Review - The Full Monty: Who The Hell Is Margie Hart?
One of the unique and cherished aspects of the musical theatre is how the preceding plot and character development can allow a musical moment to achieve ethereal heights that establish a triumvirate of joyful feeling between audience, performer and character. Take, for example, Amalia Balash's dizzying high note at the end of 'Vanilla Ice Cream,' which is not just a showy moment for the actress playing the role, but a release of amazed emotions caused by a simple act of kindness. Or the wacky exuberance of the impromptu tango that follows Eliza Doolittle's mastery of the proper pronunciation of an Iberian precipitation phenomenon.
