Lauritz Melchior Heldentenor Foundation Donates $1.1 Million to the Metropolitan Opera

The Metropolitan Opera announced today that it has been awarded a $1.1 million endowment grant from the Lauritz Melchior Heldentenor Foundation, which is dissolving and turning over its assets to the Met. David Gilbert, President of the Foundation, explained that the Trustees wish to honor the memory of Lauritz Melchior and perpetuate his goals of developing heldentenors ("heroic" tenors in the German repertory) and maintaining Wagnerian opera by making an endowment gift to the Metropolitan Opera.

The new Lauritz Melchior Endowment Fund will support the musical education of heldentenors and Wagnerian sopranos who are in the Met's Lindemann Young Artist Development Program or on its roster of artists. In keeping with the Foundation's ultimate goal "to maintain and improve the performance of Wagnerian opera," income from the Fund also may be used to support the appearance by heldentenors or Wagnerian sopranos on the Met's stage during the season.

About Lauritz Melchior

Generally considered to be the greatest of heldentenors, Lauritz Melchior made his Met debut in the title role of Wagner's Tannhäuser on February 17, 1926. Between 1926 and his last performance in Lohengrin twenty-four years later, Melchior sang 519 performances of the most demanding Wagnerian repertory at the Metropolitan Opera. The Met was his home, and he holds the house record for the most performances of every role he sang: Siegmund in Die Walküre, Siegfried in Siegfried and Götterdämmerung, Tristan in Tristan und Isolde, and the title roles of Tannhäuser, Lohengrin, and Parsifal.

About the Lauritz Melchior Heldentenor Foundation

The Foundation was formed in 1964 by Lauritz Melchior to promote, through educational and charitable means, the development and musical education of heldentenors. The ultimate goal has been to maintain and improve the performance of Wagner's operas.

About the Metropolitan Opera

Under the leadership of General Manager Peter Gelb and Music Director James Levine, the Met has a series of bold initiatives underway that are designed to broaden its audience and revitalize the company's repertory. The Met has made a commitment to presenting modern masterpieces alongside the classic repertory, with highly theatrical productions featuring the greatest opera stars in the world.

The Met's 2009-10 season features eight new productions, four of which are Met premieres. Opening night was a new production of Tosca starring Karita Mattila, conducted by Levine and directed by Luc Bondy. The four Met premieres are: Janá?ek's From the House of the Dead, conducted by Esa-Pekka Salonen and directed by Patrice Chéreau, both in Met debuts; Verdi's Attila starring Ildar Abdrazakov, conducted by Riccardo Muti and directed by Pierre Audi, with set and costume design by Miuccia Prada and the firm Herzog & de Meuron, all in their Met debuts; Shostakovich's The Nose featuring Paulo Szot, conducted by Valery Gergiev and directed and designed by William Kentridge in his Met debut; and Rossini's Armida with Renée Fleming, conducted by Riccardo Frizza and directed by Mary Zimmerman. Other new productions are Offenbach's Les Contes d'Hoffmann starring Joseph Calleja, Anna Netrebko, and Alan Held, conducted by Levine and directed by Bartlett Sher; Carmen with El?na Garan?a and Roberto Alagna, conducted by Yannick Nézet-Séguin and directed by Richard Eyre, both in Met debuts; and Thomas's Hamlet with Marlis Petersen and Simon Keenlyside, conducted by Louis Langrée and directed by Patrice Caurier and Moshe Leiser in their Met debuts.

The Met's 2010-11 season will feature seven new productions, including two company premieres (John Adams's Nixon in China and Rossini's Le Comte Ory), as well as the first two installments of a new production of Wagner's epic Der Ring des Nibelungen, conducted by James Levine and directed by Robert Lepage (Das Rheingold and Die Walküre). Also featured will be new productions of three repertory classics -- Boris Godunov conducted by Valery Gergiev, directed by Peter Stein, Don Carlo conducted by Yannick Nézet-Séguin and directed by Nicholas Hytner, and La Traviata conducted by Gianandrea Noseda and directed by Willy Decker. John Adams makes his Met conducting debut with Nixon in China, with Peter Sellars making his Met directorial debut. Maurizio Benini conducts Le Comte Ory, with Bartlett Sher directing his third production here following his recent successful stagings of IL Barbiere di Siviglia and Les Contes d'Hoffmann.
Building on its 78-year radio broadcast history-currently heard over the Toll Brothers-Metropolitan Opera International Radio Network-the Met now uses advanced media distribution platforms and state-of-the-art technology to attract new audiences and reach millions of opera fans around the world.

