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BWW Review: CHICAGO at Fisher Theatre is Sensational! 10 Reasons Why You Should See It Before It Razzle Dazzles Away!

Chicago is in currently at the Fisher Theatre in Detroit. The razzle dazzle of the late 1920s is captivating audiences telling the story of Roxie Hart, housewife and nightclub dancer, who maliciously murders her on-the-side lover after he threatens to walk out on her. Desperate to avoid conviction, she tricks the public, the media, and her rival cellmate, Velma Kelly, by hiring Chicago's slickest criminal lawyer, Billy Flynn, to transform her malicious crime into a barrage of sensational headlines. The show has been running on Broadway for over 20 years and here are ten reasons why you should see Chicago before it leaves Detroit!

BWW Review: CHICAGO at STARLIGHT THEATRE Kansas City

Chicago at the Starlight Theatre in Kansas City has all that Jazz, and then some! One weekend only, Sept 14-16, 2018 Chicago reminds the audience why it has been one of the longest running musicals on Broadway.

BWW Review: CHICAGO Rocks Sioux Falls

The Washington Pavilion was filled with razzle and dazzle Tuesday night as CHICAGO made its latest tour stop in Sioux Falls as part of its 20th anniversary tour.

BWW Review: Eddie George Kills It in CHICAGO!

'Murder, greed, corruption, violence, exploitation, adultery, treachery...' Where else can you find such debauchery wildly entertaining and darkly alluring? Winner of six Tony Awards, two Olivier Awards, a Grammy, and the longest running show on Broadway, there's no wonder why former NFL superstar and Heisman Trophy winner, Eddie George, teams up with CHICAGO as he debuts in his hometown and kills it in his role as the smooth-talking lawyer, Billy Flynn.

BWW Interview: At Home at the Garry Marshall Theatre with Joseph Leo Bwarie

Theatres have a way of becoming an artist's second home. It doesn't matter if you are a director, designer, actor, or volunteer the countless hours you invest and the close proximity in which you do your work often create friendships that last a lifetime. And each time you step back through those doors you feel like you're coming home. No one knows this to be true more than Joseph Leo Bwarie, whose current home away from home is the Garry Marshall Theatre in Toluca Lake. Bwarie has been connected with the theatre (known formerly as The Falcon) and the Marshall family for many years, and he recently stepped into a co-artistic directorship of the newly-rechristened theatre, along with another longtime Marshall associate, Dimitri Toscas.

Lillias White, John Tartaglia, and More Unite for BROADWAY TO THE RESCUE Benefit

On Saturday, October 14, 2017 at 7PM at The Montalban Theatre in the heart of Hollywood, one of the largest casts of Broadway stars ever assembled in Los Angeles will unite for a one night only event -Broadway to the Rescue: A Benefit for the Homeless. This one of a kind cast, with nearly 100 Broadway credits combined, will recreate and revive some of Broadway's greatest hits, many by the headliners that made them famous.

Garry Marshall Theatre Announces New Name, New Vision, New Artistic Directors

The Garry Marshall Theatre's Board of Directors announces Joseph Leo Bwarie and Dimitri Toscas as the newly-formed nonprofit's first Artistic Directors. Bwarie and Toscas will shepherd the Garry Marshall Theatre into its inaugural season, bringing a bold artistic vision and a focus on community engagement.

Regional Roundup: Top New Features This Week Around Our Broadway World 5/5 - IN THE HEIGHTS in DC, 42ND STREET in Denver, TITLE OF SHOW in Baltimore and More!

BroadwayWorld presents a comprehensive weekly roundup of regional stories around our Broadway World, which include videos, editor spotlights, regional reviews and more. This week, we feature a Spanish adaptation of IN THE HEIGHTS in Washington, DC, HERE LIES LOVE at Seattle Rep, and WEST SIDE STORY in Los Angeles, just to name a few. Check out our top features below!

BWW Review: CHICAGO at Kennedy Center

John Kander and Fred Ebb's murderess musical Chicago is back in town at the Kennedy Center's Opera House. The score is still as good as it ever was, but overall this current tour is missing some of the spark it needs to be totally satisfying.

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