Irregular Entertainment producers David Galpern and Charles Roy, announced today that they are producing a new production of Grease: The Musical starring Janel Parrish (Pretty Little Liars) as Sandy, Katie Findlay (How to Get Away with Murder) as Rizzo, and introducing Dylan S. Wallach (Summer Blink, (Blank) My Life) as Danny, directed by Josh Prince (Beautiful, The Carole King Musical; Shrek, The Musical), this fall at The Elgin & Winter Garden Theatre Centre, 189 Yonge Street, Toronto. Previews begin November 1, 2017, with Opening Night on Thursday, November 9, 2017. Tickets go on sale September 5, 2017.
Signature Theatre will present A Little Night Music directed by Signature Theatre Artistic Director Eric Schaeffer (Broadway's Follies, Gigi). Stephen Sondheim and Hugh Wheeler's Tony Award-winning musical, set in 1900 Sweden, revolves around a tangled web of love affairs. Sondheim's classically inspired score includes 'A Weekend in the Country', 'Liaisons', and the seminal 'Send in the Clowns.' BroadwayWorld has a sexy sneak peek at the cast in character below!
Signature Theatre will present A Little Night Music, directed by Signature Theatre Artistic Director Eric Schaeffer (Broadway's Follies, Gigi). Stephen Sondheim and Hugh Wheeler's Tony Award-winning musical, set in 1900 Sweden, revolves around a tangled web of love affairs. A Little Night Music will run from August 15 - October 8 in Signature Theatre's intimate MAX Theatre. Check out a new trailer for the show below!
The Movement Theatre Company, a Harlem-based nonprofit committed to showcasing emerging artists of color, opened their production of And She Would Stand Like This by Harrison David Rivers, directed by David Mendizabal, choreographed by Kia LaBeija on July 23rd. The show continues its run until August 6, 2017 at the new A.R.T./NY Theatres in the Mezzanine Theatre, located at 502 West 53rd Street and 10th Avenue.
Dick Scanlan (revised book and additional lyrics) deserves a hand for the long process that led to a reinvigorated and refocused version of Meredith Willson's THE UNSINKABLE MOLLY BROWN. A few years ago he started tinkering with this venerable classic, having workshops and readings before finally hitting the stage. Scanlan retains more than a half dozen of the original numbers, and adds some of Willson's trunk songs, as well as some songs written for the movie, to flesh out this tale, which truly highlights the life of Molly Brown in more accurately historical fashion. It's the current production playing at the MUNY, and it's a breath of fresh air, led by Beth Malone's scintillating performance, and staged with a scope that opens the show up like a piece of Colorado real estate. It's an invigorating must-see!
The Movement Theatre Company, a Harlem-based nonprofit committed to showcasing emerging artists of color, presents AND I WOULD STAND LIKE THIS…, a youth centered performance and post show panel led by sexual health educator Erika Hart targeting sexual health, family dynamics, and sexual identity. The panel will take place after the July 28th matinee performance of The Movement's current production And She Would Stand Like This by Harrison David Rivers, directed by David Mendizabal, and choreographed by Kia LaBeija at the A.R.T../New York Theatres in the Mezzanine Theatre. Current partners for this event include The Door, A Center of Alternatives, and Safe Horizon's Streetwork Project.
The Movement Theatre Company, a Harlem-based nonprofit committed to showcasing emerging artists of color, begins rehearsals for the premiere of And She Would Stand Like This by Harrison David Rivers, directed by David Mendizabal, choreographed by Kia LaBeija. The show runs from July 20 - August 6, 2017 at the new A.R.T./NY Theatres in the Mezzanine Theatre, located at 502 West 53rd Street and 10th Avenue. Scroll down for a sneak peek at the company in rehearsal!
Elvis is leaving the building! Producer Lawrence Rosner has announced, today, Attack of the Elvis Impersonators, the campy musical comedy that leaves you howling for more, with book, music and lyrics by Lory Lazarus, will play its final performance Sunday evening, July 30, 2017 at 7:30 p.m. at The Lion Theatre at Theatre Row.
