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BWW Review: The Loser's Lounge TRIBUTE TO THE RAT PACK Packs 'Em In at Joe's Pub

At Joe's Pub, the eclectic collective of entertainers offers something for almost everyone, in a parade of approaches that ranges from sincere to oh my dear --- a mixed bag to be sure. Even though uneven, the odds are that most would find reason to smile and happily hop into the hipster heyday melee.

BWW Review: Ashley Blaker's GOY FRIENDLY Explains It All For You

The internationally-known standup who first brought his Jewish-focus material Off-Broadway in 2018 with STRICTLY UNORTHODOX arrives at the SoHo Playhouse with a show inspired by his friendship and professional collaboration with Muslim standup Imran Yusuf. Having spent a great deal of time traveling together from gig to gig, Yusuf had a lot of questions about Judaism, and their conversations prompted Blaker to examine how to explain his faith to a goy.

BWW Review: COME TUMBLING DOWN by Seanan McGuire

Seanan McGuire's award-winning series Wayward Children is one such series. Every book is a delight, something original to be cherished and held. Some are terrifying and bleak, while others are full of wonder and whimsy. Readers finish these books and wish there truly were other words to explore so they don't have to go back to the mundane.

BWW Review: DiDonato and McVicar's Take on Handel's AGRIPPINA Have the Met Audience in Their Grip

Welcome to the Met, AGRIPPINA: It's about time. Handel and his librettist, Vincent Grimani, knew that certain stories are timeless--like corruption in government--and this one has plenty of twists and turns...and even some belly laughs. It was the perfect piece for an ingenious director, Sir David McVicar, and a spectacular singing actress, mezzo Joyce DiDonato, aided and abetted by conductor Harry Bicket and the Met's perfectly Baroque pit band. The result was an unusual combination for early music: great music and great fun. I suppose that's why it became such a big hit for Handel.

BWW Review: U.S. Premiere of STRICTLY BALLROOM at Hale Centre Theatre is Fabulous

Hale Centre Theatre's U.S. premiere of Baz Luhrmann's STRICTLY BALLROOM THE MUSICAL dazzles on its Centre Stage following productions in Australia and on the West End. The direction, choreography, lighting, set, and costumes--all created specifically for Hale Centre Theatre's new production--are beyond fabulous.

BWW Review: COMPLEXIONS, THE ROCKSTARS OF BALLET, TACKLE LENNY KRAVITZ at Joyce Theater

Winter in New York City is not known for being particularly steamy (though the unseasonably mild weather this year gives one reason to pause), but there is always Complexions Contemporary Ballet's season at the Joyce Theater to turn up the heat to a feverish, sweltering boiling point! For the 26th season, the company revived recent seminal works -- Bach 25 and Woke -- alongside favorites spanning from 1994 to a brand new solo in Essential Parts, which acted as a 'Greatest Hits' compilation for the ever-evolving, always revolutionary dance troupe. This year also marked the World Premiere of their latest exploration of the full canon of a particular musician's oeuvre -- Love Rocks featuring the music of the iconic Grammy-winning rockstar, Lenny Kravitz. For patrons unable to attend all programs, FOMO (fear of missing out) syndrome is understandable, but for those who are highly familiar with the group's work or only getting their first taste, Program C -- which featured the latter two mentioned -- was the most delectable sampling of Complexions offerings old and new. The fascinating thing about such juxtapositions is that, in seeing the latest creations from 2020 side-by-side with choreography premiered in the early 1990s, it is remarkable to note how the level of innovation, depth of emotion and current relevance remains the same. It's a reminder that timeliness and timelessness can coexist, given the right mediums and masters. The genius of legendary Co-Founders, Co-Artistic Directors Desmond Richard and Dwight Rhoden (also the Principal Choreographer) cannot be underestimated. Indeed, it has not. They have both achieved phenomenal success and longevity, been lauded as trailblazers and received numerous accolades from peers, critics and audiences alike since they burst on the dance scene. It's no wonder that they have utilized the music of David Bowie, Stevie Wonder, Kendrick Lamar and Lenny Kravitz to tell their stories through bodies in motion -- they are rockstars themselves!

Lyric Opera of Kansas City Has Announced 2020-2021 Season

Lyric Opera of Kansas City General Director and CEO Deborah Sandler today announced the company's 2020-2021 season. It features four mainstage productions, including The Gershwins' Porgy and Bess and The (R)evolution of Steve Jobs, both of which are being performed on a Lyric Opera of Kansas City stage for the first time. Two all-time favorites known for incomparable melodies - Verdi's beloved La traviata and Bizet's passionate Carmen - round out the extraordinarily diverse season. The Kansas City Symphony Orchestra will accompany all performances at the Kauffman Center for the Performing Arts. Find biographies of the casts and creative teams at Lyric Opera of Kansas City and find high-resolution photos here.

ONCE Comes to The Belgrade Theatre

Following its phenomenal success on Broadway and in the West End, multi-award-winning musical Once sets off on its first ever UK tour in 2020, hitting the Belgrade Theatre from 10-14 March.

BWW Review: CONVERSATIONS WITH CLAY WOMAN Offers Up A Particular Brand Of Off-beat Comedy For Tweed Theaterworks' “Sundays At Seven” Series At Pangea

In a?oeClaywoman,a?? the in-character improviser Michael Cavadias portrays a 500 million-year-old extraterrestrial in love with planet earth, who says she'll keep on coming as long as there is an earth to visit. Interviewed by celebrity guests who ask about where she is from and why she has been visiting earth for so long, a?oeClaywomana?? is satire-improv presented by Kevin Malony's TWEED Theaterworks.

BWW Review: SETH RUDETSKY & PATINA MILLER Rock The Town Hall

Seth Rudetsky and Patina Miller share some backstage stories as well as some of her backstory on the way to becoming an incredible stage and screen actress. In between, she sang a few songs at a nearly peerless level.

Jeremy Jordan Responds To Criticism That He's “Too Hot” To Play Seymour In LITTLE SHOP OF HORRORS

Look out, look out, look out! With Tony nominee Jeremy Jordan slated to join the Off-Broadway production of Little Shop of Horrors as Seymour, Slate is criticizing the production's casting of actors who are seen as 'too hot' to take on the iconic role. Now, Jeremy Jordan himself has taken to social media to respond to the criticism, posting a series of photos to show a different side of himself. Check them all out!

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