Fabio Luisi will become Principal Guest Conductor at the Metropolitan Opera, the company's General Manager Peter Gelb and Music Director James Levine announced today. The Italian maestro, who made his Met debut in 2005 with Don Carlo, will take up the post beginning with the 2010-11 season
Strauss's comic masterpiece of love and intrigue in 18th-century Vienna stars Renée Fleming as the aristocratic Marschallin and Susan Graham in the trouser role of her young lover Octavian. Edo De Waart conducts a cast that includes Christine Schäfer as Sophie, Eric Cutler as the Italian singer, Thomas Allen as Faninal, and Kristinn Sigmundsson as Baron Ochs.
Verdi's La Traviata returns to the Met with Angela Gheorghiu reprising her acclaimed interpretation of Violetta, a role the New York Times called a 'supercharged star turn' when she performed it in 2006.
Richard Eyre, the renowned British director of theater and film, explores the passionate drama of Bizet's Carmen and the power of her desires in his new production at the Metropolitan Opera, which premieres on THIRTEEN'S Great Performances at the Met series. 'Her sexuality is a life force, it's a defining force,' he explains.
Rossini's rarely performed Armida has its Met premiere on April 12 with a gala performance of Mary Zimmerman's new production. Renowned soprano Renée Fleming stars as the mythological sorceress, Armida, one of the greatest virtuoso roles from the bel canto repertory. Fleming is joined by Lawrence Brownlee, who sings Armida's chief love interest, Rinaldo, and five more tenors in the roles of the crusader knights. José Manuel Zapata portrays Rinaldo's deadly rival Gernando.
Ambroise Thomas's Hamlet returns to the Met stage for its first performances since 1897, with the powerful pairing of Simon Keenlyside in the title role and Marlis Petersen as Ophélie. Keenlyside's acclaimed interpretation of Hamlet in Geneva, London and Barcelona finally arrives in the United States, with a performance in the Patrice Caurier and Moshe Leiser production that was hailed by the British press as 'magnificent . . . sheer vocal genius.' Petersen, who steps in for Natalie Dessay, brings her haunting portrayal of Ophélie to the Met; she earned praise for the role during a 2006 run of Hamlet in Düsseldorf. Louis Langrée conducts a cast that includes Jennifer Larmore as Gertrude, Toby Spence in his Met debut as Laërte, and James Morris in the role of Claudius. Jane Archibald, in her Met debut, sings the role of Ophélie on April 5 and 9. The creative team is rounded out by Christian Fenouillat with set designs, Agostino Cavalca with costume designs, and Christophe Forey with lighting designs, all in their Met debuts. Performances run through April 9, with the March 27 matinee shown worldwide as part of The Met: Live in HD
Rossini's rarely performed Armida has its Met premiere on April 12 with a gala performance of Mary Zimmerman's new production. Renowned soprano Renée Fleming stars as the mythological sorceress, Armida, one of the greatest virtuoso roles from the bel canto repertory. Fleming is joined by Lawrence Brownlee, who sings Armida's chief love interest, Rinaldo, and five more tenors in the roles of the crusader knights. José Manuel Zapata portrays Rinaldo's deadly rival Gernando.
James Levine has withdrawn from the four performances of Tosca and three performances of Lulu he was scheduled to conduct in April and May. He is to undergo corrective surgery for an ongoing lower back problem. Fabio Luisi will replace Levine for both Tosca (April 14, 17, 20, and 24 mat.) and Lulu (May 8, 12, 15 mat.).
Strauss's comic masterpiece of love and intrigue in 18th-century Vienna stars Renée Fleming as the aristocratic Marschallin and Susan Graham in the trouser role of her young lover Octavian. Edo De Waart conducts a cast that includes Christine Schäfer as Sophie, Eric Cutler as the Italian singer, Thomas Allen as Faninal, and Kristinn Sigmundsson as Baron Ochs.
Verdi's La Traviata returns to the Met with Angela Gheorghiu reprising her acclaimed interpretation of Violetta, a role the New York Times called a 'supercharged star turn' when she performed it in 2006.
The Metropolitan Opera's new production of Offenbach's Les Contes d'Hoffmann, conducted by Met Music Director James Levine and directed by Tony Award winner Bartlett Sher, premieres on THIRTEEN'S Great Performances at the Met series.
Opera star Angela Gheorghiu will take over the role of Mimi in the Puccini Opera LA BOHEME at the Metropolitan Opera beginning on March 20th. Gheorguhiu will replace the current star, Anna Netrebko, in the role.
