The American debut of Benny Andersson and Bjorn Alvaeus new musical KRISTINA, will debut next week on September 23rd and 24th at Carnegie Hall in concert. Andersson and Alvaeus of the group ABBA are the masterminds behind the blockbuster musicals MAMMA MIA! and CHESS.
Helen Sjöholm, who originated the title role in the Swedish production of KRISTINA, and internationally renowned tenor Russell Watson, will headline the concert version of Benny Andersson and Björn Ulvaeus' musical at Carnegie Hall featuring a 50 piece symphony orchestra conducted by Paul Gemignani. Directed by Lars Rudolfsson, the complete 32 member company will be announced shortly.
Rick Culbertson, in association with Lynn Marks and Paradox Entertainment, today announced that Divorce! The Musical will have an open-ended run at the Hudson Mainstage Theatre (6539 Santa Monica Blvd.). The world premiere production, now in its fourth smash month, features music, lyrics and book by 2008 Frederick Loewe Award-winner Erin Kamler (Runway 69 at New Dramatists). Multi award-winning director Rick Sparks (They Shoot Horses, Don?t They?) directs and musical stage this comedy about one couple?s hellish journey to un-tie the knot. Divorce! The Musical also features musical direction and arrangements by Ovation Award-winner David O (Ubu Roi and Jason Robert Brown?s 13).
Rick Culbertson, in association with Lynn Marks and Paradox Entertainment, today announced that DIVORCE! THE MUSICAL has been extended again by popular demand through May 17, 2009, at the Hudson Mainstage Theatre (6539 Santa Monica Blvd.). The world premiere production features music, lyrics and book by 2008 Frederick Loewe Award-winner Erin Kamler (Runway 69 at New Dramatists).
Filled with colorful criminals, biting social satire and a brilliant score, The Threepenny Opera opens International City Theatre's 2009 Season at the Long Beach Performing Arts Center. Jules Aaron directs Michael Feingold's translation of the trailblazing musical by Bertolt Brecht and Kurt Weill that became one of the most influential plays of the 20th Century. Darryl Archibald is musical director and Kay Cole choreographs the five-week run February 20 through March 22; low-priced previews begin February 17.
First performed in 1928, Brecht and Weill's The Threepenny Opera was a revolutionary musical theater masterpiece that mocked the bourgeois political movement of pre-Hitler Germany. Brecht's brittle, sardonic tale of beggars, thieves and prostitutes, adapted from the 1728 play The Beggar's Opera by John Gay, was a fierce social and political critique, and Weill's innovative score that fused American jazz with German cabaret captured the ironic tone of the lyrics. Part acid social criticism, part bittersweet romance, the now eighty-year old saga of 'Mack the Knife' and his entourage of criminals and whores has never lost its theatrical punch.
'It's a satire on capitalism and corruption told from the viewpoint of the 'little people',' notes Aaron. 'If there was ever time to revive this show, it's now. Michael [Feingold]'s translation is earthy, gritty and very funny. I think it's going to strike a chord with audiences.'
Filled with colorful criminals, biting social satire and a brilliant score, The Threepenny Opera opens International City Theatre's 2009 Season at the Long Beach Performing Arts Center. Jules Aaron directs Michael Feingold's translation of the trailblazing musical by Bertolt Brecht and Kurt Weill that became one of the most influential plays of the 20th Century. Darryl Archibald is musical director and Kay Cole choreographs the five-week run February 20 through March 22; low-priced previews begin February 17.
First performed in 1928, Brecht and Weill's The Threepenny Opera was a revolutionary musical theater masterpiece that mocked the bourgeois political movement of pre-Hitler Germany. Brecht's brittle, sardonic tale of beggars, thieves and prostitutes, adapted from the 1728 play The Beggar's Opera by John Gay, was a fierce social and political critique, and Weill's innovative score that fused American jazz with German cabaret captured the ironic tone of the lyrics. Part acid social criticism, part bittersweet romance, the now eighty-year old saga of 'Mack the Knife' and his entourage of criminals and whores has never lost its theatrical punch.
'It's a satire on capitalism and corruption told from the viewpoint of the 'little people',' notes Aaron. 'If there was ever time to revive this show, it's now. Michael [Feingold]'s translation is earthy, gritty and very funny. I think it's going to strike a chord with audiences.'
Joe's Pub proudly announces the addition of the 'We The People' series to their calendar, presented in association with The Onion. In a highly politicized and over-spun media world, Joe's Pub provides an oasis for First Amendment frivolity on the first Tuesday of every month. Join us for a celebration of art, opinions, and politics from a diverse group of outspoken artists and performers. More shows in this series will be announced shortly.
BroadwayWorld.com presents the third in a series of Broadway profiles leading up to the 12th Annual 'Nothing Like a Dame' benefit, presented by Broadway Cares/Equity Fights AIDS on March 19, 2007 at 8:00 PM at the Marquis Theatre
Tony Award-winner Alan Cumming, currently starring in Roundabout Theatre Company's revival of The Threepenny Opera, will be featured on NBC's 'Late Night with Conan O'Brien' on Tuesday, June 20th
The Roundabout's new production of Kurt Weill and Bertolt Brecht's The Threepenny Opera might well have been the most shocking and innovative theatre event of the 1967-68 Broadway season
Tony Award-winner and current nominee, Jim Dale sat down with BroadwayWorld.com's Craig Brockman in this candid one-on-one interview backstage at The Threepenny Opera. Jim shares stories about his career which spans from comedian to accidental pop star to legendary stage, screen and Guinness Book of World Records performer. Click now to watch!