Reid Bartelme News

Works & Process, the performing arts series at the Guggenheim, has announced June premieres for Works & Process Artists (WPA) Virtual Commissions.

Works & Process, the performing arts series at the Guggenheim, believes in the transformative power of art. Tonight they will now highlight Cooped by Jamar Roberts, a Works & Process Artists #WPAVirtualCommission that premiered on May 24.

Works & Process, the performing arts series at the Guggenheim, has announced the June premieres for Works & Process Artists (WPA) Virtual Commissions.

San Francisco Ballet's free weekly stream on SF Ballet @ Home features commissioned works from the 2018 Unbound festival and other notable ballets from SF Ballet's repertory. Every Friday, SF Ballet streams a complete ballet from its archives on Facebook, IGTV, YouTube, and the SF Ballet website.

The New York Public Library for the Performing Arts' Jerome Robbins Dance Division is accepting applications for its fifth class of Dance Research Fellows, generously funded by the Doris Duke Charitable Foundation, the Louise Guthman Estate, the Frederick Loewe Foundation and the Committee for the Dance Division.

To financially support artists and nurture their creative process during these challenging times, Works & Process, the performing arts series at the Guggenheim, announces Works & Process Virtual Commissions. With the generosity of our board, Works & Process will grant over $40,000 in commissioning funds to artists.

What happens when a choreographer goes off the beaten path? This past Friday's New Combinations program at The New York City Ballet staged unique works in the repertory of four icons of the field: Wheeldon, Peck, Robbins, and Ratmansky. The four choreographers taken together offer ballets that we can view as academic curiosities, forgettable B-Sides, or explosive new dance visions.

UCLA's Center for the Art of Performance (CAP UCLA) presents Pam Tanowitz/Brice Marden/Kaija Saariaho's Four Quartets on Saturday, February 15 at 8 p.m. and Sunday, February 16, at 3 p.m. at Royce Hall. Tickets starting at $28 are available now at cap.ucla.edu, 310-825-2101, and Royce Hall box office.

Works & Process at the Guggenheim is pleased to announce its fall 2019 season. Since 1984 the performing arts series has championed new works and offered audiences unprecedented access to leading creators.

In the Jacob's Pillow-exclusive production Sara Mearns: Beyond Ballet, New York City Ballet principal Sara Mearns performs in multiple cross-genre collaborations in the Doris Duke Theatre, August 14-18.

Works & Process at the Guggenheim announces its Fall 2019 season. Since 1984 the performing arts series has championed new works and offered audiences unprecedented access to leading creators.

The Miami City Ballet began its Friday Ballet across America evening with George Balanchine's Walpurgisnacht Ballet (1980), 'definitely the world according to Balanchine,' wrote Suzanne Farrell in her autobiography. The Miami ensemble got off to a ragged start, literally not up to speed, but once Principal Katia Carranza took the stage, in the role originated by Farrell, the ladies got with the program. Carranza combined necessary speed and technique with glorious attention to musical detail; every beat has been choreographed, and Carranza never missed one even if all she had to move was just a portion of an arm. Her cavalier, Rainer Krenstetter, added to his substantial elevation significant skill in landing--not only softly, but often exceptionally still. And by the time the Gounod score reached its feverish finish, the Corps de Ballet were at last working with the precision required for the final wedge formation; Balanchine's final image requires absolute solidity from the Corps as backdrop so that the sensational to the shoulder lift of Carranza by Krenstetter contains the power it's meant to.

Charlotte Ballet's SPRING WORKS, with a surprise cameo from the Merce Cunningham centennial, is another varied and provocative display by the Queen City's preeminent performing arts troupe

Beginning today, The New York Public Library for the Performing Arts' Jerome Robbins Dance Division is accepting applications for its fourth class of Dance Research Fellows, generously funded by the Doris Duke Charitable Foundation, the Louise Guthman Estate and the Committee for the Dance Division. In honor of the Dance Division's 75th anniversary year, each of the five curators who have overseen the collection during its history -- Genevieve Oswald, Madeleine Nichols, Michelle Potter, Jan Schmidt and current curator Linda Murray -- selected a particular collection within the Dance Division's holdings for one researcher to explore. A sixth collection was selected by members of the Dance Division's expert staff.

Works & Process, the performing arts series at the Guggenheim, presents a Works & Process dance and costume commission by Reid Bartelme and Harriet Jung with new choreography by Christopher Williams and Netta Yerulshamy in collaboration with NYU's Institute for the Study of the Ancient World's exhibition, Hymn to Apollo: The Ancient World and the Ballets Russes, on Sunday and Monday, April 28 and 29, 2019 at 7:30pm

Program 05, Lyric Voices, opens on March 27 at San Francisco Ballet with works that navigate the fine line between self-interest and self-obsession, and illuminate society's obsession with gadgets and devices. SF Ballet's Choreographer in Residence Yuri Possokhov's  “. . . two united in a single soul . . .” premieres during the triple-bill program, which runs through April 7 at SF War Memorial Opera House, and Christopher Wheeldon's Bound To and Trey McIntyre's Your Flesh Shall Be a Great Poem both return after their critical successes during 2018 Unbound: A Festival of New Works.

San Francisco Ballet opens Program 02, Kaleidoscope, on February 12, with performances through February 23 at SF War Memorial Opera House. Kaleidoscope features the SF Ballet premiere of Benjamin Millepied's Appassionata, and the returns of Justin Peck's Hurry Up, We're Dreaming, created for Unbound: A Festival of New Works in 2018, and George Balanchine's Divertimento No. 15.

Spring activities for the Centennial, which continues through all of 2019, include a wide range of performances, film screenings, discussions, education initiatives, community programming, and new works by other artists in conversation with Merce Cunningham's work.

The fourth annual 'American Dance Platform' is now on stage at The Joyce from January 3-7 2019. The performances feature six of our nation's captivating companies in three inspired, shared programs.

Works & Process at the Guggenheim is pleased to announce its spring 2019 season. Since 1984 the performing arts series has championed new works and offered audiences unprecedented access to leading creators. Programs explore the artistic process through stimulating discussions and riveting performance highlights. Each 70-minute program takes place in the intimate Frank Lloyd Wright-designed Peter B. Lewis Theater. Additional information is available at worksandprocess.org.