The Metropolitan Opera announced today that it has been awarded a $1.1 million endowment grant from the Lauritz Melchior Heldentenor Foundation, which is dissolving and turning over its assets to the Met.
Ambroise Thomas's Hamlet returns to the Met stage for its first performances since 1897, with the powerful pairing of Simon Keenlyside in the title role and Marlis Petersen as Ophélie. Keenlyside's acclaimed interpretation of Hamlet in Geneva, London and Barcelona finally arrives in the United States, with a performance in the Patrice Caurier and Moshe Leiser production that was hailed by the British press as 'magnificent . . . sheer vocal genius.' Petersen, who steps in for Natalie Dessay, brings her haunting portrayal of Ophélie to the Met; she earned praise for the role during a 2006 run of Hamlet in Düsseldorf. Louis Langrée conducts a cast that includes Jennifer Larmore as Gertrude, Toby Spence in his Met debut as Laërte, and James Morris in the role of Claudius. Jane Archibald, in her Met debut, sings the role of Ophélie on April 5 and 9. The creative team is rounded out by Christian Fenouillat with set designs, Agostino Cavalca with costume designs, and Christophe Forey with lighting designs, all in their Met debuts. Performances run through April 9, with the March 27 matinee shown worldwide as part of The Met: Live in HD
The Metropolitan Opera today announced the winners of the 2010 National Council Auditions. They are: Leah Crocetto of Oxford, Connecticut; Lori Guilbeau of Golden Meadow, Lousiana; Elliot Madore of Toronto, Canada; Nathaniel Peake of Humble, Texas; and Rachel Willis- Sørensen of Tri-Cities, Washington. The winners were selected from nine finalists who performed arias with the Met Orchestra, conducted by Marco Armiliato. Each winner receives a cash prize of $15,000 and even more importantly, the opportunity to launch a major operatic career.
Ambroise Thomas's Hamlet returns to the Met stage for its first performances since 1897, with the powerful pairing of Simon Keenlyside in the title role and Marlis Petersen as Ophélie. Keenlyside's acclaimed interpretation of Hamlet in Geneva, London and Barcelona finally arrives in the United States, with a performance in the Patrice Caurier and Moshe Leiser production that was hailed by the British press as 'magnificent . . . sheer vocal genius.' Petersen, who steps in for Natalie Dessay, brings her haunting portrayal of Ophélie to the Met; she earned praise for the role during a 2006 run of Hamlet in Düsseldorf. Louis Langrée conducts a cast that includes Jennifer Larmore as Gertrude, Toby Spence in his Met debut as Laërte, and James Morris in the role of Claudius. Jane Archibald, in her Met debut, sings the role of Ophélie on April 5 and 9. The creative team is rounded out by Christian Fenouillat with set designs, Agostino Cavalca with costume designs, and Christophe Forey with lighting designs, all in their Met debuts. Performances run through April 9, with the March 27 matinee shown worldwide as part of The Met: Live in HD
Dmitri Shostakovich's The Nose has its Metropolitan Opera premiere on March 5 at 8:00 pm, conducted by Valery Gergiev, in a visually arresting new production by artist William Kentridge that features original collage, film, sculpture, and massive projections of the artist's drawings and prints. Making his Met debut, baritone Paulo Szot performs the role of Kovalyov in the story of the Russian official who wakes one morning to discover his nose has disappeared (and taken on a higher bureaucratic rank). Based on the short story of the same name by Nikolai Gogol, the opera is what Kentridge has called an exploration of "learning from the absurd." In this production, visuals include renderings of Soviet workers, snatches of newspaper, and projections of propaganda - as well as the missing appendage in adventures ranging from delivering a speech to riding a horse.
The Metropolitan Opera's new production of Offenbach's Les Contes d'Hoffmann, conducted by Met Music Director James Levine and directed by Tony Award winner Bartlett Sher, premieres on THIRTEEN'S Great Performances at the Met series.
Seven new productions, including two company premieres and the first two parts of a new Ring cycle, featuring many of the world's greatest singers and conductors, will highlight the Metropolitan Opera's 2010-11 season.
Franco Vassallo will sing the role of Ezio in Verdi's Attila on March 19, 22, and 27, replacing Carlos Alvarez, who is ill. Vassallo is currently appearing at the Met as Figaro in Il Barbiere di Siviglia, the role of his 2005 company debut. Last season the Italian baritone was Belcore in L'Elisir d'Amore, and in 2007, audiences around the world saw him as Riccardo in The Met: Live in HD transmission of I Puritani, now available in DVD.
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