The Emmy and Peabody Award-winning The Met: Live in HD series returns for its fourth season in 2009-10 with nine transmissions, beginning October 10 with the new production of Tosca and ending with the new production of Rossini's Armida on May 1. The productions are seen in more than 1000 theaters in 44 countries around the world and last season sold more than 1.8 million tickets. These performances began airing on PBS in March 2008, and thirteen HD performances are now available on DVD. The Magic Flute was released by the Met and is available at the newly renovated Met Opera Shop. In addition, two classic Met performances from 1978 have recently been released by the Met: Otello, conducted by Levine with Jon Vickers and Renata Scotto; and Cavalleria Rusticana/Pagliacci conducted by Levine, with Tatiana Troyanos and Plácido Domingo in the first part of the double bill and Teresa Stratas, Plácido Domingo, and Sherrill Milnes in the latter. The Met: Live in HD series is made possible by a generous grant from the Neubauer Family Foundation. Bloomberg L.P. is the global corporate sponsor of The Met: Live in HD.
HD Live in Schools, the Met's program offering free opera transmissions to New York City schools in partnership with the New York City Department of Education and the Metropolitan Opera Guild, continues for a third season. This season, for the second consecutive year the program will reach public school students and teachers in 18 cities and communities nationwide. HD Live in Schools is made possible by Bank of America.

Continuing its innovative use of electronic media to reach a global audience, the Metropolitan Opera last season introduced Met Player, a new subscription service that makes much of the company's extensive video and audio catalog of full-length performances available to the public for the first time online in exceptional, state-of-the-art quality. The new service currently offers more than 200 historic audio recordings, and almost 100 full-length opera videos are available, including 28 of the company's acclaimed The Met: Live in HD transmissions, known for their extraordinary sound and picture quality. New content, including HD productions and archival broadcasts, are added monthly.

Metropolitan Opera Radio on SIRIUS XM Radio is a subscription-based audio entertainment service broadcasting an unprecedented number of live performances each week throughout the Met's entire season, as well as rare historical performances, newly restored and remastered, spanning the Met's 78-year broadcast history.

In addition to providing audio recordings through the Met on Rhapsody on-demand service, the Met also presents free live audio streaming of performances on its website once every week during the opera season with support from RealNetworks®.
The Met is also host to the National Council Auditions, the culmination of a series of competitions in search of the next generation of opera singers, held annually in 45 districts and 15 regions throughout the United States and Canada. The National Council Auditions are sponsored by the Metropolitan Opera National Council. Given the reach of the auditions, the number of applicants, and the long tradition associated with them, the Metropolitan Opera National Council Auditions are considered the most prestigious in North America for singers seeking to launch an operatic career. The National Council Audition process was recently captured in an acclaimed documentary by award-winning filmmaker Susan Froemke, The Audition, which was shown on PBS and released on DVD.

The company's groundbreaking commissioning program in partnership with New York's Lincoln Center Theater (LCT) provides renowned composers and playwrights with the resources to create and develop new works at the Met and at Lincoln Center's Vivian Beaumont Theater. The Met's partnership with LCT is part of the company's larger initiative to commission new operas from contemporary composers, present modern masterpieces alongside the classic repertory, and provide a venue for artists to nurture their work. The first work to be produced from this program will be Nico Muhly's debut opera (as yet untitled), set to a libretto by Craig Lucas. A co-production with the English National Opera, the opera will be directed by Bartlett Sher, debuting at the ENO's London Coliseum in June 2011 and at the Met during its 2013-14 season.
The Met audience development initiatives include Open House Dress Rehearsals, which are free and open to the public; the Arnold and Marie Schwartz Gallery Met, which exhibits contemporary visual art; the immensely successful Agnes Varis and Karl Leichtman Rush Ticket program; and an annual Holiday Presentation for families.

 

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