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Review: BARE: A POP OPERA, London Palladium

One-off staged concerts are all the rage these days. A way for producers to attract established stars that will fill a room and the chance to test the waters for potential longer runs are only a few benefits. Realistically, they’re also cheaper, relatively risk-free, and easier to mount than a full-blown production. The latest in this type of venture is Bare, Damon Intrabartolo and Jon Hartmere’s musical with a troubled history.

Student Blog: Planning Ahead: From Passion to Paycheck

When I graduate from college, move to New York, and start auditioning for jobs, the last thing I want to worry about is finding a day job that is flexible with my audition/rehearsal schedule. This stressed me out for a while, but then I decided to take action and start now.

Review: STOMP at Capital One Hall

STOMP is here for a brief five-performance run through April 7 at Capital One Hall in Tysons. In STOMP, anything can be used to drive a beat and set the rhythm. Brooms, trashcans, grocery carts, inner tubes, suitcases – everything including kitchen sinks are objects to play with and explore. Zippo lighters, plastic bags and the performers’ bodies are pressed into action to create surprising and exuberant music.

Review: SWEATSHOP OVERLORD at A.C.T. Strand

It’s March 2020 and the country is shutdown by a new, mysterious virus called COVID-19. Broke, newly unemployed performance artist Kristina Wong is in full crisis mode. She’s got no audience, no kids, and no prospects, but she’s got a plan.

Bend Sinister Release 'Big Star' and 'Gotta Get Ready'

Enter Vancouver quartet Bend Sister, who dole out two kinds of motivation on their latest, double-A-sided single — a musical wake-up call for aspiring rockers and anybody else who needs a little bit of a fire lit under them just to take on the day.

Student Blog: The Essential Tools for the Last Month of School

We’ve officially made it to the point in the school year where “half” can be used to describe both the amount of the semester that has been completed, and the energy we’re putting into our assignments.

Chris Cooper And Cast Present 'Sublime' Version of [title of show] at MTSU

Cooper’s clear and focused direction of [title of show] ensures that the action that transpires over the course of 90-plus minutes holds your attention, reminds you of people you know and delivers a pretty spot-on depiction of what real life is all about. With the able assistance of musical director Angela Tipps (the only non-student involved in the production, except for the professors who serve as mentors of the student-led creative team and production crew) and choreographer Paige Lovell (who provides the quartet of actors some fancy footwork that enlivens the proceedings), Cooper and his ideally cast quartet of actors, in this critic’s estimation, deliver the goods and then some.

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