ACI, GALATEA E POLIFEMO (ACIS, GALATEA AND POLYPHEMUS)--which just opened a short run at Brooklyn's National Sawdust venue, ending on July 20, with star countertenor Anthony Roth Costanzo--may be the most obscure Handel opera that you think you know but don't. (And it's not an opera, either, for that matter.)
The Movement Theatre Company, a Harlem-based nonprofit committed to showcasing emerging artists of color, begins rehearsals for the premiere of And She Would Stand Like This by Harrison David Rivers, directed by David Mendizabal, choreographed by Kia LaBeija. The show runs from July 20 - August 6, 2017 at the new A.R.T./NY Theatres in the Mezzanine Theatre, located at 502 West 53rd Street and 10th Avenue. Scroll down for a sneak peek at the company in rehearsal!
Elvis is in the house! Opening Night of the New York premiere of Attack of the Elvis Impersonators, the zany new musical that will leave you howling for more, with book, music and lyrics by Lory Lazarus, at The Lion Theatre at Theatre Row (410 West 42nd Street, between 9th & 10th Avenues) is tomorrow, June 15, 2017 at 8:00 p.m.
Growing up in the 1970's I can't tell you how many times I came across the boxed LP set, complete with booklet, that housed Tim Rice (lyrics) and Andrew Lloyd Webber's (music) classic, JESUS CHRIST SUPERSTAR. For those of us who grew up on the records, and even the movie version, it was a rock, pop, rhythm and blues, funk, and music hall influenced opera that produced a bumper crop of wildly tuneful and intriguing compositions. JESUS CHRIST SUPERSTAR opens The Muny's 99th season and it's a fabulously constructed and performed production that's jaw-droppingly amazing. Back in the day the songs themselves conjured up mental images that are unique to each individual, and on this stage they came alive anew, with loads of energy, and a heavy dose of anachronistic charm. The action is superb, the vocalists shine, the orchestra sounds fantastic, and I simply can't think of more uplifting way to spend an evening under the stars.
Below, BroadwayWorld has a first look at last night's opening night performance of JESUS CHRIST SUPERSTAR at The Muny! The production runs through June 18 in Forest Park.
The Muny announced today its ensemble and design teams for Jesus Christ Superstar, the opening production of its 99th season. Performance dates are set for June 12-18.
This summer, countertenor Anthony Roth Costanzo, a "bona-fide star" (New Yorker) of the Metropolitan Opera, Berlin Philharmonic, Lyric Opera of Chicago, San Francisco Opera, English National Opera, Canadian Opera Company, LA Opera, and Glyndebourne, returns as one of twelve curators to Brooklyn's artist-led National Sawdust (NS), where he will present and perform in a radical reimagining of Handel's dramatic cantata Aci, Galatea e Polifemo, a co-production of National Sawdust and San Francisco's Philharmonia Baroque Orchestra & Chorale (led by conductor Nicholas McGegan).
Everything today, is indeed thoroughly modern. From the cars we drive, to the mobile phones we are glued to, to the latest fashion, American society is all about following latest trends and embracing the fads of the day. This is something that has been the case for generation to generation, even the "roaring twenties", the setting for Goodspeed Muscials' season opener THOROUGHLY MODERN MILLIE. Something else that hasn't changed that much in the last hundred years - the self-starting, determined spirit of young people pursuing their dreams. That too, is on display in living color on the Goodspeed stage through Millie and the quirky characters that inhabit her 1922 New York world. And, in this production, Goodspeed Musicals infuses this tale with energy, fresh vision, and most importantly, fun.
White Guy on the Bus is now being performed at 59e59 Theaters through April 16th. Written by Bruce Graham, directed by Bud Martin and featuring an outstanding cast, this is a brilliant, poignant production.
59E59 Theaters (Elysabeth Kleinhans, Artistic Director; Peter Tear, Executive Producer; Brian Beirne, Managing Director) is thrilled to host the NYC premiere of WHITE GUY ON THE BUS, written by Bruce Graham and directed by Bud Martin.
