richards as he takes over the BroadwayWorld Instagram today, November 10th! Follow along as Richards shows you his two show day while performing as Adult Billy! Be sure to tune in today!
Signature Theatre is proud to present Billy Elliot the Musical directed and choreographed by Signature Theatre Associate Artistic Director Matthew Gardiner (Signature's Passion, West Side Story). Based on the powerful and acclaimed film, all 11-year-old Billy wants to do is dance. Initially facing opposition from society and his father, Billy's passion instead unites the community and changes his life in extraordinary ways. The original production with book and lyrics by Lee Hall and music by Tony, Grammy and Academy Award® winner Elton John was universally lauded, sweeping the Tony, Drama Desk and Olivier Awards for Best Musical. Billy Elliot the Musical runs now thru January 6, 2019 in Signature Theatre's intimate MAX Theatre.